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• MIC SIM (Microphone Simulation) |
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MIC | : | Simulates the sound of a multipurpose professional condenser microphone with a large |
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| diaphragm. Its warm and transparent sound is suitable for a vocal, as well as a drum |
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| overhead or guitar amplifier. |
MIC | : | Simulates the sound of “MIC |
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| suppress boosted low frequencies as a result from placing a microphone in close |
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| proximity to the signal source. |
MIC | : | Simulates the sound of one of the most popular condenser microphones in professional |
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| studios together with the Classic condenser 87. You can get a |
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| an acoustic piano. |
MIC | ||
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| suppress boosted low frequencies. |
MIC | : | Simulates the sound of a dynamic microphone suitable for a kick. You can get a clean and |
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| powerful sound by applying it to a kick or bass. It has a slightly boosted low frequencies. |
MIC | : | Simulates the sound of a dynamic microphone which is frequently used for recording a |
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| with a high frequency peak. |
MIC | : Simulates the sound of “MIC | |
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| suppress boosted low frequencies more than “MIC |
MIC | Simulates the sound of “MIC | |
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| considerably suppress boosted low frequencies. Suitable for a speech. |
MIC | : | Simulates the sound of a modern condenser microphone which has a wider dynamic |
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| range and bright sound. It offers a warm tube sound, making a vocal or acoustic guitar as |
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| if it were recorded by a condenser microphone. |
MIC | : | Simulates a professional tube microphone with a large diaphragm that offers clean and |
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| dry sound. Suitable for an acoustic guitar and brass. |
MIC | Simulates the sound of a classic and historic model used for vocals and strings | |
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| frequently in professional studios. Provides outstanding warm sound among condenser |
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| microphones. |
*[EFFECT 1_ADJUST] knob (PARAM.1): Not used.
*[EFFECT 2_ADJUST] knob (PARAM.2): Adjust the Distortion Output Level.
* [EFFECT 2_MIX] knob (PARAM.3): | Adjust the Gate Threshold. |
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| OUTPUT 1 (L) | ||
| Mic Simulate |
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| Gate |
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• AMP SIM (Amplifier Simulation) |
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AMP | : Simulates the | |||||||||
| sound of the 80’s hard rock and heavy metal. Distorted raging sound. | |||||||||
AMP | : Simulates the American combo model amplifier, designed to get high gain sound for the | |||||||||
| 90’s hard rock and heavy metal. Fat bass and raging distorted sound. | |||||||||
AMP | : Simulates the amp head of the high gain amp series, same as the Tremo Recti Amplifiers. | |||||||||
| Deep and | |||||||||
AMP | : Simulates a most popular British sound tube amplifier. The preamp section is designed | |||||||||
| using the class A circuit for creating the fat and warm sound. Usually used in the range | |||||||||
| between clear and crunch sound, but sometimes used with the higher gain to get a | |||||||||
| harder distortion. |
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AMP | : Simulates the American combo amplifier designed as a bass amplifier but used by many | |||||||||
| guitarists because of its fat presence sound. Suitable for jazz and blues with its clear and | |||||||||
| crunch sound, however, because you can get a raging distortion that you cannot expect | |||||||||
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AMP | : You can distort a kick sound appropriately. |
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AMP | : You can distort a snare sound appropriately. |
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AMP | : You can distort a snare sound excessively. |
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AMP | : You can get a smooth distortion. |
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AMP | : You can get a boomy and bright distortion. |
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AMP | : You can get a bullhorn sound. |
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*[EFFECT 1_ADJUST] knob (PARAM.1): Adjust the Distortion Gain.
*[EFFECT 2_ADJUST] knob (PARAM.2): Adjust the Distortion Output Level.
* [EFFECT 2_MIX] knob (PARAM.3): | Adjust the Gate Threshold. |
INPUT 1Amp Simulate
Gate
OUTPUT 1 (L)
OUTPUT 1 (R)
• DISTORTION
: You can get a hard distortion like driving a | ||
: You can get a slight distortion when picking the guitar strongly. | ||
: You can get a smooth distortion like driving a tube amplifier. | ||
(Acoustic) | : You can get an | |
(Blues) | : You can get a fat overdrive sound. | |
(Fuzz) | : You can get a rough sound with a fat low frequency range. | |
(Lead) | : You can get a bright and smooth distortion. | |
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