Peavey RQ 4300 Series manual Section Master, Entrees Stereo LIGNE-RCA

Page 38

(20)ENTREES STEREO LIGNE-RCA

Ces fiches RCA sont des entrées assymétriques de niveau ligne pour signal stéréo (L/R). Ils sont connectés en parallèle avec les entrées ligne jack du même canal (20).

SECTION MASTER

48

 

 

AUX

 

 

AUX

 

 

AUX

 

 

 

 

SEND 1

 

SEND 2

 

SEND 3

 

 

 

 

3

0

LEVEL

 

3 0

LEVEL

 

3 0

LEVEL

 

 

6

 

3

 

 

6

3

 

6

3

 

 

 

 

15

 

 

5

 

 

15

5

 

15

 

5

 

 

 

 

40

10dB

 

 

40

10dB

 

40

10dB

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

MUTE/

 

 

 

MUTE/

 

 

MUTE/

 

 

 

 

 

PEAK

 

 

 

PEAK

 

 

PEAK

 

 

 

MASTER

21

 

SIG/

 

 

 

SIG/

 

 

 

SIG/

 

 

 

 

AFL

 

 

 

AFL

 

 

 

AFL

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

AUX

 

 

AUX

 

 

AUX

 

 

AUXILIARY

 

SEND 4

 

SEND 5

 

SEND 6

 

 

 

3

0

LEVEL

 

3 0

LEVEL

 

3 0

LEVEL

 

6

 

3

 

 

6

3

 

6

3

 

 

 

15

 

 

5

 

 

15

5

 

15

 

5

 

 

 

40

10dB

 

 

40

10dB

 

40

10dB

 

 

 

 

 

 

 

 

 

 

 

 

 

 

MUTE/

 

 

 

MUTE/

 

 

MUTE/

 

 

 

 

22

PEAK

 

 

 

PEAK

 

 

PEAK

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

SIG/

 

 

 

SIG/

 

 

 

SIG/

 

 

 

 

23

 

AFL

 

 

 

AFL

 

 

 

AFL

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

COMP 1 COMP 2 COMP 3 COMP 4

 

 

COMPRESSOR I/O

COMPRESSOR I/O

COMPRESSOR I/O

COMPRESSOR I/O

 

24

SUBGROUP

 

SUBGROUP

SUBGROUP

 

SUBGROUP

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

EXTERNAL

 

 

EXTERNAL

EXTERNAL

 

EXTERNAL

 

 

 

 

6

GAIN

 

6

GAIN

6

GAIN

 

6

GAIN

 

25

4

 

8

(dB)

4

 

8 (dB)

4

8 (dB)

4

 

8

(dB)

 

2

 

10

 

2

 

10

2

10

 

2

 

10

 

 

 

 

 

 

 

 

 

 

26

0

 

12

 

 

0

12

0

12

 

0

12

 

 

DYNAMICSDYNAMICS

 

 

 

 

 

LINK 1/2

 

 

 

LINK 3/4

 

 

 

 

 

1

 

 

 

1

 

1

 

 

 

1

 

27

 

 

3

 

 

 

3

 

3

 

 

 

3

 

 

 

6

 

 

 

6

 

6

 

 

 

6

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

9

 

 

 

9

 

9

 

 

 

9

 

 

 

 

12

 

 

 

12

 

12

 

 

 

12

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

GAIN

 

 

GAIN

GAIN

 

 

GAIN

 

 

 

REDUCTION

 

 

REDUCTION

REDUCTION

 

REDUCTION

 

 

 

 

THRESHOLD

 

THRESHOLD

THRESHOLD

 

THRESHOLD

 

 

 

-5

(dB)

 

-5

(dB)

-5

(dB)

 

 

-5

(dB)

 

28

-15

 

+5

 

-15

 

+5

-15

+5

 

-15

 

+5

 

 

-25

 

+15

-25

 

+15

-25

+15

 

-25

 

+15

 

 

 

 

 

 

 

 

-30

OFF

 

-30

OFF

-30

OFF

 

-30

OFF

 

 

 

0 dBu (INPUT)

 

0 dBu (INPUT)

0 dBu (INPUT)

 

0 dBu (INPUT)

 

 

 

SUB 1 SUB 2 SUB 3 SUB 4

 

CLIP

LEFT

CLIP

LEFT

CLIP

LEFT

CLIP

LEFT

 

 

 

 

29

+6

 

+6

 

+6

 

+6

 

 

 

 

 

 

 

0

RIGHT

0

RIGHT

0

RIGHT

0

RIGHT

 

 

 

 

 

 

-20

 

-20

 

-20

 

-20

 

30

 

MONO

 

MONO

 

MONO

 

MONO

311 2 3 4

MUTE

MUTE

MUTE

MUTE

10 AFL

10 AFL

10 AFL

10 AFL

32

 

