
Appendix/Apéndice
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| G9 |
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| C9 |
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| C8 |
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| G7 |
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| C7 |
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NOTE | rangeeachofmeaningThe•typeisdescribedbelow. |
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| NOTA |
| tipocadadesignificadoEl•degamasedescribedebajo. |
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| C6 |
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| A type)(Standard | ndar)áest(Tipo |
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| /”1PICCOLO211“ | ”2PICCOLO222“ | |||||
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| A=440Hz |
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| RangeType/TipodegamaC |
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| B |
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| C5 |
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| C4 |
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| C3 |
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| C2 |
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| C1 |
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| C0 |
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| 1 |
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| - |
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6 | A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A D D D | |||||||||||||||||||||||||||||||||
5 | 16 | 16 | 16 | 16 | 16 | 16 | 16 | 16 | 16 | 16 | 16 | 16 | 16 | 16 | 16 | 16 | 16 | 16 | 16 | 16 | 16 | 32 | 32 | 32 | 32 | 16 | 32 | 32 | 32 | 32 | 16 | 32 | 32 | 32 |
4 | 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 | |||||||||||||||||||||||||||||||||
3 | 84 | 85 | 86 | 87 | 88 | 89 | 90 | 91 | 92 | 93 | 94 | 95 | 96 | 97 | 98 | 99 | 100 | 101 | 102 | 103 | 104 | 105 | 106 | 107 | 108 | 109 | 110 | 111 | 112 | 113 | 114 | 115 | 116 | 117 |
2 |
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| BOWEDGLASS |
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| CHARANG | VOICELEAD | FIFTHLEAD |
| BASS+LEAD |
| FANTASY |
| WARMPAD |
| POLYSYNTH |
| SPACECHOIR |
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| METALPAD |
| HALOPAD |
| SWEEPPAD |
| RAINDROP |
| SOUNDTRACK |
| CRYSTAL |
| ATMOSPHERE |
| BRIGHTNESS |
| GOBLINS |
| ECHOES |
| SF |
| SITAR |
| BANJO |
| SHAMISEN |
| KOTO |
| THUMBPIANO |
| BAGPIPE |
| FIDDLE |
| SHANAI |
| TINKLEBELL |
| AGOGO |
| STEELDRUMS |
| WOODBLOCK |
| TAIKO |
| MELODICTOM | |
| GM | GM | GM |
| GM |
| GM |
| GM |
| GM |
| GM |
| GM |
| GM |
| GM |
| GM |
| GM |
| GM |
| GM |
| GM |
| GM |
| GM |
| GM |
| GM |
| GM GM GM GM GM GM GM GM GM GM |
| GM |
| GM |
| GM |
| GM | ||||||||||||||||||
1 | 446 |
| 448 |
| 449 |
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| 474 |
| 475 |
| 476 |
| 477 |
| 478 |
| 479 |
447 |
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/”1PICCOLO211“ | ”2PICCOLO222“ | C |
| pitchLow | instruments | deInstrumentos | bajatonalaltura |
| D | Effect)(Sound |
| sonido)de(Efecto |
| ........rangeKeyboard | ........tecladodelGama |
| ........rangeAvailable(usingtransposeormessagereceive) | ........disponibleGama(usandolatransposiciónorecepcióndemensajes) |
| ........theseinNotesrangesareproducedbyplayingthenotesinrangebthatarein octavenearestthe astheresultoftransposeandmessagereceiveoperations. | ennotasLas........estasgamasseproducenejecutandolasnotasenlagamabque encuentreseenlaoctavamáscercanacomoresultadodelasoperacionesde nótransposiciyrecepcióndemensajes. | |
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| tones. for scale | sonidos. los para escala |
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| No | Sin |
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| a |
| b |
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| c |
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D D A A D D D D D D |
| D D D D D D D D D D |
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32 | 32 | 32 32 | 16 16 32 32 | 16 | 32 |
| — — — — — — — — — — |
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0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 120 | 120 | 120 | 120 | 120 | 120 | 120 | 120 | 120 | 120 |
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118 | 119 | 120 | 121 | 122 | 123 | 124 | 125 | 126 | 127 |
| 0 | 1 | 8 | 16 | 24 | 25 | 30 | 32 | 40 | 48 |
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GMREVERSECYMBAL | GMGTFRETNOISE | GMBREATHNOISE | GMSEASHORE | GMBIRD | GMTELEPHONE | GMHELICOPTER | GMAPPLAUSE | GMGUNSHOT | DRUMSET | STANDARDSET1 | STANDARDSET2 | ROOMSET | POWERSET | ELECTRONICSET | SYNTHSET1 | SYNTHSET2 | JAZZSET | BRUSHSET | ORCHESTRASET |
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480 | 481 | 482 | 483 | 484 | 485 | 486 | 487 | 488 | 489 |
| 490 | 491 | 492 | 493 | 494 | 495 | 496 | 497 | 498 | 499 |
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