Fostex DE-10 owner manual Details of the Preset Effects, Hall Large Hall, Hall Small Hall, Room

DE-10 Owner’s Manual

The Details of the Preset Effects

The DE-10 has 11 preset Effect Types available on both the Dual Mode and Single 1/2 Mode. Each Effect Type further offers a maximum of 11 variations. See Operations on page 18 and 19 for how to set up the Preset Effects.

Effects in DUAL MODE

• L.HALL (Large Hall)

L.HALL 1	(Natural Large Hall)	: Conventional large hall, with sonic detail, clarity, and an appropriate amount of early reflections.
L.HALL 2 (Lo-Freq Large Hall)		: Large hall with lingering low-frequency reverb components.
L.HALL 3	(Vivid Large Hall)	:	Reverb with crispness and good presence.
L.HALL 4	(Hard-Wall Large Hall)	:	Large hall surrounded by hard walls, many early reflections, and a strong high- frequency ratio.
L. HALL 5 (Soft-Wall Large Hall)		:	Reverb with restrained high-frequency range and gentle character.
L. HALL 6 (Long Pre-Delay Large Hall): Reverb with an extremely long pre-delay time, simulating a fairly broad space.
L. HALL 7 (Cave)		: Reverb simulating a cave. Perhaps the thick moss accounts for the excellent high-frequency
			absorption!
L. HALL 8 (Stadium)		: Stadium reverb with many long early reflections.
L. HALL 9 (Vivid Stadium)		: Stadium reverb with a dry character.
L. HALL 10 (Auditorium)		: Reverb simulating a space with little reverberation, such as a large auditorium.
L. HALL 11 (Big Cave)		:	Simulates a more spacious volume than the cave of L. HALL 7. Reverb time is longer.

* [ADJUST] knob: Adjust the Reverb Time.

INPUT

L. HALL

OUTPUT (L)

OUTPUT (R)

• S. HALL (Small Hall)

S. HALL 1 (Natural Small Hall)		:	Conventional small hall with sonic detail, clarity, and an appropriate amount of early reflections.
S. HALL 2 (Lo-Freq Small Hall)		:	Small hall with lingering low-frequency reverb components.
S. HALL 3 (Vivid Small Hall)		:	General-purpose small hall with crisp sound and few early reflections.
S. HALL 4	(Hard-Wall Small Hall)	:	Small hall surrounded by hard walls, many early reflections, and a strong high-frequency ratio.
S. HALL 5	(Soft-Wall Small Hall)	:	Small hall with little high-frequency range.
S. HALL 6	(Long Pre-Delay Small Hall):		Small hall with a long pre-delay time, simulating a broad space.
S. HALL 7	(Narrow Small Hall)	:	Small hall simulating a long and narrow space where the reverberation is concentrated in the center.
S. HALL 8 (Dead Hall)		:	Relatively “dead” small hall with a low high-frequency ratio.
S. HALL 9 (Small Stadium)		:	Small hall simulating a space with low-density reverberation such as a gymnasium.
S. HALL 10 (Out Door Stage)		:	Simulation of an outdoor stage. Extremely small amount of reverberation.
S. HALL 11 (Flat Reverb)		:	Small hall with no early reflections, and the entire frequency range decays in the same way.
* [ADJUST] knob: Adjust the Reverb Time.					OUTPUT (L)
			INPUT	S. HALL
					OUTPUT (R)

• ROOM

ROOM 1 (Natural Room)		: Conventional room reverb simulating a nice space with just enough “sparkle.”
ROOM 2 (Garage)		: Room reverb with crisp presence simulating a small, live space such as a garage.
ROOM 3 (Dead Room)		: Room reverb simulating a small, dead room. Add just a bit of this to give warmth to a sound. Ideal for
		narrations.
ROOM 4 (Live Room)		: Room reverb simulating a live space with low-density reverberation.
ROOM 5 (Vivid Room)		: All-purpose room reverb with few early reflections and good definition.
ROOM 6 (Off Mic)		: Room reverb with reverberation concentrated in the center.
ROOM 7	(Hard Wall Drum Booth)	: Room reverb simulating a drum booth with hard walls. Crisp, and good for percussion as well.
ROOM 8	(Wood Wall Drum Booth)	: Room reverb simulating a drum booth with a boost in the low to mid-ranges.
ROOM 9	(Live House)	: Room reverb simulating a small club.
ROOM 10 (Back-Stage)		: Room reverb simulating the sound back-stage.
ROOM 11 (Hi-Freq Room)		: Room reverb with unique character in the mid-range.

* [ADJUST] knob: Adjust the Reverb Time.

INPUT

ROOM

OUTPUT (L)

OUTPUT (R)

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