21. | AUXILIARIES TO CHANNEL |
| FB2 and AUX 3 & 4 are normally in the Monitor path. |
| Pressing CHAN routes AUX 3 & 4 to the Channel path, |
| while FB2 remains unaltered. |
|
|
22. | MONITOR PAN |
| The Monitor PAN control determines the position of the |
| signal within the stereo image. Rotation fully anticlock- |
| wise feeds the signal solely to the Left mix buss, while |
| rotation clockwise sweeps the image to the Right. |
|
|
23. | MONITOR FADER |
| This rotary control determines the overall level of the |
| Monitor signal path. Unity gain point is at approximately |
| 7.5 on the scale. |
24. | MONITOR PFL/PEAK LED |
| When the PFL switch is pressed, the |
| fed to the Control Room and headphones outputs, |
| where it replaces the selected source. The PFL/AFL |
| LED on the master section illuminates to warn that the |
| monitor and the meters are now responding to the |
| PFL/AFL selection and the PFL LED on the input chan- |
| nel lights to identify the active channel. |
| When the PFL switch is released the LED on the chan- |
| nel serves as a PEAK indicator, to warn when an |
| excessively high signal level is present in the Monitor |
| path. The signal is sampled at two points in the Moni- |
| tor path, PRE FADE (PRE HF/LF EQ if in the Monitor |
| path). The Peak LED will illuminate approximately 4dB |
| before clipping. |
|
|
25. | MONITOR ON |
| The Monitor path is disabled unless the ON switch is |
| pressed - except FB2 which is always active. The |
| switch is |
| OFF. |
GROUP SECTION
Page 16