DigiTech RP21D manual Reverbs

Page 42

 

RP21D User’s Guide

Section Two - Editing Functions

 

 

Loop

This parameter will engage, or disengage the loop function. With the loop function engaged, the sampled signal

 

will automatically continue to repeat. Range on and off.

 

Over Dub

This parameter allows you to play one passage in to the sampler, and then layer another passage over the top of

 

the first one. In other words, the two samples will combine. Ranges on and off.

RecPB

This selects whether the sampler is about to record a sample, or playback the existing sample. When no sample

 

has been recorded, this will default automatically to the record mode. After a sample has been recorded, it will

 

default to playback mode. Range record and playback.

 

Trig

This is the trigger parameter. Every time that the trig parameter is adjusted, it will repeat the recorded sample

 

from the beginning.

 

Start Time

This parameter allows you to trim the beginning of the sample. If for instance the recorded sample has an

 

undesired pause or noise at the beginning of it, the start time may be used to remove this from the sample. Range

 

varies depending on the size of the module.

 

End Time

This parameter allows you to trim off the end of the sample. If the sample had recorded more than you wanted it

 

to, this excess in the recording may be removed. Ranges vary depending on the size module that was used.

AudTrg

This is an on/ off parameter, which selects whether the recorded sample can be triggered (told to repeat) by the

 

incoming audio signal, or not. Range on and off.

 

AudThr

This parameter selects the strength of the audio signal necessary to trigger the sample when the “”audio trigger”

 

parameter has been set to on. Ranges from off to 100%

 

RecLvl

Adjusts the volume level of the source signal as it is recorded.

 

Direct

Adjusts the volume of the dry signal, or the signal that will pass through the sampler.

PlyLvl

Adjusts the volume level of the signal after it has been recorded by the sampler.

Reverbs

Reverberation is probably the most widely used effect because it allows you to simulate the sound reflection characteristics of almost any kind of room. In a real room, reverb is a result of sound reflecting off room surfaces such as the walls, floor, ceiling, and objects in the room. The materials, size, and shape of the room determine how long these reflections echo and decay before dying out completely. These factors also help determine the audio characteristics of the room, such as how long the high-frequency reverberations ring when compared to the low frequencies, or how much initial "slapback" the room wall produces when a sound hits.

Today’s technology allows the RP-21D to offer a complete palette of flexible, easy to use reverbs. There are seven basic reverbs to choose from:

1)Reverb - Simple, straight ahead reverb with only the most basic parameters.

2)Dual Reverb - Multi-dimensional reverb with flexible frequency band-splitting capabilities. The reverb can be divided into primary and secondary stages using selectable High or Low Pass cross-overs.

3)Stereo Dual Reverb - A true stereo version of the Dual Reverb.

4)Stereo Reverb - A true stereo version of the Reverb Module.

5)Gated Reverbs - A very linear, high energy reverb that can be set to decay, stay flat, or ramp up the reverb decay, creating many unique ambient effects.

6)Spring Reverb - A recreation of the old Spring Tank Reverb found in Vintage and Modern combo Amps.

7)Room Echo - A true stereo, multi-tap delay for creating small ambient spaces. The delays are divided into four sections of early reflections. These reflections can be placed anywhere in the stereo field and can be as dense or sparse as necessary. The Room Delay also includes a feedback loop for delay regeneration.

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Contents
Page Mains Plug Warning Digitech Electronics RP21, RP21DDigitech III Table of Contents RP21D Features IntroductionMaking Connections Apply PowerQuick Start Select ProgramGuided Tour of the RP21D Front PanelRear Panel Getting Started Making ConnectionsStereo About the RP21D Powering the RP21DProgram Mode DisplayExpression Pedal FootswitchesPrograms EffectsPreamp/Analog Modules Digital Effects ModulesEdge of the Earth Creating Programs Preamp DefaultsSelecting a Program Editing the PreampHeavy CompressorCompressor ThreshRatio AttackMediumLevel CompressorWah Pedal Toe Heavy Wah WahTube Distortion Tube DistortSaving a Distortion Default Type Dirty Tube GainLow Fuzz Solid State DistortionDistort Type FuzzTube GEQ Level PhaseBand Graphic Equalizer PunchNoise Gate 80Hz 140Hz 250Hz 450HzTube GEQ Custom Post T&D Noise Gate LoThreshTypeSilencer2 ThreshAtten AttackRelseMaster Preamp Settings Noise Gate CustomDISTPan Mix TubeOn Lvl DSPLvl Mstr DistByp Lvl DSPLvl MstrPreAmp Custom Storing a User Preamp DefaultNaming a Default NameUserDefault List RP21D User’s Guide Section Two Editing Functions Configuration Digital EffectsCenter Changing EffectsFXThru Module FX Dual ChoFXLvl DryLvl Balance Speed Depth WvFrmDlyA DlyB Balance OutA PanA OutB PanBEffect Types Choruses and FlangersChorus Chorus Parameters Flanger Flanger ParametersPedal Phaser PhasersPhaser Parameters Pedal Phaser ParametersFeedback Rotary Speaker SimulatorTremolo and Auto-Panner Rotary Speaker Simulator Parameters Auto Panner Delays Tremolo Tremolo & Auto Panner ParametersDelay Parameters FX Lvl Dry Lvl Balance Dly Time FdBck TapIt SmearFrequency Gain Dly a B Dly C D Out Multi Effects Modules Chorus/Delay and Flange/Delay Multi-Effect Module ParametersReverse Delay Time WarpSampler Reverbs Reverb Parameters ReverbGated Reverb TypeOver Type DispersionDiffusion Over FreqDetuners Delay CDelay D Increasing, Shelf, and Reverse ShelfDtn C D Pitch Shifters and HarmonyDtn a B Dtn E -HPitch Shifters Parameters Whammy Effects Auto WahWhammy Effect Parameters Graphic Equalizers Auto Wah Effect ParametersEqualizers Here are a couple of simple examplesParametric Equalizers Parametric Equalizer ParametersMaster Mix Dry Wet Master MixCabinet Emulator CabEmType Pre DigitalStoring/Copying Programs NameStyx And StonesStore Prg toStyx And Sto Assigning Programs Select Contrl F.SwitchFoot Controller Functions Assigning On/Off FunctionsRe-assign F.switch ? Expression Pedal AssignmentsAssigning the Morph or Volume Assigning the WahSeries Low Frequency Oscillators ModifiersDynamic Filters Midi Continuous ControllersViewing, Changing, or Deleting Assignments FXLvl CC # Min MaxTuner Midi Channels Output ModeCabinet Emulation OutputMonoMidi RcvChnl TransChnl Program Receive MapProgram Transmit Map Prg Rcv MapMIDI= UserSysEx Channel and Midi Merge SysEx DumpSysEx Channel Midi Merge SysExDump Bulk System User Default DumpProgram Dumps SysExDump UserPrg³PrgNumUsrDfltPreamp User Assigning a Midi CC to PedalsAssigning a Midi CC to the Expression Pedal PdlsBanks FS=Prg CCTranFactory Reset? Volume Pedal UpdateFactory Reset Bank NamesRecalibrate Pedal ? Recalibrating the Expression PedalAre you sure ? Push pdl forward,pressSection Five Appendix RP21D Factory Program ListSpecifications Input SectionRemarks Recognized
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