Fostex DE-10 owner manual Plate, Vocal, DLY+REV Delay+Reverb

Page 6

DE-10 Owner’s Manual

• PLATE

PLATE 1 (Normal Plate)

: Contemporary-feeling plate reverb with a wide bandwidth.

PLATE 2 (Old Plate)

: Conventional plate reverb with the character of classic plate devices.

PLATE 3 (Vivid Plate)

: Crisp plate reverb with extended highs.

PLATE 4

(Lo-Freq Plate)

: Plate reverb with a gentle character.

PLATE 5 (Sharp Plate)

: Plate reverb with only the high-frequency component.

PLATE 6 (Mono Plate)

: Plate reverb panned to the center.

PLATE 7 (Dark Plate)

: Plate reverb with rapidly decaying highs and lingering lows.

PLATE 8

(Hi-Freq Plate)

: Plate reverb with unique character in the high range.

PLATE 9

(Mid-Freq Plate)

: Plate reverb with unique character in the mid range.

PLATE 10 (Large E/R Plate)

: Plate reverb emphasizing a digital feel, with metallic-sounding early reflection.

PLATE 11 (Flat Plate)

: Plate reverb with low-density reverberation.

* [ADJUST] knob: Adjust the Reverb Time.

INPUT

PLATE

OUTPUT (L)

OUTPUT (R)

• VOCAL

VOCAL 1 (Standard Vocal)

: The early reflections of an ideal vocal booth plus short reverberation with extended high range. This

 

adds sparkle to the sound, and is effective when you want to make the vocal stand out in the ensemble.

VOCAL 2 (Karaoke)

: All-around reverb that makes any vocal sound great (!?)

VOCAL 3 (Vocal Booth)

: The early reflections of an ideal vocal booth plus short reverberation. This adds a natural feeling of air,

 

and is effective with simple arrangements with an unhurried vocal.

VOCAL 4 (Warm Vocal)

: Reverb with a short delay and a plate character. Adds depth to the sound.

VOCAL 5 (Diffusion Vocal)

: Spacious stadium-type early reflections plus short reverberation with extended high range. Good for

 

chorus parts.

VOCAL 6 (Natural Vocal)

: Easy to use vocal reverb with moderate delay and reverberation.

VOCAL 7 (Vivid Vocal)

: Reverb that adds depth and spaciousness to the sound. A good high range makes this ideal for chorus

 

parts as well.

VOCAL 8 (Wet Vocal)

: A short delay plus a gentle reverb. Recommended for slow songs.

VOCAL 9 (Doubling Vocal)

: Spacious short delay plus a reverb with a real plate character. Blends naturally into any background.

VOCAL 10 (Dry Vocal)

: Spacious short delay plus short reverberation.

VOCAL 11 (Stadium Vocal)

: Stadium-type early reflection plus majestic reverb. Adds depth and spaciousness to a vocal.

* [ADJUST] knob: Adjust the Reverb Time.

INPUT

VOCAL

OUTPUT (L)

OUTPUT (R)

• DLY+REV (Delay+Reverb)

DLY+REV 1 (Mono Delay+Hall Reverb) DLY+REV 2 (L-R Delay+Hall Reverb) DLY+REV 3 (Diffusion Delay+Hall Reverb) DLY+REV 4 (Mono Delay+Room Reverb) DLY+REV 5 (L-R Delay+Room Reverb) DLY+REV 6 (Diffusion Delay+Room Reverb) DLY+REV 7 (Mono Delay+Plate Reverb) DLY+REV 8 (L-R Delay+Plate Reverb) DLY+REV 9 (Diffusion Delay+Plate Reverb) DLY+REV 10 (Mono Single Delay+Plate Reverb) DLY+REV 11 (L-R Single Delay+Plate Reverb)

* [ADJUST] knob: Adjust the Delay Time.

:Mono delay + hall reverb.

:Panning delay + hall reverb.

:Spacious delay + hall reverb.

:Mono delay + room reverb.

:Panning delay + room reverb.

:Spacious delay + room reverb.

:Mono delay + plate reverb.

:Panning delay + plate reverb.

:Spacious delay + plate reverb.

:Mono delay (without feedback) + plate reverb.

:Panning delay (without feedback) + plate reverb.

INPUT

 

 

DELAY

 

 

 

 

 

REVERB

OUTPUT (L)

OUTPUT (R)

• DELAY

DELAY 1 (Mono Delay)

: Typical mono delay with moderate feedback.

 

DELAY 2 (L-R Delay)

: Typical panning delay with moderate feedback.

 

DELAY 3 (Diffusion Delay)

: Spacious mono delay with moderate feedback.

 

DELAY 4 (Mono Single Delay)

: Typical mono delay without feedback.

 

DELAY 5 (L-R Single Delay)

: Typical panning delay without feedback.

 

DELAY 6

(Diffusion Single Delay)

: Spacious mono delay without feedback.

 

DELAY 7

(Mono Doubling)

:

Mono doubling delay.

 

DELAY 8

(Diffusion Doubling)

:

Stereo doubling delay.

 

DELAY 9

(Lo-Freq Delay)

: Delay Type 1 with only the low-frequency components.

DELAY 10 (Hi-Freq Delay 1)

: Delay Type 2 with only the high-frequency components.

DELAY 11 (Hi-Freq Delay 2)

: Delay Type 1 with only the high-frequency components.

* [ADJUST] knob: Adjust the Delay Time.

 

DELAY

 

 

 

INPUT

 

 

 

 

 

 

 

 

 

 

 

 

 

OUTPUT (L)

OUTPUT (R)

6

Image 6
Contents 24bit Dual Multi Effect Processor 8588 013Safety Instructions Table of Contents About A.S.P.+ P. Fostex Advanced Signal Processing TechnologyDigital Effect Functions A. Harmonic Feedback AlgorithmHall Small Hall Details of the Preset EffectsHall Large Hall RoomPlate DLY+REV Delay+ReverbDelay VocalPitch Misc MiscellaneousChorus FlangeHall Effect 2ADJUST knob PARAM.2 DLY + REV Delay + ReverbEffect 1ADJUST knob PARAM.1 DLY+REVPITCH-1, 2 PITCH-14, 5, 6, 7, 8, 9, 10FLANGE-1, 2, 3, 4, 5 FLANGE-7, 8, 9, 10ROOM-8 ROOM-6ROOM-7 ROOM-9MIC SIM Microphone Simulation AMP SIM Amplifier SimulationDistortion MULTI-4, 5, 6, 7, 8, 9, 10 Guitar MultiMULTI-1, 2 DIST-8Bass Multi Vocal MultiEffect 2 MIX/PARAM control and indicator Power switch and indicatorNames and Functions Rear panel section Output 2 jacks L MONO, RAbout Peak indicator How to use the Dual ModeFront panel settings About features of the Dual ModeGuitar How to use the Single 1/2 ModeAbout features of the Single Mode Board provides a mono outWhen selecting Single Single 1/2 mode, these controls and indi Cators are not usedInput x 3 Line Input x Dual ModeSingle 1/2 Mode MIC/GUITAR xDenmark AustriaBelgium Finland