Korg MICRO manual Midi Filter, Initializing CH Level A/B, Initializing CH PAN A/B

Page 66

Initializing CH LEVEL and CH PAN –VOCODER

MIDI Filter

1-2. INIT LEVEL ()

Initializing CH LEVEL A/B

You can access this function if a vocoder program is selected.

This will simultaneously initialize the output levels of the eight band-pass filter channels for the carrier (SYNTHESIS FILTER). When you initialize the levels, all output levels will be set to 127.

Procedure

1Hold down the SHIFT key and press

the 1 key.

The display will indicate "."

2Press the blinking 1 key.

The output levels will be initialized, and then the microKORG will return to its normal state.

If you decide to cancel, press the lit SHIFT key.

2-2. INIT PAN ()

Initializing CH PAN A/B

You can access this function if a vocoder program is selected.

This will simultaneously initialize the pan of the eight band-pass filter channels for the carrier (SYNTHESIS FILTER). When you initialize the pan settings, each filter channel will be set to Center.

Procedure

1Hold down the SHIFT key and press

the 2 key.

The display will indicate "."

2Press the blinking 2 key.

The pan settings will be initialized, and then the microKORG will return to its normal state.

If you decide to cancel, press the lit SHIFT key.

4-1. MIDI FILTER (

)

 

 

 

MIDI Filter

 

 

 

Enable (

):

These settings specify whether the

MIDI control changes will be

corresponding types of MIDI data will be

transmitted and received.

received and transmitted.

 

[3] knob: PITCH BEND

Procedure

 

 

 

Selects whether pitch bend messages

1

Hold down the SHIFT key and press

will be transmitted and received.

 

the 4 key.

 

 

 

Disable (

):

2

The display will indicate "

."

Pitch bend messages will not be

Turn the appropriate knob 14to make

transmitted or received.

 

the desired settings.

 

Enable (

):

 

[1] knob: PROGRAM CHANGE

 

Pitch bend messages will be

 

 

transmitted and received.

 

Selects whether program changes will

 

[4] knob: SYSTEM EXCLUSIVE

 

be transmitted and received.

 

 

Disable (

):

 

 

Selects whether MIDI system

 

Program changes will not be transmit-

exclusive messages will be transmit-

 

ted or received.

 

 

ted and received.

 

Enable (

):

 

 

Disable (

):

 

Program changes will be transmitted

MIDI system exclusive messages will

 

and received.

 

 

not be transmitted or received.

 

[2] knob: CONTROL CHANGE

 

Enable (

):

 

 

MIDI system exclusive messages will

 

Selects whether MIDI control changes

 

be transmitted and received.

 

will be transmitted and received.

 

 

 

 

Disable (

):

 

 

3 When you have finished making

 

MIDI control changes will not be

settings, press the lit 4 key or the

 

transmitted or received.

 

SHIFT key. The microKORG will

 

 

 

 

 

return to its normal state.

1

1, 2

1

1, 2

1

2

 

1, 3

 

