Turbosound LMS-D24, LMS-D6, LMS-D26 Bessel Array, General observations of long lines of bass

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user manual

TA-890

Bessel Array

In the above example five bass bins are again spaced ¼ of a wavelength apart. However in this example the outside two are reduced in gain by 3dB. The inside pair are out of phase while the middle unit is in phase.

This is known as a Bessel array, and will create the smoothest horizontal coverage possible at a given frequency.

Whilst this approach works well it is important to balance this against the practicality of setting up three or more discreetly processed LF bands within the system architecture.

General observations of long lines of bass

Aspect bass enclosures cross over at 100Hz into the mid/high box. This means that a lot of the punch from a kick drum is provided by the 2 x 15” bass enclosure. If the bass bins are deployed in a configuration based on a long line across the front of the stage it is important to ensure that the top of the stack is above head height (which may not be possible due to sight lines restrictions) as the audience will absorb some of the attack provided by the 2 x15” enclosure.

With extremely long lines of bass the relationship between the flown mid/high clusters and the line of bass can create a problem around the crossover point, as the time alignment between the enclosures can only be correct in a limited coverage area.

When using both the 2 x 15” bass bin and 2 x 18” ultrasub it is desirable to try and keep the enclosures in the same plane as each other to avoid time alignment and cancellation problems through the crossover region.

TA-890 user manual

Page 43

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Contents Aspect TA-890 System TA-890 TA-890 TA-890 Amplifier Rack Signal Wiring Output Connections Products EC Declaration of ConformityTurbosound Aspect System Concepts IntroductionTurbosound Polyhorn TA-890 Aspect TA-890 Turnkey System Concept Amplifier Racks Power AmplifiersLoudspeaker Management System LMS Concept LMS-D24, LMS-D26 and LMS-D6 Loudspeaker Management SystemsAspect Loudspeaker Components Digital ControllersTA-890L Low Frequency Enclosure TA-890H Mid-high Enclosure TSW-218 SubwooferTA-890 Transportation Aspect Flying Systems Overview Flying and StackingGigmate Acoustic Simulation Setting up a Venue OverviewRunning Turbosound GigMate / Ease Focus for the first time System Setup Designing a system TA-890 TA-890 Changing the system Theatre-style venue 3-wide flown cluster @ 1kHz Safety Notes on Rigging Sample Certificate of Load Test Flying Hardware Wide and Narrow Flybar SettingsSingle A-System Flybar FB-890/1A TOP View Bottom View Figue 3. Triple ‘A’ System Flybar FB-890A/3W TS-890 Tilting Straps FC-890 Flying ChainsTA-890 Four-wide hang using MB-890 and FB-890/2A ‘A’ System Flygear Integral Flying HardwareSwing Latch Connecting Flying Chains to the CabinetConnecting Cabinets ‘A’ System Drop LinkSetting Vertical Angles ‘A’ System Attach buckle Attaching the Tilt StrapsBass Enclosure arraying Turbobass DirectivityAiming directivity of the stack TA-890 ABC DEF Typical Left to Right problemBass in a line Creating Directional Bass arraysFanned bass General observations of long lines of bass Bessel ArrayEnd firing array Summing up Ground stacking Introduction General features & facilities UnpackingMechanical Installation LMS Series Loudspeaker Management SystemsLMS-D6 Front Panel Functions LMS-D6 Rear Panel Functions Mains PowerPowering Up Voltage SettingSafety Earthing AC Power FusingTime correction for loudspeaker driver placement Input and Output Connector WiringAudio Connections LMS-D24 and D26 Loudspeaker Management Systems FeaturesFront Panel Functions TA-890 Rear Panel Functions Creating a Crossover Selecting a Factory PresetOperating the LMS-D24 and D26 Starting upNavigation and Viewing Parameters A Freq Width Gain EQ1 100Hz 1.4Q 0.0dBNavigation Out1 Freq Width Gain EQ1 100Hz 1.4Q 0.0dBPresets Preset RecallPreset Store Preset Name Store My SystemStereo / Mono Formats Input DSP block diagramOutput DSP block diagram DSP Processing LayoutInput Channels DSP ProcessingA Freq Shape HPF 20.0Hz LR24 High and Low shelving filters Parametric EqualisationParametric filters Output Channels DelayGain and Polarity High and Low Pass Filters Out1 Freq Shape LPF 2.50k LR24Out1 Freq Slope Gain EQ- 100Hz 12dB 0.0dB Routing LimitersUtility functions UtilitiesAudio Input Connectors Racking, Cables and Connections AMP-890 Aspect System Amplification RackInput Connections OptionsOutput Connections Amplifier Rack Signal WiringMid-High Outputs Break-out Cables NL4 bass Extension Cables Break-out cables NL8 mid-highMains Connections General Features & Facilities T-45 High Efficiency Audio Power AmplifiersFront Panel Functions T-25 Front Panel Functions T-45 Mechanical Installation Audio Connections & Controls Voltage RangePolarity Gain and Sensitivity SettingsInput Impedance Damping Factor Attenuation & Gain SettingCooling System Long Speaker LinesMaintenance To rotate the horn moulding from ‘A’ mode to ‘B’ mode Removal of the high frequency driver To rotate the horn moulding from ‘B’ mode to ‘A’ modeRemoval of the high-mid frequency driver Removal of the low-mid frequency drive units General MaintenancePaintwork TA-890 Technical Specifications Serial Numbers WarrantyTA-890