Fostex DE-10 owner manual MIC SIM Microphone Simulation, AMP SIM Amplifier Simulation, Distortion

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DE-10 Owner’s Manual

• MIC SIM (Microphone Simulation)

 

 

MIC SIM-1(Trad Condenser 3k, Low Cut: Off)

:

Simulates the sound of a multipurpose professional condenser microphone with a large

 

 

diaphragm. Its warm and transparent sound is suitable for a vocal, as well as a drum

 

 

overhead or guitar amplifier.

MIC SIM-2(Trad Condenser 3k, Low Cut: On)

:

Simulates the sound of “MIC SIM-1” above with the Low Cut switch to On. You can

 

 

suppress boosted low frequencies as a result from placing a microphone in close

 

 

proximity to the signal source.

MIC SIM-3(Trad Condenser 414, Low Cut: Off)

:

Simulates the sound of one of the most popular condenser microphones in professional

 

 

studios together with the Classic condenser 87. You can get a high-fidelity clean sound of

 

 

an acoustic piano.

MIC SIM-4(Trad Condenser 414, Low Cut: 150Hz) : Simulates the sound of “MIC SIM-3” above with the Low Cut switch to On. You can

 

 

suppress boosted low frequencies.

MIC SIM-5(Trad Dynamic 112)

:

Simulates the sound of a dynamic microphone suitable for a kick. You can get a clean and

 

 

powerful sound by applying it to a kick or bass. It has a slightly boosted low frequencies.

MIC SIM-6(German Dynamic 421)

:

Simulates the sound of a dynamic microphone which is frequently used for recording a

 

 

tom-tom. Suitable for recording a skin percussion because of its powerful attack feeling

 

 

with a high frequency peak.

MIC SIM-7(German Dynamic 421, Low Cut: 2)

: Simulates the sound of “MIC SIM-6” above with the Low Cut switch to On. You can

 

 

suppress boosted low frequencies more than “MIC SIM-6”.

MIC SIM-8(German Dynamic 421, Low Cut: SPE) :

Simulates the sound of “MIC SIM-6” above with the Low Cut switch to On (SPE). You can

 

 

considerably suppress boosted low frequencies. Suitable for a speech.

MIC SIM-9(Modern Condenser 2)

:

Simulates the sound of a modern condenser microphone which has a wider dynamic

 

 

range and bright sound. It offers a warm tube sound, making a vocal or acoustic guitar as

 

 

if it were recorded by a condenser microphone.

MIC SIM-10(Vintage Condenser 47)

:

Simulates a professional tube microphone with a large diaphragm that offers clean and

 

 

dry sound. Suitable for an acoustic guitar and brass.

MIC SIM-11(Vintage Condenser 87, Low Cut: Off) :

Simulates the sound of a classic and historic model used for vocals and strings

 

 

frequently in professional studios. Provides outstanding warm sound among condenser

 

 

microphones.

*[EFFECT 1_ADJUST] knob (PARAM.1): Not used.

*[EFFECT 2_ADJUST] knob (PARAM.2): Adjust the Distortion Output Level.

* [EFFECT 2_MIX] knob (PARAM.3):

Adjust the Gate Threshold.

 

 

 

 

 

 

OUTPUT 1 (L)

 

Mic Simulate

 

 

 

 

 

INPUT 1

 

 

 

 

 

Gate

 

 

 

 

 

 

 

 

• AMP SIM (Amplifier Simulation)

 

 

 

 

 

 

OUTPUT 1 (R)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

AMP SIM-1(British 800 Amplifier)

: Simulates the 800-series British tube amplifier, a synonym for “rock.” The king of the rock

 

sound of the 80’s hard rock and heavy metal. Distorted raging sound.

AMP SIM-2(Tremo Recti Amplifier)

: Simulates the American combo model amplifier, designed to get high gain sound for the

 

90’s hard rock and heavy metal. Fat bass and raging distorted sound.

AMP SIM-3(Metal Panel Recti Amplifier)

: Simulates the amp head of the high gain amp series, same as the Tremo Recti Amplifiers.

