Harman-Kardon AVR 520 owner manual Operation, Surround Mode Chart

Page 26

Operation

Surround Mode Chart

MODE

FEATURES

DELAY TIME RANGE

 

 

 

DOLBY DIGITAL

Available only with digital input sources encoded with Dolby Digital data. It provides up to five

Center: 0 ms – 5 ms

 

separate main audio channels and a special dedicated Low-Frequency Effects channel.

Surround: 0 ms – 15 ms

 

 

 

DTS 5.1

When the speaker configuration is set for 5.1-channel operation, the DTS 5.1 mode is

Delay time not adjustable

 

available when DVD, audio-only music or laser discs encoded with DTS data are played.

 

 

DTS 5.1 provides up to five separate main audio channels and a special dedicated

 

 

low-frequency channel.

 

 

 

 

DTS-ES 6.1 Matrix

When the speaker configuration is set for 6.1/7.1 operation, playback of a DTS-encoded program

Delay time not adjustable

DTS-ES 6.1 Discrete

source will automatically trigger the selection of one of the two DTS-ES modes. Newer discs with

 

 

special DTS-ES discrete encoding will be decoded to provide six discrete, full-bandwidth channels

 

 

plus a separate low-frequency channel. All other DTS discs will be decoded using the DTS-ES Matrix

 

 

mode, which creates a 6.1-channel sound field from the original 5.1-channel soundtrack.

 

 

 

 

DOLBY PRO LOGIC II

Dolby Pro Logic II is the latest version of Dolby Laboratory’s benchmark surround technology

15 ms – 30 ms

MOVIE

that decodes full-range, discrete left, center right, right surround and left surround channels

 

MUSIC

from either matrix surround encoded programs and conventional stereo sources when

 

EMULATION

an analog input is in use. The Dolby Pro Logic II Movie mode is optimized for movie soundtracks,

 

 

while the Pro Logic II Music mode should be used with musical selections. The Pro Logic II

 

 

Emulation mode creates compelling five-channel surround sound from conventional stereo recordings.

 

 

 

Logic 7 Cinema

Exclusive to Harman Kardon for AV receivers, Logic 7 is an advanced mode that extracts the

Delay time not adjustable

Logic 7 Music

maximum surround information from either surround-encoded programs or conventional stereo

 

Logic 7 Enhance

material. Depending on the number of speakers in use and the selection made in the SURROUND

 

SELECT menu, the “5.1” versions of Logic 7 modes are available when the 5.1 option is chosen,

 

while the “7.1” versions of Logic 7 produce a full sound field presentation, including back surround

 

 

speakers when the “6.1/7.1” option is chosen. The Logic 7 C (or Cinema) mode should be used

 

 

with any source that contains Dolby Surround or similar matrix encoding. Logic 7 C delivers

 

 

increased center-channel intelligibility, and more accurate placement of sounds with fades and pans

 

 

that are much smoother and more realistic than with other decoding techniques. The Logic 7 M or

 

 

Music mode should be used with analog or PCM stereo sources. Logic 7 M enhances the listening

 

 

experience by presenting a wider front soundstage and greater rear ambience. Both Logic 7 modes

 

 

also direct low-frequency information to the subwoofer (if installed and configured) to deliver

 

 

maximum bass impact. The Logic 7 E (or Enhance) mode is an extension of the Logic 7 modes that is

 

primarily used with musical programs. Logic 7 adds additional bass enhancement that circulates

 

 

low frequencies in the 40Hz to 120Hz range to the front and surround speakers to deliver a less

 

 

localized soundstage that appears broader and wider than when the subwoofer is the sole source

 

 

of bass energy.

 

 

 

 

DTS Neo:6 Cinema

These two modes are available when any analog source is playing to create a six-channel

Delay time not adjustable

DTS Neo:6 Music

surround presentation from conventional Matrix-encoded and traditional Stereo sources. Select

 

 

the Cinema version of Neo:6 when a program with any type of analog Matrix surround encoding

 

 

is present. Select the Music version of Neo:6 for optimal processing when a nonencoded,

 

 

two-channel stereo program is being played.

