INPUT CHANNEL CONTROL FUNCTIONS PATCH BAY PANEL CONNECTIONS
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| A. EFFECTS - This knob controls |
| A | the amount of signal its respective |
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| channel sends to the overall effects |
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| mix. When the knob is set at 0, the |
0 | MAX | output is “dry”. |
EFFECTS |
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| B. HIGH - | Adjusts the amount of |
| B | high frequency boost or cut in the | |
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| channel. When all the tone controls | |
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| are set at | 0 (straight up), the |
15 | +15 | channel is “flat” with no frequencies | |
HIGH |
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| cut or boosted. | ||
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| C | C. MID - Adjusts the amount of | |
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| middle frequency boost or cut in | |
I
MAIN OUT
J
PA 1 IN
K
MON OUT
L
PA 2 IN
M
EFFECTS OUT/ FOOTSWITCH
N
EFFECTS IN
15 | +15 | the channel. |
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| MID | D. LOW - Adjusts the amount of |
| D | low frequency boost or cut in the |
| channel. | |
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| E. MONITOR - This knob controls |
15 | +15 | the amount of signal its respective |
| LOW | |
| channel sends to the monitor mix. | |
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| E | When the knob is set at 0, the |
| channel’s signal is not sent to the | |
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| monitor bus. |
I. MAIN OUT - This 1/4 inch, TS, unbalanced, line level output is designed to feed the SRM 6302 / 8302’s main bus signal to an external power amplifier or main house mixer.
J. PA 1 IN - This 1/4 inch, TS, unbalanced, line level input jack allows the SRM 6302 / 8302’s power amplifier #1 (PA 1) to be fed from an external signal source. When this connection is used, the “main out” connection to PA 1 is overridden.
K. MON OUT - This 1/4 inch, TS, unbalanced, line level output is designed to feed the SRM 6302 /
0 | MAX |
MONITOR
F
0 | MAX |
LEVEL
F. LEVEL - Adjusts the volume control of the individual channel. Rotating the knob clockwise increases the respective channel’s contribution to the “Main Out” mix. Adjust this control after the MAIN or overall volume of the SRM 6302 / 8302 has been set.
8302’s monitor bus signal to an external power amplifier or monitor system.
L. PA 2 IN - This 1/4 inch, TS, unbalanced, line level input jack allows the SRM 6302 / 8302’s power amplifier #2 (PA 2) to be fed from an external signal source. When this connection is used, the internal connection to PA 2 is overridden.
INPUT CHANNEL CONNECTIONS
M. EFFECTS OUT/FOOTSWITCH - This 1/4 inch, TS, unbalanced, line level output jack is designed to feed the SRM’s effects bus signal to an external
G
LINE
H
G. LINE - Plug your instrument in here. This 1/4 inch TRS balanced input jack suited for use with items having a line level output such as high impedance microphones, keyboards, drum machines, outboard effects, etc. It accepts both balanced and unbalanced cables
signal processing device, such as a digital delay or a chorus unit. When a footswitch (P/N 048458, optional) is inserted into this jack, the SRM’s internal reverb can be turned on or off remotely.
N. EFFECTS IN - This 1/4 inch, unbalanced, TS, line level input jack is designed to accept signal from an external processing device, such as a digital delay or a chorus unit. The signal entering this jack is mixed into the Main and Monitor using the “Tape/Effects”
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| H. MIC - Plug your microphone in |
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| here. This three pin XLR balanced |
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MIC |
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| female input connector is intended | |
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| for input signals from low |
impedance microphones. Pins 2 and 3 provide Phantom Power (+48V DC) for condenser style microphones when the phantom power switch is on.
controls labeled “Return to Main” and “Return to Monitor”.
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