Harman-Kardon AVR 360, AVR 460 Dolby Surround Settings, Indicates that an LFE channel is present

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ADVANCED FUNCTIONS

The first number indicates the number of front channels in the signal:

“1” represents a monophonic recording, usually an older program that has been digitally remastered or, more rarely, a modern program for which the director has chosen a special effect.

“2” indicates the presence of the left and right channels, but no center channel.

“3” indicates that all three front channels (left, right and center) are present.

You may select a different mode. The choice of surround modes depends on the number of speakers in your system.

•• Virtual Surround: Harman Virtual Speaker

•• Stereo: 2-channel stereo, 5-channel stereo or 7-channel stereo

•• Movie: Logic 7 Movie, DTS Neo: 6 Cinema, Dolby Pro Logic II Movie, Dolby Pro Logic IIx Movie

•• Music: Logic 7 Music, DTS Neo: 6 Music, Dolby Pro Logic II Music, Dolby Pro Logic IIx Music

The second number indicates whether any surround channels are present: “0” indicates that no surround information is present.

“1” indicates that a matrixed surround signal is present. “2” indicates discrete left and right surround channels.

“3” is used with DTS-ES bitstreams to represent the presence of the discrete surround back channel, in addition to the side surround left and right channels.

“4” is used with 7.1-channel digital formats to indicate the presence of two discrete side surround channels and two discrete back surround channels.

The third number is used for the LFE channel: “0” indicates no LFE channel.

“.1” indicates that an LFE channel is present.

The 6.1-channel signals – Dolby Digital EX and DTS-ES Matrix and Discrete – each include a flag meant to signal the receiver to decode the surround back channel, indicated as 3/2/.1 EX-ON for Dolby Digital EX materials, and 3/3/.1 ES-ON for DTS-ES materials.

Dolby Digital 2.0 signals may include a Dolby Surround flag indicating DS-ON or DS-OFF, depending on whether the 2-channel bitstream contains only stereo information, or a downmix of a multichannel program that can be decoded by the AVR’s Dolby Pro Logic decoder. By default, these signals are played in Dolby Pro Logic IIx Movie mode.

When a PCM signal is received, the PCM message and the sampling rate (32kHz, 44.1kHz, 48kHz or 96kHz) will appear.

When only two channels – left and right – are present, the analog surround modes may be used to decode the signal into the remaining channels. If you would prefer a different surround format than the native signal’s digital encoding, press the Surround Modes Button to display the Surround Modes menu (see Figure 30).

The Auto Select option uses the native signal’s digital encoding, e.g., Dolby Digital, DTS, Dolby TrueHD or DTS-HD Master Audio. For 2-channel materials, the AVR defaults to Logic 7 Movie mode. If you prefer a different surround mode, select the surround mode category: Virtual Surround, Stereo, Movie, Music or Video Game. Press the OK Button to change the mode.

Each category is set to a default surround mode:

•• Virtual Surround: Harman Virtual Speaker

•• Stereo: 7-channel stereo

•• Movie: Logic 7 Movie

•• Music: Logic 7 Music

•• Video Game: Logic 7 Game

•• Video Game: Logic 7 Game, Dolby Pro Logic II Game, Dolby Pro Logic IIx Game

Once you have programmed the surround mode for each type of audio, select the line from the Surround Modes menu to override the AVR’s automatic surround mode selection. The AVR will use the same surround mode the next time the source is selected.

Please refer to Table A12 in the appendix for more information on which surround modes are available with different bitstreams.

Dolby Surround Settings

Some additional settings are available for Dolby modes. When the Dolby Pro Logic II or IIx Music modes have been selected, choose the Edit submenu to adjust the Center Width, Dimension and Panorama settings. See Figure 29.

Figure 29 – Dolby Pro Logic II/IIx Music Mode Settings

Center Width: This setting affects how vocals sound through the three front speakers. A higher number (up to 7) focuses the vocal information tightly on the center channel. Lower numbers broaden the vocal soundstage. Use the M N Buttons to adjust.

Dimension: This setting affects the depth of the surround presentation, allowing you to “move” the sound toward the front or rear of the room. The setting of “0” is a neutral default. Setting “F-3” moves the sound toward the front of the room, while setting “R-3” moves the sound toward the rear. Use the M N Buttons to adjust.

Panorama: With the Panorama mode turned ON, some of the sound from the front speakers is moved to the surround speakers, creating an enveloping “wraparound” effect. Each press of the OK Button toggles the setting on or off.