 

 

 

 

DOLBY 3 STEREO

Uses the information contained in a surround-encoded or two-channel stereo program to

No surround channels

 

create center-channel information. In addition, the information that is normally sent to the

 

 

rear-channel surround speakers is carefully mixed in with the front-left and front-right

 

 

channels for increased realism. Use this mode when you have a center-channel speaker

 

 

but no surround speakers.

 

 

 

 

THEATER

The THEATER mode creates a sound field that resembles the acoustic feeling of a

Delay time not adjustable

 

standard live performance theater.

 

 

 

 

26OPERATION

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Contents AVR 520 Audio/ Video Receiver AVR 520 Audio/ Video Receiver Multiple digital inputs and outputs Description and FeaturesIntroduction On-screen menu and display systemUnpacking Safety InformationImportant Safety Information Front Panel Controls Main Information Display ˜ into the AVR 520’s memory DTS-ES 6.1 DiscreteFront Panel Controls Digital soundtrack has been selected Main Information Display Z Mute IndicatorFront Panel Information Display Front Panel Information Display Rear Panel Connections § DVD Audio Inputs · AC Power Cord ¶ CD Inputs‚ 8-Channel Direct Inputs When an ∞ Subwoofer OutputRear Panel Connections Main Remote Control Functions See pages 42-43 for a list of these functionsDialog center channel intelligibility at low volume levels OFFPreset Up/Down When the tuner is Zone II Remote Control Functions Connect the analog output of a CD player to the CD Inputs ¶ System InstallationAudio Equipment Connections Video Equipment ConnectionsInstallation and Connections System and Power ConnectionsSpeaker Placement System ConfigurationSpeaker Selection and Placement Using the On-Screen Display System SetupPlug the AC Power Cord · into an unswitched AC outlet Making Configuration AdjustmentsInput Setup Surround SetupTo return to the Master menu Button p Speaker Setup SurroundDelay Settings If no subwoofer is connected toOutput Level Adjustment Using EzSetAVR 520 off using the Main Power Switch Additional Input AdjustmentsSurround Mode Chart OperationMedium sized Hall 2 concert hall VMAx Near No delay availableIn-phase material of the left and right channels VMAx FarBasic Operation Volume ControlSurround Mode Selection Turning the AVR 520 On or OffSelecting a Digital Source Digital Audio PlaybackDolby Digital Night Mode Digital Status IndicatorsAddition to the bitstream indicators, MP3 Audio Playback Tuner OperationPCM Audio Playback Station SelectionRecalling Preset Stations Output Level Trim AdjustmentPreset Tuning Tape RecordingMemory Backup Channel/8-Channel Direct InputTo enter this setting Advanced FeaturesTurn-On Volume Level Semi-OSD SettingsFull-OSD Time-Out Adjustment Multiroom Operation Multiroom SetupInstallation Multiroom OperationProgramming the Remote Learning CodesErasing Learned Codes Programming the RemoteAVR 520 Remote Macro ProgrammingWithin ten seconds, press the Surround Erasing Macro CommandsMode Selector/Channel Down Button k Programmed Device FunctionsTransport Control Punch-Through Volume Punch-ThroughChannel Control Punch-Through Press the 3 Button r three times Resetting the Remote MemoryReassigning Device Control Selectors Function List Clear Preset UpPreset Down Tune DownSetup Code Table TV 176 011 030 033044 100 107 115 154 160 167 168 031Setup Code Table VCR 125 150 167 172 166074 078 086 026 037 039Setup Code Table CD 075 109 119 158 183 204 038 045 046 171 175 202 203036 056 057 064 065 089 090 091 092 096 099 104 212 051 138 149 209Setup Code Table DVD Setup Code Table TapeSetup Code Table Audio Setup Code NumberSetup Code Table SAT Setup Code Table CBL 072 186 112 213101 207 018 047 048Information from nonencoded programs Troubleshooting GuideProcessor Reset Lights, motors or other electrical appliancesTechnical Specifications Harman Kardon, Incorporated Part No. J90200022100