60

Image 66
Contents Page Page Iii Table of Contents Table of Contents Saving your edited settings Midi on the microKORGMain Features IntroductionFront and rear panel Front panelTimbre SELECT/FORMANT Hold key Edit Controls 1, 2, 3, 4, 5 knobsEdit Select 1 dial Edit Select 2 dial Rear panel Connections from the audio outputs Connecting the included micConnections Connections to the audio inputsTurning the power on Turning the power onPower supply Turning the power offDemo songs Listening to the demo songsMicroKORG contains several demo songs Selecting and playing a program Using the Performance Edit function to modify the soundSynth programs Modifying the soundUsing the Pitch and MOD wheels for control Using the Octave Shift UP and Down keys for controlUsing the keyboard for control Knob 1 CUTOFF, Knob 2 Resonance Vocoder programsPlaying a vocoder program Knob 3 EG ATTACK, Knob 4 EG ReleaseArpeggiator Using the arpeggiatorUsing the step arpeggiator to vary the arpeggio Modifying the arpeggioBasic editing procedure Basic editingSelect the parameter that you want to edit If the parameter value does not change when you turn knobs How to read the pages for each section p.16To return to the original parameter values of a program Listening to only one timbre Solo Using both timbres LayerEditing each timbre Selecting the timbre to editEditing a synth program Structure of a synth programOverview Voice Assign Voice SYNTH/VOCODERSINGLE/LAYER Unison DetunePitch SYNTH/VOCODER Wave ControlTriangle Wave You can modify the waveform by adjusting this valueAdjusting this value will modify the waveform. Figure Sine WaveWave Control Processing an external input audio signal SEMITONE-24...24 Wave Saw, Square, TriangleOSC MOD TUNE-63...63Mixer Synth OSC 1 LevelOSC 2 Level Noise Level 127 CUTOFF0...127 TypeDB LPF Figure Resonance12dB HPF Filter KEY Track12dB BPF Filter oscillationDecay Sustain Release EG ResetATTACK0...127 Second note-on will start from a levelPanpot L63...Center...R63 AMP Amplifier SynthLEVEL0...127 DistortionAttack EG ResetAMP EG SYNTH/VOCODER SustainTempo Sync OFF, on Frequency LFO 1, 11. LFO 2 SYNTH/VOCODERWave LFO1 Wave LFO2Velocity keyboard playing strength Patch 1, 13. Patch 2, 14. Patch 3, 15. Patch 4 SynthMOD INT Keyboard tracking keyboard posi- tionCarrier Editing a vocoder programStructure of a vocoder program ModulatorOSC1 SYNTH/VOCODER Editing example for a vocoder programTHRESHOLD0...127 High-frequency portion of the signal will always be passedGate Sense HPF LevelMixer Vocoder Inst LevelNoise Level Filter Vocoder Formant ShiftSense FC MOD Vocoder Amp EG will be the modulation sourceINTENSITY-63...63 AMP Vocoder Direct LevelCH 3 Level CH 1 LevelCH 2 Level CH 4 LevelMicroKORGs effect structure Delay effect Delay FXEditing the effects and EQ Modulation-type effect MOD FXLFO Speed MOD FX SYNTH/VOCODERSelects the effect type Specifies the speed of the modula- tion effect LFODelay Depth Delay SYNTH/VOCODERDelay Time Tempo SyncHI EQ Gain EQ SYNTH/VOCODERLOW EQ Gain Sets the amount of boost or cut forEditing the arpeggiator Structure of arpeggiatorTEMPO20...300 Resolution 1/24...1/4ARPEG. a SYNTH/VOCODER GATE0...100KEY Sync ARPEG. B SYNTH/VOCODERLatch Last StepOverall settings Global Global structurePosition Signal will not be output Signal will be output30.0...50.0 Audio in ThruUsing the microKORG with Other Midi devices Midi Connecting Midi devices/computersMidi on the microKORG MIDI-related settings Synchronizing the arpeggiator Set the microKORGs Global Position to Pre TGMidi Midi CHLocal Pitch bend Messages transmitted and received by the microKORGMidi channels Program changeParameters transmitted and received via Nrpn Gate values Other controlsControlling CH Param System exclusive messages Realtime MessagesFront panel knob/key control change assignments Control 2 values when OSC 1 Wave = Dwgs OSC 2 Semitone valuesSaving Data Saving your edited settingsProcedure Saving a programExchanging timbres Shift functionsCopying a timbre Initializing a programInitializing CH PAN A/B Midi FilterInitializing CH Level A/B Midi FilterAssigning control changes Control ChangeAssigning control changes Data dump Transmission procedureReception procedure Midi Data DumpWrite protect setting Restoring the factory settings Write protect settingRestoring the factory settings PreloadOther Shift key functions Switch between Edit Select 1/2Enter demo mode Timbre solo functionAppendix LFO 1/2 and delay time synchronizationExample 2. Delay time Example 1. LFO1Troubleshooting Specifications and options Symbols IndexIndex Korg INC Voice Name List Parameter List Shift Function List