DMS

7004 Setting Up

Prior to using your DMS 700, make certain that the transmitter and receiver are tuned to the same frequency.

Inserting Batteries

1.

Open the battery compartment cover (9).

into the Transmitter

2.

Insert the supplied battery into the battery compartment, aligning the battery according to the

 

 

polarity symbols. If you insert the battery the wrong way, the transmitter will not be powered.

 

3.

Close the battery compartment cover (9).

Connecting Antennas

 

The supplied ¼-wave antennas can be mounted quickly and easily and are suitable for applications

 

where a direct line of sight between the transmitter and the receiver antenna is available.

Remote Antennas • You should use remote-mounted antennas if the receiver’s position doesn’t allow the best re- ception.

-Connect the remote antennas to the BNC sockets (14, 15) on the receiver rear panel.

-Use RG58 cable to connect the antennas.

-For details on antennas, accessories, and frequency planning support visit our website at www.akg.com.

Antenna

Front-mount Cable

Positioning the Receiver

Connecting the Receiver to

aMixer/Amplifier Analog output

Digital Output For details on the AES-EBU output visit www.akg.com.

Use the BNC extension cable (AKG part #0110E01890) for mounting the ¼-wave antennas on the front panel (13).

Signal reflections off metal objects, walls, ceilings, etc. or the shadow effects of musicians and other people may weaken or block the direct transmitted signal.

For best results, place the receiver or remote antennas as follows:

Place the receiver/antennas near the performance area (stage). Make sure, though, that the transmitter won’t be used within 10 ft (3 m) of the receiver.Optimum separation is at least 16 ft. (5 m). Check that you can see the receiver from where you will be using the transmitter.Shadow effects caused by people or objects can disrupt the radio link.

Place the receiver at least 5 ft. (~1.5 m) away from any large metal objects, walls, scaffolding, ceilings, etc.

You can use the receiver either free-standing or mounted in a 19" equipment rack.

If you install one or more receivers into a 19" rack, either mount the supplied antennas on the receiver front panel(s) or use remote antennas. This is the only way to ensure optimum recep- tion quality.

You can connect the receiver’stwo analog XLR (17, 20) and two analog ¼”/6.3mm jack (18, 21) out- puts at any time. Use the receiver’s AUDIO Menu to adjust the output level as needed.

• Connect the audio output to the desired input:

a)BALANCED XLR-output - microphone input: set the output level switch to "-30 dB".

b)BALANCED XLR-output - line input: set the output level switch to "0 dB".

c)UNBALANCED 1/4” output - unbalanced 1/4" microphone or line input jack.

Use the AES-EBU digital balanced XLR (24) output to feed the audio signals of both receivers to an AES-EBU digital input.

The built-in Wordclock generator supports a sampling rate of 48 kHz. You can connect an ex- ternal 48 kHz clock generator to the Wordclock IN (23) BNC socket to synchronize all your digi- tal signals.

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AKG Acoustics DMS700 specifications 700 4 Setting Up, Close the battery compartment cover, Into the Transmitter

DMS700 specifications

The AKG Acoustics DMS700 is a state-of-the-art digital wireless microphone system that has gained considerable acclaim in the realms of live performance, broadcasting, and professional sound production. Designed to meet the needs of demanding environments, the DMS700 showcases a plethora of features and technologies that enhance its reputation as a leading choice for audio professionals.

One of the standout features of the DMS700 is its advanced digital transmission technology. Utilizing the UHF frequency band, this system provides a robust and reliable audio signal, free from the interference that often plagues analog systems. This is complemented by its wide dynamic range, ensuring that audio clarity is maintained across various sound levels, making it ideal for both spoken word and musical performances.

The DMS700 system supports multiple channels, allowing users to operate several microphones simultaneously without fearing frequency collisions. With its intuitive frequency management, the system facilitates quick setup and ensures that all channels can function harmoniously. This is particularly beneficial in environments where multiple performers are using wireless microphones, as it allows for seamless transitions and interference-free operation.

In terms of design, the DMS700 boasts a sleek yet sturdy build tailored for professional use. The receivers feature an easy-to-read LCD display, providing real-time feedback on battery status, signal strength, and frequency information. Additionally, the handheld transmitters are ergonomically designed, allowing for comfortable use over extended periods, which is crucial in live performance scenarios.

Another key characteristic of the DMS700 is its versatility. The system is compatible with a range of AKG microphone capsules, enabling users to customize their setup according to specific performance needs. Whether it's for vocals or instruments, the ability to switch capsules enhances the overall adaptability of the system.

Moreover, the DMS700 incorporates sophisticated encryption technology, ensuring secure transmission of audio signals by protecting against unauthorized access. This feature is especially important for events where confidentiality is essential, further demonstrating AKG's commitment to quality and security in professional audio.

In conclusion, the AKG Acoustics DMS700 digital wireless microphone system is a comprehensive solution designed to meet the evolving demands of audio professionals. With its superior transmission technology, flexible channel management, ergonomic design, and enhanced security features, the DMS700 stands out as a reliable choice for anyone seeking exceptional audio performance in a wireless format. Whether in live settings, studios, or broadcasting, this system is engineered to deliver outstanding sound quality, making it an invaluable tool for sound engineers and performers alike.