EditingMasteringUsing USBConvenient
Functions
Appendixes Quick StartGetting Ready
to Record
Recording/
Playback
Using
Effects
Using
Rhythm
69
Using Insert Effects
MATCH
MATCH
DRIVE
This models the sound input to left in-
put on a Matchless D/C-30.
A simulation of the latest tube amp
widely used in styles from blues and
rock.
FAT MATCH This models the sound of a Matchless
with a modified high gain.
MATCH
LEAD
This models the sound input to right
input on a Matchless D/C-30.
BG LEAD
BG LEAD
This models the lead sound of the
MESA/Boogie combo amp.
The sound of a tube amp typical of the
late ‘70s to ‘80s.
BG DRIVE This models a MESA/Boogie with
TREBLE SHIFT SW on.
BG RHYTHM This models the rhythm channel of a
MESA/Boogie.
MS CLASSIC
MS1959 I
This models the sound input to Input I
on a Marshall 1959.
This is a trebly sound suited to hard
rock.
MS1959 I+II
The sound of connecting inputs I and II
of the guitar amp in parallel, creating a
sound with a stronger low end than I.
MS MODERN
MS HIGAIN This models the sound of a Marshall
with a modified midrange boost.
MS SCOOP
This is a Marshall sound that’s been
tweaked for metal sound.
R-FIER
R-FIER VNT
Models the sound of the Channel 2
VINTAGE Mode on the MESA/Boogie
DUAL Rectifier.
R-FIER MDN
Models the sound of the Channel 2
MODERN Mode on the MESA/Boogie
DUAL Rectifier.
R-FIER CLN
Models the sound of the Channel 1
CLEAN Mode on the MESA/Boogie
DUAL Rectifier.
T-AMP
T-AMP LEAD This models a Hughes & Kettner Tri-
amp AMP3.
T-AMP
CRNCH
This models a Hughes & Kettner Tri-
amp AMP2.
T-AMP
CLEAN
This models a Hughes & Kettner Tri-
amp AMP1.
HI-GAIN
BOSS DRIVE This is a drive sound producing awe-
some distortion.
SLDN This models a Soldano SLO-100.
This is the typical sound of the eighties.
LEAD STACK This is a lead sound with high gain.
HEAVY LEAD A powerful lead sound featuring ex-
treme distortion.
Parameter/
Range Explanation
METAL
BOSS METAL This is a metal sound suited to heavy
riffs.
5150 DRIVE This models the lead channel of a
Peavey EVH 5150.
METAL LEAD This is a lead sound suited to metal.
EDGE LEAD This is a sharp sound suited for lead
play.

GAIN

0–120 Adjusts the distortion of the amp.

BASS

0–100 Adjusts the tone for the low frequency
range.

MIDDLE

0–100 Adjusts the tone for the middle fre-
quency range.

TREBLE

0–100 Adjusts the tone for the high frequency
range.

PRESENCE

0–100 Adjusts the tone for the ultra high fre-
quency range.
LEVEL
0–100
Adjusts the volume of the entire
preamp.
* Be careful not to raise the Level setting
too high.

BRIGHT

Turns the bright setting on/off.
* The BRIGHT parameter setting is only partially available
with some JC CLEAN, TW CLEAN, CRUNCH, or BG
LEAD settings in Preamp Type.
OFF Bright is not used.
ON Bright is switched on to create a lighter
and crisper tone.

GAIN SW

LOW,
MIDDLE,
HIGH
Provides for selection from three levels
of distortion: LOW, MIDDLE, and
HIGH.
Distortion will successively increase
for settings of LOW, MIDDLE and
HIGH.
* The sound of each Type is created on the
basis that the Gain is set to MIDDLE.
So, normally set it to MIDDLE.

SP TYPE (Speaker Type)

Select the speaker type.
OFF This turns off the speaker simulator.
Parameter/
Range Explanation
BR800_e.book 69 ページ ２０１０年１１月２日　火曜日　午前８時２８分