 

 

6

6

6

6

3

3

3

3

0

0

0

0

6

6

6

6

12

12

12

12

20

20

20

20

30

30

30

30

33

RETURN

RETURN

POWER

1

2

 

 

LOW CUT

 

LOW CUT

 

 

 

34

 

(150 Hz)

 

 

(150 Hz)

 

 

 

 

3

0

 

AUX

3

0

 

AUX

 

 

TM

 

3

3

 

 

 

 

6

 

1

6

 

1

 

 

 

 

 

 

 

 

 

 

 

 

15

 

5

 

15

 

 

 

 

 

 

 

40

 

10dB

 

40

 

10dB

 

 

 

 

35

 

 

 

 

 

 

 

 

 

3

0

3

AUX

3

0

3

AUX

PHANTOM

 

6

 

2

6

 

2

 

15

 

5

 

15

 

5

 

POWER

 

40

 

 

 

40

 

 

 

(+48V)

 

 

10dB

 

 

10dB

 

 

 

 

 

 

 

 

 

 

 

 

 

1-16

 

 

 

 

 

 

 

 

 

 

 

 

1/2

 

3/4

1/2

 

3/4

 

 

 

41

 

 

 

 

17-24

 

 

 

 

 

 

 

 

 

 

 

 

L/R

 

MONO

L/R

 

MONO

 

 

 

 

 

C

 

BAL/

 

C

 

BAL/

HEADPHONE

36

 

 

 

PAN

 

 

 

PAN

 

 

 

L

 

R

 

L

 

R

 

 

 

 

37

 

 

 

 

 

 

 

42

3

0

3

LEVEL

3

0

3 LEVEL

 

 

 

6

 

 

 

6

 

 

 

 

 

 

 

15

 

5

 

15

 

5

 

 

 

 

38

40

 

10dB

 

40

 

10dB

 

 

 

 

 

 

 

 

 

 

 

 

 

 

MUTE/

 

 

MUTE/

 

 

HEADPHONE LEVEL

39

PEAK

 

 

 

PEAK

 

 

 

4

5

6

AFL

 

 

 

AFL

 

 

 

3

 

7

43

 

 

 

 

 

 

1

 

9

SIG/

 

 

SIG/

 

 

2

 

8

 

0 10

40

DESIGNED IN U.S.A.

 

 

 

 

44

L

R

MONO

45

 

 

 

 

AFL/PFL ACTIVE

 

CLIP

CLIP

CLIP

CLIP

 

9

9

9

9

 

6

6

6

6

 

3

3

3

3

 

0

0

0

0

 

3

3

3

3

 

6

6

6

6

 

9

9

9

9

 

15

15

15

15

 

21

21

21

21

 

27

27

27

27

 

33

33

33

33

 

MASTER

L R MONO

10

 

 

 

 

 

 

 

 

 

 

 

10

10

 

 

 

 

 

 

 

10 AFL

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

6

 

 

 

 

 

 

 

 

 

 

 

6

6

 

 

 

 

 

 

 

6

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

3

 

 

 

 

 

 

 

 

 

 

 

3

3

 

 

 

 

 

 

3

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

0

 

 

 

 

 

 

 

 

 

 

 

0

0

 

 

 

 

 

 

0

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

6

 

 

 

 

 

 

 

 

 

 

 

6

6

 

 

 

 

 

 

6

 

 

 

 

 

46

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

12

 

 

 

 

 

 

 

 

 

 

 

12

12

 

 

 

 

 

 

12

 

 

 

 

 

20

 

 

 

 

 

 

 

 

 

 

 

20

20

 

 

 

 

 

 

20

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

30

 

 

 

 

 

 

 

 

 

 

 

30

30

 

 

 

 

 

 

