Korg MICRO manual Filter KEY Track, 12dB BPF, 12dB HPF, Filter oscillation

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6.FILTER — SYNTH

TYPE

-12dB BPF ():

-12dB/oct BPF (Band Pass Filter) allows a frequency band in the re- gion of the cutoff frequency to pass, and cuts the remaining frequencies. It is used when you wish to empha- size only a specific portion of the frequency range.(Figure 6-2)

Use this when you want to empha- size just a specific region of the sound. For example, you can use this to create a bandwidth-limited sound similar to sound heard from a small radio or a telephone.

-12dB HPF ():

-12dB/oct HPF (High Pass Filter) allows frequencies above the cutoff frequency to pass, and cuts the lower frequencies. Use this when you wish to make the sound thin- ner. However if the cutoff frequency is raised excessively, the volume will decrease significantly. (Fig- ure 6-3)

For example you can use the HPF to purposely attenuate the low-fre- quency region of a sound that will be played together with other low- frequency instruments, in order to differentiate that sound from the other instruments.

Figure 6-2

BPF (Band Pass Filter)

Frequency

Cutoff

Figure 6-3

HPF (High Pass Filter)

Frequency

Cutoff

Filter oscillation

If you raise the resonance to a high value, it will oscillate (produce a sound) at the frequency specified by the cutoff frequency. You can use filter oscillation ("self-oscillation") as a sound source. If the filter is

Figure 6-5

Cutoff

Figure 6-6

Cutoff

Cutoff frequency specified by “Cutoff”

FILTER KEY TRACK

Keyboard Track operates ac- cording to the pitch that is con- trolled by pitch bend, and trans- pose. It is not affected by pitch changes produced by vibrato or Virtual Patch.

Note on

 

 

 

 

Note off

 

 

 

 

Sustain Level

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Attack

 

Decay

 

 

Release Time

Time

 

Time

 

 

 

 

 

Time

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Int=+32

 

Int=+63

Note on

 

Note off

Note on Note off

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Int=0

Time

oscillating, the "CUTOFF" parameter that normally adjusts the tone will instead control the pitch of the oscillation. This can be used in a variety of ways. Whistling is a typical example, and can be produced by adjusting the ADSR parameters of the filter EG. You can also try setting "FILTER EG INT" to a negative value. Another possibility is to select the MOD wheel or LFO 1/2 as a source in Virtual Patch, and use it to control "CUTOFF" as a destination.

Figure 6-7

Cutoff

 

 

 

 

 

 

 

 

 

Cutoff frequency

 

 

Int=–32

 

Int=–63

 

 

 

 

 

 

 

 

 

Int=0

specified by

 

 

 

 

 

 

 

 

“Cutoff”

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Note off

 

 

 

 

 

Note on Note off

 

 

Note on

 

 

 

 

 

 

 

 

Time

 

 

 

 

 

 

 

 