 

Deep and well-separated distortion and heavy sound. Suitable for the metal sound.

AMP SIM-4(British Class A30 Amplifier)

: Simulates a most popular British sound tube amplifier. The preamp section is designed

 

using the class A circuit for creating the fat and warm sound. Usually used in the range

 

between clear and crunch sound, but sometimes used with the higher gain to get a

 

harder distortion.

 

 

 

 

 

 

AMP SIM-5(Fat Bass Amplifier)

: Simulates the American combo amplifier designed as a bass amplifier but used by many

 

guitarists because of its fat presence sound. Suitable for jazz and blues with its clear and

 

crunch sound, however, because you can get a raging distortion that you cannot expect

 

from an ordinary bass amplifier when raising the gain. It can be used for a wide range of

 

genres.

 

 

 

 

 

 

AMP SIM-6 (Kick)

: You can distort a kick sound appropriately.

 

 

 

 

 

AMP SIM-7 (Snare 1)

: You can distort a snare sound appropriately.

 

 

 

 

 

AMP SIM-8 (Snare 2)

: You can distort a snare sound excessively.

 

 

 

 

 

AMP SIM-9 (Voice 1)

: You can get a smooth distortion.

 

 

 

 

 

AMP SIM-10 (Voice 2)

: You can get a boomy and bright distortion.

 

 

 

 

 

AMP SIM-11(Radio Voice)

: You can get a bullhorn sound.

 

 

 

 

 

 

*[EFFECT 1_ADJUST] knob (PARAM.1): Adjust the Distortion Gain.

*[EFFECT 2_ADJUST] knob (PARAM.2): Adjust the Distortion Output Level.

* [EFFECT 2_MIX] knob (PARAM.3):

Adjust the Gate Threshold.

INPUT 1Amp Simulate

Gate

OUTPUT 1 (L)

OUTPUT 1 (R)

• DISTORTION

DIST-1(Distortion)

: You can get a hard distortion like driving a three-stacked amplifier.

DIST-2(Rhythm)

: You can get a slight distortion when picking the guitar strongly.

DIST-3(Over Drive)

: You can get a smooth distortion like driving a tube amplifier.

DIST-4

(Acoustic)

: You can get an electric-acoustic guitar sound.

DIST-5

(Blues)

: You can get a fat overdrive sound.

DIST-6

(Fuzz)

: You can get a rough sound with a fat low frequency range.

DIST-7

(Lead)

: You can get a bright and smooth distortion.

 

 

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Contents 8588 013 24bit Dual Multi Effect ProcessorSafety Instructions Table of Contents Digital Effect Functions P. Fostex Advanced Signal Processing TechnologyAbout A.S.P.+ A. Harmonic Feedback AlgorithmHall Large Hall Details of the Preset EffectsHall Small Hall RoomDelay DLY+REV Delay+ReverbPlate VocalChorus Misc MiscellaneousPitch FlangeHall Effect 1ADJUST knob PARAM.1 DLY + REV Delay + ReverbEffect 2ADJUST knob PARAM.2 DLY+REVPITCH-14, 5, 6, 7, 8, 9, 10 PITCH-1, 2FLANGE-7, 8, 9, 10 FLANGE-1, 2, 3, 4, 5ROOM-7 ROOM-6ROOM-8 ROOM-9AMP SIM Amplifier Simulation MIC SIM Microphone SimulationDistortion MULTI-1, 2 Guitar MultiMULTI-4, 5, 6, 7, 8, 9, 10 DIST-8Vocal Multi Bass MultiPower switch and indicator Effect 2 MIX/PARAM control and indicatorOutput 2 jacks L MONO, R Names and Functions Rear panel sectionFront panel settings How to use the Dual ModeAbout Peak indicator About features of the Dual ModeAbout features of the Single Mode How to use the Single 1/2 ModeGuitar Board provides a mono outSingle 1/2 mode, these controls and indi Cators are not used When selecting SingleSingle 1/2 Mode Dual ModeInput x 3 Line Input x MIC/GUITAR xBelgium AustriaDenmark Finland