12. Advanced Settings
Thecolor temperatureof theimage is adapted and a * shows the active setting.
Advanced Settings
Gamma
Color Temperature
Input Balance
Noise Reduction
Film mode detection [ON]
Video AGC
Display Settings
Installation
Service
Back
Menu12-3
Color Temperature
Display White
Computer [9300K]
Video [6500K]
Film [5400K]
Broadcast [3200K]
Custom Balance
Back
Menu12-4

How to adjust the custom color balance.

1. Select Advanced Settings.
2. Press ENTER to activate.
The Advanced Settings menu will be displayed. (menu 12-5)
3. Select Color Temperature.
4. Press ENTER to activate.
The Color temperature menu will be displayed. (menu 12-6)
The actual color temperature will be indicated by a *.
5. Use ↑or ↓to select Custom Balance.
The Custom balance menu will be displayed. (menu 12-7)
6. Selectrespectively Gainred,Gain green and Gain blue and adjust with the arrow keys until the desired custom color balance is
obtained.
Advanced Settings
Gamma
Color Temperature
Input Balance
Noise Reduction
Film mode detection [ON]
Video AGC
Display Settings
Installation
Service
Back
Menu12-5
Color Temperature
Display White
Computer [9300K]
Video [6500K]
Film [5400K]
Broadcast [3200K]
Custom Balance
Back
Menu12-6
Custom Balance
Gain red
Gain green
Gain Blue
Back
Menu12-7
12.4 Input Balance
Overview
• Introduction to Input Balance
• Adjusting the input balance

12.4.1 Introduction to Input Balance

Introduction: Unbalanced color signals

Whentransporting signals, there is always a risk of deterioration of the information contained in the signals.
Incase of information contained in the amplitude of the signals which is the case of data color signals (R, G, B),image 12-1 , we are
quitesure that the am plitude of these color signals is subject to alterations.
Anexample of alteration may be a DC component added tothe signal, in the form of a DC offset repositioning the black level, since
thisbla ck level (“brightness”) will become crucial later on (clamping circuit) it will result in “black not being black”.
Anothervalue that is subject to alteration is the amplitude of the signal, resulting in an altered “Gain” of the signal (“white level” or
contrast).
Thealterations of the three color signals will happen independently i.e. the colors will end to be unbalanced, image 12-2
R5976672 SOLARIS LC40 13/01/2005 65