
  | 
  | |
• MIC SIM (Microphone Simulation) | 
  | 
  | 
MIC  | :  | Simulates the sound of a multipurpose professional condenser microphone with a large  | 
  | 
  | diaphragm. Its warm and transparent sound is suitable for a vocal, as well as a drum  | 
  | 
  | overhead or guitar amplifier.  | 
MIC   | :  | Simulates the sound of “MIC   | 
  | 
  | suppress boosted low frequencies as a result from placing a microphone in close  | 
  | 
  | proximity to the signal source.  | 
MIC  | :  | Simulates the sound of one of the most popular condenser microphones in professional  | 
  | 
  | studios together with the Classic condenser 87. You can get a   | 
  | 
  | an acoustic piano. | 
MIC   | ||
  | 
  | suppress boosted low frequencies.  | 
MIC  | :  | Simulates the sound of a dynamic microphone suitable for a kick. You can get a clean and  | 
  | 
  | powerful sound by applying it to a kick or bass. It has a slightly boosted low frequencies.  | 
MIC  | :  | Simulates the sound of a dynamic microphone which is frequently used for recording a  | 
  | 
  | |
  | 
  | with a high frequency peak.  | 
MIC   | : Simulates the sound of “MIC   | |
  | 
  | suppress boosted low frequencies more than “MIC   | 
MIC   | Simulates the sound of “MIC   | |
  | 
  | considerably suppress boosted low frequencies. Suitable for a speech.  | 
MIC  | :  | Simulates the sound of a modern condenser microphone which has a wider dynamic  | 
  | 
  | range and bright sound. It offers a warm tube sound, making a vocal or acoustic guitar as  | 
  | 
  | if it were recorded by a condenser microphone.  | 
MIC   | :  | Simulates a professional tube microphone with a large diaphragm that offers clean and  | 
  | 
  | dry sound. Suitable for an acoustic guitar and brass.  | 
MIC   | Simulates the sound of a classic and historic model used for vocals and strings  | |
  | 
  | frequently in professional studios. Provides outstanding warm sound among condenser  | 
  | 
  | microphones. | 
*[EFFECT 1_ADJUST] knob (PARAM.1): Not used.
*[EFFECT 2_ADJUST] knob (PARAM.2): Adjust the Distortion Output Level.
* [EFFECT 2_MIX] knob (PARAM.3):  | Adjust the Gate Threshold.  | 
  | 
  | 
  | 
  | 
  | 
  | OUTPUT 1 (L)  | ||
  | Mic Simulate  | 
  | 
  | 
  | 
  | |||||
  | INPUT 1  | 
  | 
  | 
  | 
  | 
  | Gate  | 
  | ||
  | 
  | 
  | 
  | 
  | 
  | 
  | ||||
• AMP SIM (Amplifier Simulation) | 
  | 
  | 
  | 
  | 
  | 
  | OUTPUT 1 (R) | |||
  | 
  | 
  | 
  | 
  | ||||||
  | 
  | 
  | 
  | 
  | 
  | 
  | 
  | 
  | ||
  | 
  | 
  | 
  | 
  | 
  | 
  | 
  | 
  | ||
  | 
  | 
  | 
  | 
  | 
  | 
  | 
  | 
  | 
  | |
  | 
  | 
  | 
  | 
  | 
  | 
  | 
  | 
  | 
  | |
AMP   | : Simulates the   | |||||||||
  | sound of the 80’s hard rock and heavy metal. Distorted raging sound.  | |||||||||
AMP   | : Simulates the American combo model amplifier, designed to get high gain sound for the  | |||||||||
  | 90’s hard rock and heavy metal. Fat bass and raging distorted sound.  | |||||||||
AMP   | : Simulates the amp head of the high gain amp series, same as the Tremo Recti Amplifiers.  | |||||||||
  | Deep and   | |||||||||
AMP  | : Simulates a most popular British sound tube amplifier. The preamp section is designed  | |||||||||
  | using the class A circuit for creating the fat and warm sound. Usually used in the range  | |||||||||
  | between clear and crunch sound, but sometimes used with the higher gain to get a  | |||||||||
  | harder distortion. | 
  | 
  | 
  | 
  | 
  | 
  | |||
AMP  | : Simulates the American combo amplifier designed as a bass amplifier but used by many  | |||||||||
  | guitarists because of its fat presence sound. Suitable for jazz and blues with its clear and  | |||||||||
  | crunch sound, however, because you can get a raging distortion that you cannot expect  | |||||||||
  | from an ordinary bass amplifier when raising the gain. It can be used for a wide range of  | |||||||||
  | genres.  | 
  | 
  | 
  | 
  | 
  | 
  | |||
AMP   | : You can distort a kick sound appropriately.  | 
  | 
  | 
  | 
  | 
  | ||||
AMP   | : You can distort a snare sound appropriately.  | 
  | 
  | 
  | 
  | 
  | ||||
AMP   | : You can distort a snare sound excessively.  | 
  | 
  | 
  | 
  | 
  | ||||
AMP   | : You can get a smooth distortion.  | 
  | 
  | 
  | 
  | 
  | ||||
AMP   | : You can get a boomy and bright distortion.  | 
  | 
  | 
  | 
  | 
  | ||||
AMP   | : You can get a bullhorn sound.  | 
  | 
  | 
  | 
  | 
  | 
  | |||
*[EFFECT 1_ADJUST] knob (PARAM.1): Adjust the Distortion Gain.
*[EFFECT 2_ADJUST] knob (PARAM.2): Adjust the Distortion Output Level.
* [EFFECT 2_MIX] knob (PARAM.3):  | Adjust the Gate Threshold.  | 
INPUT 1
Amp Simulate
Gate
OUTPUT 1 (L)
OUTPUT 1 (R)
• DISTORTION
: You can get a hard distortion like driving a   | ||
: You can get a slight distortion when picking the guitar strongly.  | ||
: You can get a smooth distortion like driving a tube amplifier.  | ||
(Acoustic)  | : You can get an   | |
(Blues)  | : You can get a fat overdrive sound.  | |
(Fuzz)  | : You can get a rough sound with a fat low frequency range.  | |
(Lead)  | : You can get a bright and smooth distortion.  | |
  | 
  | 13  |