
| 21. | AUXILIARIES TO CHANNEL | 
| 
 | FB2 and AUX 3 & 4 are normally in the Monitor path. | 
| 
 | Pressing CHAN routes AUX 3 & 4 to the Channel path, | 
| 
 | while FB2 remains unaltered. | 
| 
 | 
 | 
| 22. | MONITOR PAN | 
| 
 | The Monitor PAN control determines the position of the | 
| 
 | signal within the stereo image. Rotation fully anticlock- | 
| 
 | wise feeds the signal solely to the Left mix buss, while | 
| 
 | rotation clockwise sweeps the image to the Right. | 
| 
 | 
 | 
| 23. | MONITOR FADER | 
| 
 | This rotary control determines the overall level of the | 
| 
 | Monitor signal path. Unity gain point is at approximately | 
| 
 | 7.5 on the scale. | 
| 24. | MONITOR PFL/PEAK LED | 
| 
 | When the PFL switch is pressed, the  | 
| 
 | fed to the Control Room and headphones outputs, | 
| 
 | where it replaces the selected source. The PFL/AFL | 
| 
 | LED on the master section illuminates to warn that the | 
| 
 | monitor and the meters are now responding to the | 
| 
 | PFL/AFL selection and the PFL LED on the input chan- | 
| 
 | nel lights to identify the active channel. | 
| 
 | When the PFL switch is released the LED on the chan- | 
| 
 | nel serves as a PEAK indicator, to warn when an | 
| 
 | excessively high signal level is present in the Monitor | 
| 
 | path. The signal is sampled at two points in the Moni- | 
| 
 | tor path, PRE FADE (PRE HF/LF EQ if in the Monitor | 
| 
 | path). The Peak LED will illuminate approximately 4dB | 
| 
 | before clipping. | 
| 
 | 
 | 
| 25. | MONITOR ON | 
| 
 | The Monitor path is disabled unless the ON switch is | 
| 
 | pressed - except FB2 which is always active. The | 
| 
 | switch is  | 
| 
 | OFF. | 
GROUP SECTION
Page 16