10. | EQ TO MONITOR |
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| As mentioned above, the HF/LF EQ section is usually | ||||||
| in the Channel path. Pressing EQ TO MNTR switches | ||||||
| these controls to the Monitor path, while leaving the | ||||||
| HIGH MID and LOW MID controls in the Channel path. | ||||||
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11. | HIGH AND LOW MID SWEEP EQ | ||||||
| The HMID and LMID EQ controls are usually in the | ||||||
| Channel path, and by careful choice of frequency limits | ||||||
| provide a comprehensive range of equalisation. The | ||||||
| two pairs of knobs are arranged as a CUT/BOOST con- | ||||||
| trol (lower knob) of | ||||||
| Frequency Response Curves of the Equaliser | ||||||
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| dB HI MID Section |
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| dB LOW MID Section |
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| Frequency/Hz |
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| control which determines at which frequency the | ||||||
| boost/cut action will be centred. The HMID control | ||||||
| covers a range from 500Hz to 16kHz, and the LMID | ||||||
| control covers a range from 50Hz to 1.6kHz. | ||||||
| Note that when the CHANMNTR INPUT REV switch (7) | ||||||
| is pressed this section, along with the rest of the Chan- | ||||||
| nel path controls, are fed by the Tape Return signal. | ||||||
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12. | AUXILIARY SENDS |
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| These controls route the input channel signal to any | ||||||
| one or | more | Auxiliary | busses. These are separate | |||
Page 13