.

Getting the Most Out of Your Camera

Snapshots

Shooting with Optimum Setups

USING BEST SHOT . . . . . . . . . . . . . . . . . . . . . . . . . . .98

Portrait, Scenery, Night Scene, Night Scene Portrait, Children, etc

Adding Special Effects

USING BEST SHOT . . . . . . . . . . . . . . . . . . . . . . . . . . .98

Monochrome, retro, etc.

Compensating for Hand or Subject Movement

Reducing the Effects of Hand and Subject Movement .104

Increasing Sensitivity when Lighting is Dim

Taking Bright Images without Flash . . . . . . . . . . . . . .105

Making Images of Business Cards, Documents, and Meeting Information (White Board) Easier to Read

Shooting Images of Business Cards and Documents

(Business Shot) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .106

Selecting the Best Focus Mode for Shooting Conditions

Changing the Focus Mode . . . . . . . . . . . . . . . . . . . . .112

Eliminating Light Source Color Cast

Controlling White Balance . . . . . . . . . . . . . . . . . . . . . .123

Sharpening or Softening Subject Outlines

Controlling Image Sharpness . . . . . . . . . . . . . . . . . . .129

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CONTENTS