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• MISC (Miscellaneous) |
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MISC 1 (Random E/R) | : Random early reflections. When applied to instruments with a slow attack, this produces a | |
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| natural feeling of air and space. |
MISC 2 (Soft Random E/R) | : Random early reflections. Less high range than MISC 1, so suitable for backing tracks. | |
MISC 3 (Tight Random E/R) | : Random early reflections with only | |
MISC 4 (Long E/R) | : Miraculous ambience that could not exist in the real world, with early reflections that continue | |
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| without being covered by reverberant components. |
MISC 5 (Short E/R) | : Random early reflections at close spacing appear all at once. Effective for giving natural | |
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| spaciousness to |
MISC 6 | (Large Hall E/R) | : Early reflections of a large hall. |
MISC 7 | (Soft Large Hall E/R) | : Early reflections of a large hall. Gentler sound than MISC 4. |
MISC 8 | (Small Hall E/R) | : Early reflections of a small hall. |
MISC 9 | (Soft Small Hall E/R) | : Early reflections of a small hall. Gentler sound than MISC 6. |
MISC 10 (Reverse E/R) | : Early reflections of reverse reverb. Effective on vocal or brass section. | |
MISC 11 (Gate Reverb) | : Gated early reflection with a crisp cutoff. |
* [ADJUST] knob: Adjust the size of the room.
INPUT
MISC
OUTPUT (L)
OUTPUT (R)
• CHORUS
CHORUS 1 (Natural Chorus) | : | Conventional chorus with fairly shallow depth, suitable for any sound. Adds a natural | |
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| spaciousness and depth without changing the character of the original sound. |
CHORUS 2 (Deep Chorus) | : | Chorus with greater depth. Suitable when you want to aggressively modify the sound of an | |
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| electric piano, etc. |
CHORUS 3 (Doubling Chorus) | : | Conventional chorus, plus a doubling effect created by a short delay. | |
CHORUS 4 (Mono Chorus) | : | Light chorus panned to center. Adds natural depth and warmth to vocals or sax, etc. | |
CHORUS 5 (Mono Doubling Chorus) | : | The effect of CHORUS 4 plus a doubling effect created by a short delay. | |
CHORUS 6 (Mono Deep Chorus) | : | Deep chorus panned to center. Effective for adding body to a | |
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| bass. |
CHORUS 7 | (Mono Deep Doubling Chorus) : | The effect of CHORUS 6 plus a doubling effect created by a short delay. | |
CHORUS 8 | : | Chorus applied only to the | |
CHORUS 9 | : | Chorus applied only to the | |
CHORUS 10 (Mono Delay Chorus) | : | Pitch chorus that adds depth to the sound by slightly shifting the pitch. | |
CHORUS 11 | : | Pitch chorus panned to the center. |
* [ADJUST] knob: Adjust the depth of the chorus.
INPUT
CHORUS
OUTPUT (L)
OUTPUT (R)
• PITCH
PITCH | : Pitch shift with a variable range of |
| Select one of three variations: PITCH 1 is normal, PITCH 2 has faster response, and PITCH 3 |
| is clearest. |
PITCH | : Pitch shift with a variable range of 0— +2 octaves. (+1 octave when ADJUST = 0.) |
| Select one of three variations: PITCH 4 is normal, PITCH 5 has faster response, and PITCH 6 |
| is clearest. |
PITCH | : Pitch shift with a variable range of |
| Select one of three variations: PITCH 7 is normal, PITCH 8 has faster response, and PITCH 9 |
| is clearest. |
PITCH 10 (Pitch Delay) | : Pitch shift with delayed feedback. Offsetting the pitch will produce interesting results. |
PITCH 11 (SFX Pitch) | : Pitch shift that produces a strange effect like a simulation of a space alien. We recommend that |
| you set ADJUST to 0. |
* [ADJUST] knob: Adjust the amount of pitch change.
INPUT
PITCH
OUTPUT (L)
OUTPUT (R)
• FLANGE
FLANGE 1 (Dual Flange) | : | Dual flanging in which two effect sounds with different modulation phase are heard from left | |
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| and right. Deep feedback. |
FLANGE 2 (Dual Flange | : | Dual flanging. Light feedback. | |
FLANGE 3 (Dual Flange | : | Dual flanging. Almost no feedback. | |
FLANGE 4 | : | Flanging with modulation in the | |
FLANGE 5 | (Double Width Flange | ||
FLANGE 6 | : | Flanging applied only to the | |
FLANGE 7 | : | Flanging applied only to the | |
FLANGE 8 (Mono Dual Flange) | : | Two types of flanging heard from the center. Deep feedback. | |
FLANGE 9 | (Mono Dual Flange | : | Two types of flanging heard from the center. Light feedback. |
FLANGE 10 (Mono Single Flange) | : | One effect heard from the center. Deep feedback. | |
FLANGE 11 (Mono Single Flange | One effect heard from the center. Light feedback. |
* [ADJUST] knob: Adjust the modulation speed of the flanging.
INPUT
FLANGE
OUTPUT (L)
OUTPUT (R)
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