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Contents AVR 460/AVR Important Safety Information Important Safety InstructionsTable of Contents and Features Digital Audio Signals Analog Audio SignalsAudio Processing and Surround Sound Surround ModesIndicates that an LFE channel is present Dolby Surround SettingsStep Three Manual Setup Menu Manual Speaker SetupStep One Determine Speaker Crossover Step Two Measure Speaker DistancesSub Mode Adjust Crossover Frequencies MenuAdjust Speaker Distance Menu Audio Effects Step Four Setting Channel Output Levels ManuallyVideo Modes Video AdjustmentsBrightness Adjustment How to Adjust the Custom Picture SettingsContrast Adjustment Color AdjustmentGeneral AVR Settings System SettingsMultizone Operation Operating the Multizone SystemMenu Appearance Advanced Remote Control FunctionsSystem Information Punch-Through ProgrammingLearning AVR 460 only Resetting the RemoteTable A1 Recommended Source Component Connections Appendix Default settings, worksheets, remote product codesTable A2 Source Setting Defaults Table A4 Delay Setting Defaults Table A3 Speaker/Channel Setting DefaultsChannel Analog Your Settings Audio Inputs PositionTable A6 Audio Effects Settings Table A5 Source SettingsMedia Default Cable/Sat Server Radio GameBlack Level Off Deinterlacing Film Mode Detect Table A7 Video Modes SettingsTable A8 Surround Modes Auto Select Logic 7 Movie Or native digital FormatTable A11 Zone 2 Settings Table A9 Remote Control CodesTable A10 System Settings Table A12 Surround Modes Surround Mode Description Incoming Bitstream or SignalDTS-HD Table A12DTS 2/2/.0 or .1, 3/2/.0 or Cinema Tuner Setting to be offAnalog 2-channel PCM 32kHz, 44.1kHz or 48kHz Logic Three variants are available LogicButton Name Table A13 - Remote Control Function ListTiVo DMC1000Cable/SAT Game Table A16 Remote Control Product Codes AUX-VCR Table A14 Remote Control Product Codes TVTable A15 Remote Control Product Codes AUX-HDTV Table A17 - Remote Control Product Codes AUX-CD Table A18 - Remote Control Product Codes DVDTable A24 Remote Control Product Codes AUX- TiVo Table A22 Remote Control Product Codes Media ServerAM Tuner Section FM Tuner SectionVideo Section General

AVR 360, AVR 460 specifications

The Harman-Kardon AVR 460 and AVR 360 are two outstanding models from the renowned audio equipment manufacturer, both designed to deliver high-quality sound experiences for home entertainment systems. These receivers combine advanced technologies with user-friendly features, making them popular choices among audiophiles and casual listeners alike.

The Harman-Kardon AVR 460 is equipped with a robust 7.1 channel surround sound system, boasting a total power output of 100 watts per channel. This receiver supports high-definition audio formats, including Dolby TrueHD and DTS-HD Master Audio, ensuring immersive sound quality for movies and music alike. One of its standout features is the proprietary Harman Kardon Logic 7 technology, which enhances stereo sources to a multi-channel audio experience, maximizing the quality of any audio input.

On the other hand, the Harman-Kardon AVR 360 follows closely in features and audio performance, offering 7.1 channels as well but with a slightly lower power output of 80 watts per channel. It still excels in audio clarity and richness, making it suitable for any home theater setup. Both models provide extensive connectivity options, including HDMI inputs, legacy audio inputs, and built-in Bluetooth, allowing users to effortlessly stream music from their smartphones or tablets.

Another notable characteristic of the AVR 460 is its advanced video processing capabilities, enabling video upscaling to 1080p, ensuring that users can enjoy their content in the best possible resolution. Both receivers also incorporate multi-zone functionality, allowing different audio sources to be played in various rooms simultaneously. This feature makes them perfect for entertaining guests or enjoying music throughout the home.

The user interfaces for both models are designed with ease of use in mind, featuring intuitive on-screen menus and remote control functionality. They also support various audio calibration technologies, such as Harman's Room Correction, which optimizes sound output based on the specific acoustics of the listening environment.

In summary, the Harman-Kardon AVR 460 and AVR 360 are both exemplary audio/video receivers that combine advanced sound technologies, extensive connectivity options, and user-friendly features. Whether you are looking for immersive surround sound for movies or high-fidelity audio for music, these models are impressive choices that enhance any home theater setup, delivering exceptional performance for years to come.
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