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Contents Page Page Iii Table of Contents Table of Contents Midi on the microKORG Saving your edited settingsIntroduction Main FeaturesFront panel Front and rear panelEdit Controls 1, 2, 3, 4, 5 knobs Timbre SELECT/FORMANT Hold keyEdit Select 1 dial Edit Select 2 dial Rear panel Connections to the audio inputs Connecting the included micConnections Connections from the audio outputsTurning the power off Turning the power onPower supply Turning the power onListening to the demo songs Demo songsMicroKORG contains several demo songs Modifying the sound Using the Performance Edit function to modify the soundSynth programs Selecting and playing a programUsing the Octave Shift UP and Down keys for control Using the Pitch and MOD wheels for controlUsing the keyboard for control Knob 3 EG ATTACK, Knob 4 EG Release Vocoder programsPlaying a vocoder program Knob 1 CUTOFF, Knob 2 ResonanceModifying the arpeggio Using the arpeggiatorUsing the step arpeggiator to vary the arpeggio ArpeggiatorBasic editing Basic editing procedureSelect the parameter that you want to edit How to read the pages for each section p.16 If the parameter value does not change when you turn knobsTo return to the original parameter values of a program Selecting the timbre to edit Using both timbres LayerEditing each timbre Listening to only one timbre SoloStructure of a synth program Editing a synth programOverview Unison Detune Voice SYNTH/VOCODERSINGLE/LAYER Voice AssignPitch SYNTH/VOCODER Control WaveSine Wave You can modify the waveform by adjusting this valueAdjusting this value will modify the waveform. Figure Triangle WaveWave Control Processing an external input audio signal TUNE-63...63 Wave Saw, Square, TriangleOSC MOD SEMITONE-24...24OSC 1 Level Mixer SynthOSC 2 Level Noise Level 127 Resonance TypeDB LPF Figure CUTOFF0...127Filter oscillation Filter KEY Track12dB BPF 12dB HPFSecond note-on will start from a level Sustain Release EG ResetATTACK0...127 DecayDistortion AMP Amplifier SynthLEVEL0...127 Panpot L63...Center...R63Sustain EG ResetAMP EG SYNTH/VOCODER AttackWave LFO2 LFO 1, 11. LFO 2 SYNTH/VOCODERWave LFO1 Tempo Sync OFF, on FrequencyKeyboard tracking keyboard posi- tion Patch 1, 13. Patch 2, 14. Patch 3, 15. Patch 4 SynthMOD INT Velocity keyboard playing strengthModulator Editing a vocoder programStructure of a vocoder program CarrierEditing example for a vocoder program OSC1 SYNTH/VOCODERHPF Level High-frequency portion of the signal will always be passedGate Sense THRESHOLD0...127Inst Level Mixer VocoderNoise Level Formant Shift Filter VocoderSense Amp EG will be the modulation source FC MOD VocoderINTENSITY-63...63 Direct Level AMP VocoderCH 4 Level CH 1 LevelCH 2 Level CH 3 LevelModulation-type effect MOD FX Delay effect Delay FXEditing the effects and EQ MicroKORGs effect structureSpecifies the speed of the modula- tion effect LFO MOD FX SYNTH/VOCODERSelects the effect type LFO SpeedTempo Sync Delay SYNTH/VOCODERDelay Time Delay DepthSets the amount of boost or cut for EQ SYNTH/VOCODERLOW EQ Gain HI EQ GainStructure of arpeggiator Editing the arpeggiatorGATE0...100 Resolution 1/24...1/4ARPEG. a SYNTH/VOCODER TEMPO20...300Last Step ARPEG. B SYNTH/VOCODERLatch KEY SyncGlobal structure Overall settings GlobalAudio in Thru Signal will not be output Signal will be output30.0...50.0 PositionConnecting Midi devices/computers Using the microKORG with Other Midi devices MidiMidi on the microKORG MIDI-related settings Set the microKORGs Global Position to Pre TG Synchronizing the arpeggiatorMidi CH MidiLocal Program change Messages transmitted and received by the microKORGMidi channels Pitch bendParameters transmitted and received via Nrpn Other controls Gate valuesControlling CH Param Realtime Messages System exclusive messagesFront panel knob/key control change assignments OSC 2 Semitone values Control 2 values when OSC 1 Wave = DwgsSaving a program Saving your edited settingsProcedure Saving DataInitializing a program Shift functionsCopying a timbre Exchanging timbresMidi Filter Midi FilterInitializing CH Level A/B Initializing CH PAN A/BControl Change Assigning control changesAssigning control changes Midi Data Dump Transmission procedureReception procedure Data dumpPreload Restoring the factory settings Write protect settingRestoring the factory settings Write protect settingTimbre solo function Switch between Edit Select 1/2Enter demo mode Other Shift key functionsExample 1. LFO1 LFO 1/2 and delay time synchronizationExample 2. Delay time AppendixTroubleshooting Specifications and options Index SymbolsIndex Korg INC Voice Name List Parameter List Shift Function List