
| 16. | MIX & GROUPS  | 
| 
 | The input channel signal is routed to the main STEREO | 
| 
 | mix (MIX) or to the GROUPS as stereo pairs  | 
| 
 | 6,  | 
| 
 | 
 | 
| 17. | CHANNEL FADER | 
| 
 | This  | 
| 
 | channel in the mix and provides a clear visual indica- | 
| 
 | tion of channel level. Normal operating position is at | 
| 
 | the ‘0’ mark, providing 10dB of gain above that point if | 
| 
 | required. | 
| 
 | 
 | 
| 
 | INPUT - MONITOR PATH | 
| 
 | 
 | 
| 
 | 
 | 
| 18. | TAPE SEND & RETURN | 
| 
 | The TAPE SEND is normally fed from one of the 8 | 
| 
 | GROUP outputs. These are repeated across each 8 | 
| 
 | channels, e.g. Group 1 feeds Tape Sends 1,9,17 and | 
| 
 | Group 2 feeds Tape Sends 2,10,18 etc. When the DI- | 
| 
 | RECT switch (8) is pressed the Tape Send receives | 
| 
 | only that channel output instead. | 
| 
 | The electronically balanced TAPE RETURN is the nor- | 
| 
 | mal input to the MONITOR path but is swapped to the | 
| 
 | Channel path when CHANMNTR INPUT REV (7) is | 
| 
 | pressed. | 
| 
 | 
 | 
| 19. | TAPE TRIM | 
| 
 | This  | 
| 
 | of gain trim on the Tape Return input. Note that the | 
| 
 | |
| 
 | type Tape Machines. For matching  | 
| 
 | the control will need to be reset to about the ‘3 o’clock’ | 
| 
 | position. | 
| 
 | 
 | 
| 20. | AUXILIARY SENDS (see 12 above) | 
| 
 | The MONITOR path normally has a  | 
| 
 | (FB2) send, and two  | 
3,4) as described for the Channel path. AUX 3 & 4 may be switched to the Channel path by the CHAN switch if required.
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