30

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

47

38

Image 38
Contents 4300 Series Page Introduction Explanation of TermsConnector Wiring UnpackingLine Rear Panel ConnectionsInsert MICMID Freq Channel Fader Super ChannelsStereo Channels PolarityMaster Section Stereo RCA Line InputsAFL SWITCH/AFL-SIGNAL LED Master Section Features and Controls AUX SendsMute SWITCH/MUTE-CLIP LED CompressorsLEFT, RIGHT, Mono Output Assign ThresholdSUB Groups MUTE/MUTE LEDHeadphone Level Phantom PowerHeadphone Output LEFT/RIGHT Level DisplaysRear Panel Connections Power Switch PowerRemovable Power Cord Compressor I/O INPUT/OUTPUTBlock Diagram Left, Center, Right Configuration Stereo Configuration RQ 4324 and 4332 Sound Reinforcement Mixer Output Specifications Total Harmonic Distortion THDPower Requirements Signal / Overload IndicatorsLamp Power Equivalent Input Noise EINIntoducción Explicación DE LOS TérminosCableado DE Conectadores Micro DesempaqueLínea Controles DE LOS Canales GananciaEQ Agudo Interruptor DE PFL/LED DE Señal PFL Super CanalesInterruptor DE Mute Fader DE CanalEntradas DE Línea Estéreo RCA Canales EstéreoEntradas DE Línea DE 1/4 Estéreo Sección Maestra NivelCompresores LED DE MUTE/SATURACIÓNLED DE AFL 24 I/O DEL CompresorIZQUIERDO, Derecho Y Mono Asignación DE Salida UmbralSUB Grupos LED DE Nivel MUTE/ LED DE MuteInterruptor AFL/LED DE AFL Corte DE Graves36 1/2, 3/4, L/R, Mono Asignaciones Poder PhantomMedidores IZQUIERDO/DERECHO Salida DE AuricularesNivel DE Auriculares Muestra DE Nivel Mono AFL/PFLConexiones DEL Panel Trasero Corriente Français Explication DES TermesStandarts DE Connexion DeballageConnections Panneau Arriere MICMID Freq Canaux Stereo PFL SWITCH/SIGNAL-PFL LEDSupers Canaux Entrees Stereo LIGNE-JACKSection Master Entrees Stereo LIGNE-RCAMute SWITCH/MUTE-CLIP LED Gain Reduction Leds Leds de niveau de perte de gain Returns Rear Panel Connections Power Einleitung Erklärung DER BegriffePage Standardkanäle Verdrahtung DER SteckerAuspacken Kanäle 1-20 RQ 4324 UND 1-28 RQKANAL-SCHIEBEREGLER MUTE-SCHALTER/MUTE-CLIP-LED PFL-Schalter/SIGNAL-PFL-LED11 AUX Stereo 1/4 LINE-EINGÄNGE Super ChannelsStereo Channels Stereo RCA LINE-EINGÄNGEPhantom Power Funktionen UND Regler DER MASTER-STUFE AUX SendsAFL-SCHALTER/AFL-SIGNAL-LED KompressorenMUTE/MUTE-LED Gain REDUCTION-LEDsLEVEL-LEDs 32 AFL/AFL-LEDAUX 1 und AUX LEFT/RIGHT LEVEL-ANZEIGEN Mono AFL/PFL LEVEL-ANZEIGEAnschlüsse AN DER Rückseite 49 L, R, Mono Insert POWER-LED47 L & R Master Fader 50 L, R, Mono Unbal Unsymmetrierter AusgangAUX 1-4 OUT Symmetriert Compressor I/O EINGANG/AUSGANGAUX 1-6 OUT Unsymmetriert Stromversorgung Abziehbares StromkabelPage Peavey Electronics Corporation Limited Warranty Important Safety Instructions 2001

RQ 4300 Series specifications

The Peavey RQ 4300 Series is a versatile line of ultra-reliable mixing consoles designed to cater to a wide range of audio needs. Whether for live performances, studio recording, or installation in various venues, the RQ 4300 Series delivers exceptional audio quality and user-friendly features. One of the leading characteristics of this series is its robust construction, engineered to withstand demanding environments while ensuring longevity and stability.

At the heart of the RQ 4300 Series is a comprehensive input system that includes multiple channels with XLR and line inputs. This allows for seamless connections to microphones, instruments, and other audio sources. Each channel features a three-band EQ, giving users fine control over their audio mix. The EQ enables adjustments to boost or cut frequencies, assisting sound engineers in achieving the perfect tonal balance.

One standout feature of the RQ 4300 is its built-in effects processor. This processor offers a variety of effects ranging from reverb to delay, allowing users to enhance their sound without needing external effects units. This all-in-one approach simplifies the setup and reduces clutter in performance spaces or studios.

Additionally, the series incorporates Peavey’s high-quality preamps, known for their clarity and low noise levels. This ensures that every detail of the audio source is captured accurately, whether it's a subtle vocal nuance or the richness of an acoustic instrument. The RQ 4300’s dynamic range guarantees minimal distortion, maintaining audio fidelity throughout performances.

Another significant characteristic is the intuitive layout of controls. The console is designed for ease of use, with clear labeling and ergonomically placed faders and knobs. This user-centric design allows sound engineers to operate the console confidently, even during high-pressure situations like live shows.

Connectivity is further enhanced by the inclusion of stereo outputs, aux sends, and subgroups, which facilitate various routing options for mixed audio. This versatility supports diverse applications, making the RQ 4300 ideal for both novice users and experienced professionals.

In conclusion, the Peavey RQ 4300 Series stands out as a dependable choice for anyone in the audio industry. With its combination of rugged build quality, sophisticated features, and intuitive design, it empowers users to deliver outstanding sound in any setting. Whether for live sound reinforcement, studio tracking, or installation, the RQ 4300 is tailored to meet the demands of modern audio production.