DE-10 Owner’s Manual

• MIC SIM (Microphone Simulation)

 

 

MIC SIM-1(Trad Condenser 3k, Low Cut: Off)

:

Simulates the sound of a multipurpose professional condenser microphone with a large

 

 

diaphragm. Its warm and transparent sound is suitable for a vocal, as well as a drum

 

 

overhead or guitar amplifier.

MIC SIM-2(Trad Condenser 3k, Low Cut: On)

:

Simulates the sound of “MIC SIM-1” above with the Low Cut switch to On. You can

 

 

suppress boosted low frequencies as a result from placing a microphone in close

 

 

proximity to the signal source.

MIC SIM-3(Trad Condenser 414, Low Cut: Off)

:

Simulates the sound of one of the most popular condenser microphones in professional

 

 

studios together with the Classic condenser 87. You can get a high-fidelity clean sound of

 

 

an acoustic piano.

MIC SIM-4(Trad Condenser 414, Low Cut: 150Hz) : Simulates the sound of “MIC SIM-3” above with the Low Cut switch to On. You can

 

 

suppress boosted low frequencies.

MIC SIM-5(Trad Dynamic 112)

:

Simulates the sound of a dynamic microphone suitable for a kick. You can get a clean and

 

 

powerful sound by applying it to a kick or bass. It has a slightly boosted low frequencies.

MIC SIM-6(German Dynamic 421)

:

Simulates the sound of a dynamic microphone which is frequently used for recording a

 

 

tom-tom. Suitable for recording a skin percussion because of its powerful attack feeling

 

 

with a high frequency peak.

MIC SIM-7(German Dynamic 421, Low Cut: 2)

: Simulates the sound of “MIC SIM-6” above with the Low Cut switch to On. You can

 

 

suppress boosted low frequencies more than “MIC SIM-6”.

MIC SIM-8(German Dynamic 421, Low Cut: SPE) :

Simulates the sound of “MIC SIM-6” above with the Low Cut switch to On (SPE). You can

 

 

considerably suppress boosted low frequencies. Suitable for a speech.

MIC SIM-9(Modern Condenser 2)

:

Simulates the sound of a modern condenser microphone which has a wider dynamic

 

 

range and bright sound. It offers a warm tube sound, making a vocal or acoustic guitar as

 

 

if it were recorded by a condenser microphone.

MIC SIM-10(Vintage Condenser 47)

:

Simulates a professional tube microphone with a large diaphragm that offers clean and

 

 

dry sound. Suitable for an acoustic guitar and brass.

MIC SIM-11(Vintage Condenser 87, Low Cut: Off) :

Simulates the sound of a classic and historic model used for vocals and strings

 

 

frequently in professional studios. Provides outstanding warm sound among condenser

 

 

microphones.

*[EFFECT 1_ADJUST] knob (PARAM.1): Not used.

*[EFFECT 2_ADJUST] knob (PARAM.2): Adjust the Distortion Output Level.

* [EFFECT 2_MIX] knob (PARAM.3):

Adjust the Gate Threshold.

 

 

 

 

 

 

OUTPUT 1 (L)

 

Mic Simulate

 

 

 

 

 

INPUT 1

 

 

 

 

 

Gate

 

 

 

 

 

 

 

 

• AMP SIM (Amplifier Simulation)

 

 

 

 

 

 

OUTPUT 1 (R)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

AMP SIM-1(British 800 Amplifier)

: Simulates the 800-series British tube amplifier, a synonym for “rock.” The king of the rock

 

sound of the 80’s hard rock and heavy metal. Distorted raging sound.

AMP SIM-2(Tremo Recti Amplifier)

: Simulates the American combo model amplifier, designed to get high gain sound for the

 

90’s hard rock and heavy metal. Fat bass and raging distorted sound.

AMP SIM-3(Metal Panel Recti Amplifier)

: Simulates the amp head of the high gain amp series, same as the Tremo Recti Amplifiers.

 

Deep and well-separated distortion and heavy sound. Suitable for the metal sound.

AMP SIM-4(British Class A30 Amplifier)

: Simulates a most popular British sound tube amplifier. The preamp section is designed

 

using the class A circuit for creating the fat and warm sound. Usually used in the range

 

between clear and crunch sound, but sometimes used with the higher gain to get a

 

harder distortion.

 

 

 

 

 

 

AMP SIM-5(Fat Bass Amplifier)

: Simulates the American combo amplifier designed as a bass amplifier but used by many

 

guitarists because of its fat presence sound. Suitable for jazz and blues with its clear and

 

crunch sound, however, because you can get a raging distortion that you cannot expect

 

from an ordinary bass amplifier when raising the gain. It can be used for a wide range of

 

genres.

 

 

 

 

 

 

AMP SIM-6 (Kick)

: You can distort a kick sound appropriately.

 

 

 

 

 

AMP SIM-7 (Snare 1)

: You can distort a snare sound appropriately.

 

 

 

 

 

AMP SIM-8 (Snare 2)

: You can distort a snare sound excessively.

 

 

 

 

 

AMP SIM-9 (Voice 1)

: You can get a smooth distortion.

 

 

 

 

 

AMP SIM-10 (Voice 2)

: You can get a boomy and bright distortion.

 

 

 

 

 

AMP SIM-11(Radio Voice)

: You can get a bullhorn sound.

 

 

 

 

 

 

*[EFFECT 1_ADJUST] knob (PARAM.1): Adjust the Distortion Gain.

*[EFFECT 2_ADJUST] knob (PARAM.2): Adjust the Distortion Output Level.

* [EFFECT 2_MIX] knob (PARAM.3):

Adjust the Gate Threshold.

INPUT 1Amp Simulate

Gate

OUTPUT 1 (L)

OUTPUT 1 (R)

• DISTORTION

DIST-1(Distortion)

: You can get a hard distortion like driving a three-stacked amplifier.

DIST-2(Rhythm)

: You can get a slight distortion when picking the guitar strongly.

DIST-3(Over Drive)

: You can get a smooth distortion like driving a tube amplifier.

DIST-4

(Acoustic)

: You can get an electric-acoustic guitar sound.

DIST-5

(Blues)

: You can get a fat overdrive sound.

DIST-6

(Fuzz)

: You can get a rough sound with a fat low frequency range.

DIST-7

(Lead)

: You can get a bright and smooth distortion.

 

 

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Fostex DE-10 owner manual MIC SIM Microphone Simulation, AMP SIM Amplifier Simulation, Distortion