Rotel RSX-1057 owner manual Configuring, Understanding Speaker Con- figuration

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RSX-1057Surround Sound Receiver

DTS Neo:6

DTS Neo:6

MODE:Cinema

INPUT SETUP MENU

When DTS Neo:6 is selected as the default surround mode on the INPUT SETUP menu, there are additional option settings and pa- rameters available to optimize the surround decoding for various types of recordings, music or movie soundtracks. DTS Neo:6 uses matrix decoding algorithms to derive a center channel and surround channels from 2-channel source material.

In DTS Neo:6 surround mode, there will only be one choice available on the sub-menu: selecting CINEMA or MUSIC modes. Use the +/– buttons on the remote to change the settings.

•Select CINEMA to optimize the DTS Neo:6 decoding for movie soundtracks.

•Select MUSIC to optimize the DTS Neo:6 decoding for musical recordings.

When you have completed the setting, high- light the INPUT SETUP MENU line at the bot- tom of the screen and press the ENTER but- ton to return to the INPUT SETUP menu (or just press the ENTER button).

Configuring

Speakers and Audio

This section of the setup process covers items concerning audio reproduction such as the number of speakers, bass management in- cluding subwoofer crossovers, establishing equal output levels for all channels, delay settings, and tone contour settings.

Understanding Speaker Con- figuration

Home theater systems vary in the number of speakers and the bass capabilities of those speakers. The RSX-1057 offers surround modes tailored to systems with various numbers of speakers and bass management features which send bass information to the speaker(s) best

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able to handle it – subwoofers and/or large speakers. For optimum performance, you must tell the RSX-1057 the number of speak- ers in your system and how bass should be distributed among them.

NOTE: There are two types of bass in a sur- round system. The first is bass recorded in each of the main channels (front, center, and surround). This bass is present in all recordings and soundtracks. In addition, Dolby Digital

5.1and DTS 5.1 recordings may have a Low Frequency Effects (LFE) channel – the .1 chan- nel. This LFE channel, typically played by a subwoofer, is used for effects such as explo- sions or rumble. The use of the LFE channel will vary from soundtrack to soundtrack. Record- ings that are not encoded in Dolby Digital or DTS do not have the LFE channel.

The following configuration instructions refer to LARGE and SMALL speakers, referring more to their desired bass configuration than their physical size. Specifically, use the LARGE set- ting for speakers that you want to play deep bass signals. Use the SMALL designation for speakers that would benefit from having their bass sent to more capable speakers. The bass management system redirects bass information away from all SMALL speakers and sends it to the LARGE speakers and/or the SUBWOOFER. It may be useful to think of LARGE as “full-range” and SMALL as “high-pass filtered.”

Four typical examples of the many possible system configurations illustrate the principles behind bass management:

•Five LARGE speakers and sub- woofer: This system requires no bass redirection. All five speakers play the normal bass recorded in their respective channels. The subwoofer plays only the LFE channel bass. Depending on the soundtrack, there may be minimal use of the LFE channel, so the subwoofer would be under utilized. Meanwhile the normal bass places higher demands on the ca- pabilities of the other speakers and the amplifiers driving them.

•LARGE front, center, surround speakers, no subwoofer. The nor- mal bass from the front, center, and sur- round channels is played in its respective speakers. With no subwoofer, the LFE bass is redirected to all five LARGE speakers. This places significant demands on these

speakers and their amplifiers, as they must play their own normal bass plus the very demanding LFE bass.

•All SMALL speakers and subwoof- er. The normal bass from all channels is redirected to the subwoofer, which also plays the LFE channel. The subwoofer handles ALL of the bass in the system. This configuration provides several ben- efits: deep bass is played by the speaker most suited to do so, the main speakers may play louder with less distortion, and the need for amplifier power is reduced. This configuration should be used with bookshelf-size or smaller main speak- ers. It should also be considered in some cases with floorstanding front speakers. This configuration is advantageous when driving the system with moderate power amplifiers.

•LARGE front speakers, SMALL cen- ter and surround speakers, and a subwoofer. The normal bass from the SMALL center and surround speakers is re- directed to the LARGE front speakers and the subwoofer. The LARGE front speakers play their own normal bass plus the redi- rected bass from the SMALL speakers and LFE bass. The subwoofer plays the LFE bass plus the redirected bass from all of the oth- er channels. This might be an appropriate configuration with a pair of very capable front speakers driven by a large power amplifier. A potential disadvantage with mixed LARGE and SMALL configurations is that the bass response may not be as con- sistent from channel to channel as it might be with the all SMALL configuration.

NOTE: As an alternative configuration with a satellite/subwoofer package as the front speakers, follow the speaker manufacturer’s instructions, connecting the high-level inputs of the powered subwoofer directly to the front speaker outputs of the RSX-1057 and con- necting the satellites to the subwoofer’s own crossover. In this arrangement, the speakers would be classified as LARGE and the sub- woofer setting would be OFF for all surround modes. No information is lost during playback because the system redirects bass informa- tion to the front LARGE speakers. While this configuration ensures proper satellite speaker operation by using the speaker’s own cross- overs, it has some disadvantages in terms of system calibration and would generally not be the preferred configuration.

