
| 
 | 
 | 
 | 
 | Auto Accompaniment | |
| FINGERED | 
 | NOTE | |||
| FINGERED provides you with a total of 15 different chord | • | Except for the chords specified in note*1 above, inverted | |||
| 
 | fingerings (i.e. playing  | ||||
| types. The | following describes | the FINGERED | 
 | ||
| 
 | G) will produce the same chords as the standard | ||||
| “Accompaniment keyboard” and “Melody keyboard”, and | 
 | ||||
| 
 | fingering. | ||||
| tells you how to play a  | 
 | ||||
| • | Except for the exception specified in note*2 above, all | ||||
| 
 | 
 | 
 | |||
| FINGERED Accompaniment Keyboard and Melody | 
 | of the keys that make up a chord must be pressed. | |||
| 
 | Failure to press even a single key will not play the desired | ||||
| Keyboard | 
 | 
 | 
 | ||
| 
 | 
 | 
 | FINGERED chord. | ||
| 
 | 
 | 
 | 
 | ||
| Accompaniment | Melody keyboard | 
 | 
 | ||
| keyboard | 
 | 
 | |||
| 
 | 
 | 
 | 
 | ||
| 
 | 
 | 
 | 
 | FULL RANGE CHORD | |
| 
 | 
 | 
 | This accompaniment method provides a total of 38 different | ||
| NOTE | 
 | 
 | chord types: the 15 chord types available with FINGERED | ||
| 
 | 
 | plus 23 additional types. The keyboard interprets any input | |||
| • The accompaniment keyboard can be used for playing | of three or more keys that matches a FULL RANGE CHORD | ||||
| chords only. No sound will be produced if you try playing | pattern to be a chord. Any other input (that is not a FULL | ||||
| single melody notes on the accompaniment keyboard. | RANGE CHORD pattern) is interpreted as melody play. | ||||
| 
 | 
 | 
 | Because of this, there is no need for a separate accompaniment | ||
| C | Cm | Cdim | keyboard, so the entire keyboard, from end to end, can be | ||
| used for both melody and chords. | |||||
| 
 | 
 | 
 | |||
| 
 | 
 | 
 | FULL RANGE CHORD Accompaniment Keyboard and | ||
| 
 | 
 | 
 | Melody Keyboard | ||
| Caug *1 | Csus4 | C7 *2 | 
 | Accompaniment keyboard/Melody keyboard | |
| 
 | 
 | ||||
| Cm7 *2 | Cmaj7 *2 | Cm7 5 | < Chords Recognized by This Keyboard > | 
 | 
 | 
 | 
 | 
 | ||||||||||||
| 
 | 
 | 
 | Chord Types | 
 | 
 | 
 | Number of Types | 
 | 
 | 
 | ||||||||||
| 
 | 
 | 
 | Corresponding | 15 (on this page) | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | ||||||||
| C7 5 *1 | C7sus4 | Cadd9 *2 | FINGERED Chord | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | |||||||||
| 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | ||||
| 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | |||
| 
 | 
 | 
 | 
 | 23 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
| 
 | 
 | 
 | 
 | The following are examples of chords | ||||||||||||||||
| 
 | 
 | 
 | 
 | that use C as the bass note. | 
 | 
 | 
 | |||||||||||||
| 
 | 
 | 
 | 
 | C6 • Cm6 • C69 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | |||||||
| Cmadd9 *2 | CmM7 *2 | Cdim7 *1 | Other Chords | C | • | 
 | D | • | E | 
 | • | F | 
 | • | G | 
 | • | A | • | B | 
| 
 | 
 | 
 | 
 | 
 | 
 | 
 | ||||||||||||||
| 
 | 
 | 
 | 
 | C | 
 | 
 | C | 
 | C | 
 | 
 | C | 
 | 
 | C | 
 | 
 | C | 
 | C | 
| 
 | 
 | 
 | 
 | B | • | C m | • | Dm | • | Fm | • | Gm | 
 | • | Am | • | B m | |||
| 
 | 
 | 
 | 
 | C | 
 | 
 | C | 
 | C | 
 | 
 | C | 
 | 
 | C | 
 | 
 | C | 
 | C | 
| See the FINGERED Chord Chart on page  | 
 | Dm7 | 5 | • | A 7 | • | F7 | • | Fm7 | • | Gm7 | • | A add9 | 
 | ||||||
| 
 | C | 
 | C | C | 
 | C | 
 | C | 
 | C | 
 | 
 | ||||||||
| 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | |||||||||
| playing chords with other roots. | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | |
*1: Inverted fingerings cannot be used. The lowest note is the root.
*2: The same chord can be played without pressing the 5th G.
| 
 | ||
| 37 | 03.10.7, 4:27 PM | 