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Contents RSX-1057 10 cm Cm 4 Important Safety Instructions FCC InformationControls and Connections English RR-1060 RemoteConnecting the Speakers Digital Video Connections TV Analog Connections DVD Player Analog Connections English VCR Analog Connections CD Player/CDR Recorder Connections Monitor OUT HdmiAudio Recorder Connections AM and FM Antennae ConnectionsOn-Screen Menus Contents Menu Basics SpecificationsAbout Rotel Key FeaturesGetting Started Placement UnpackingCD Inputs Tape InputsVideo 1-5 Audio Inputs Video 1-3 Audio OutputsMulti Inputs Speaker OutputsComposite Video Inputs Composite Video OutputsVideo 1-5 S-Video Inputs Video 1-3 S-Video OutputsDigital Audio Input & Outputs Other ConnectionsREM in Jacks Computer I/OCD Player Cable, Satellite, Hdtv TunerAudio Recorder VCR or Digital Video RecorderDVD-A or Sacd Player TV MonitorConnecting a Subwoofer Redirect FeatureSpeakers AmplifiersRSX-1057 Front Panel OverviewVolume Knob Volume Button Using the RR-1060 Audio ButtonStandby Button Power Button REC ButtonsBasic Operations Selecting Inputs Overview Surround Formats Dolby Surround Dolby Pro LogicDolby Digital DTS DTS 96/24DTS Neo6 Dolby Digital Surround EX7.1 Channel Surround Dolby Pro Logic 7.1 Channel SurroundManually Selecting Surround Modes Other Digital FormatsDolby Digital 5.1 discs Dolby Digital Surround EX discs Dolby Digital 2.0 discsDTS 5.1 discs DTS 96/24 discs DTS-ES 6.1 discs Mpeg Multichannel discsDigital Stereo discs PCM, MP3, and Hdcd On a 6.1/7.1 system with a DTSOther Settings Group DelayAnalog Stereo Speaker LevelContour/Tone Settings To adjust dynamic rangeTo adjust the contour settings from the remote Tuner ControlsNumeric Buttons Station Presets Memory ButtonDisp Button PTY ButtonTP Button TA ButtonZone 2 Power On/Off Zone 2 OperationControlling Zone 2 from the Main Room Controlling Zone 2 from the Remote LocationMenu Basics Navigation ButtonsSystem Status Main MenuInput Setup Configuring InputsMulti Input Setup Multi InputConfiguring Understanding Speaker Con- figurationSpeaker Setup Advance Speaker SetupSubwoofer Setup Subwoofer SetupTest Tone Delay SetupCalibration with an SPL meter Contour Setup Other OptionsZone 2 Setup Default SetupTroubleshooting Specifications Rotel Europe Rotel of AmericaRotel Deutschland

RSX-1057 specifications

The Rotel RSX-1057 is a robust and versatile AV receiver that has garnered attention for its excellent performance and range of features. Designed to meet the demands of home theater enthusiasts, it stands out for its combination of advanced technology, superior audio quality, and user-friendliness.

One of the key features of the RSX-1057 is its robust amplification capabilities. With a power output of 75 watts per channel, it can deliver rich sound across multiple audio channels, making it ideal for multi-channel audio setups. This is complemented by the receiver's high-current design, which ensures dynamic sound reproduction with minimal distortion, even at high volumes.

The receiver supports a wide range of audio formats, including Dolby Digital, Dolby Pro Logic II, DTS, and various music-enhancing technologies. This allows users to experience movies and music in immersive detail, making it a great choice for both film buffs and music lovers alike. The RSX-1057 also features an integrated AM/FM tuner, enabling users to enjoy their favorite radio stations without the need for additional equipment.

In terms of connectivity, the RSX-1057 boasts an impressive selection of input and output options. It includes several HDMI inputs, component video inputs, and composite video connections, making it highly compatible with a variety of devices, from Blu-ray players to gaming consoles. Furthermore, the receiver offers audio outputs that allow for easy integration with subwoofers, enhancing the overall audio experience.

One of the standout technologies in the RSX-1057 is its proprietary ‘Rotel Link’ feature, which enables multi-room audio setups. This function allows users to connect multiple components and create a unified audio system throughout their home. The intuitive remote control enhances the user experience, providing seamless access to browsing and selecting different inputs and settings.

The design of the Rotel RSX-1057 is both aesthetically pleasing and functional. Its sleek chassis features a brushed aluminum front panel, which not only looks great but also minimizes environmental interference. Furthermore, the unit is designed for efficient heat dissipation, ensuring longevity and reliable performance over time.

Overall, the Rotel RSX-1057 is a well-rounded AV receiver that excels in audio fidelity, versatility, and user-centric features. Its commitment to quality and innovation makes it a popular choice for anyone seeking to elevate their home entertainment experience.
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