MIDI Synchronization

MIDI Synchronization

MIDI clock sync system

You can configure the sync system to use a stand-alone sequencer synchronizing as a MIDI clock slave by inserting time signature settings and tempo settings at any position in a song using a programmable Tempo Map of the FD-4. In this system, the recorder output of the FD-4 is routed to the input channel faders, and up to four MIDI sound sources connected to the input jacks are routed to the MON mix section. In this way, you can mix down up to eight channel sound sources without using an external mixing console. You can also mix down digital signals to an external digital master recorder by connecting MON OUT (L/R) of the FD-4 to RECORDER IN.

Initialize the FD-4 before the operation.

If multiple Programs exist, select the desired Program first.

Connecting and setting an external device

Effect unit 2

 

 

 

 

 

 

Effect unit 1

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

INPUT 4

 

INPUT 3

ST OUT L

2 AUX SEND 1

 

AUX RTN 2

 

AUX RTN 1

 

 

 

 

R

MONO/L

 

R

MONO/L

4

INSERT 3

 

 

 

SCSI

 

DATA

DATA

PUNCH

MIDI

 

MIDI

RECORDER IN

 

 

IN

OUT

IN/OUT

IN

 

OUT

R

L

MIDI sequencer

Creating a Tempo Map

1.Specify time signatures for the measures using the “Setting a time signature” menu in SETUP mode. Then, specify the tempo for given measures and beats using the “Setting a tempo” menu in SETUP mode.

• See pages 82 and 83 for more information.

2.Play the FD-4 in play mode to see if the MIDI sequencer synchronizes to the FD-4 according to the Tempo Map.

At this time, select the BAR/BEAT/CLK Time Base to see if the MIDI sequencer synchronizes correctly.

Overdubbing

1.Overdub the syncing MIDI sound sources to tracks 1–4 as described in the “Basic Recording and Playback” chapter.

You can also record a MIDI sound source as a guide.

Mixing down while syncing MIDI sound sources

When you finish overdubbing, proceed to mixdown.

As shown in the diagram, use the connected MIDI sound sources as virtual tracks, synchronize them to the FD-4, and mix down digital signals while applying effects.

Effect unit 1

Effect unit 2

Digital Master Recorder

1.Connect the MIDI OUT jack of the FD-4 to the MIDI IN jack of the MIDI sequencer.

2.Set the MIDI sequencer to “MIDI clock slave” mode, and connect the MIDI sound source (played automatically) to the input jack of the FD-4.

3.Connect the effect units, if desired.

Setting MIDI SYNC OUT

1.In the “Setting MIDI sync output signal” menu in SETUP mode, select “MIDI clock (Clk)” for the MIDI sync signal output.

If you wish to use the Metronome function, turn the “Setting the Metronome function” menu in SETUP mode to ON.

• See pages 85 and 86 for more information.

MIDI

Sequencer

MIDI sound sources

1.Set the channel 1–4 INPUT SEL switches to [TRK].

2.Set the SELECTOR in the monitor section to [L/R+MON].

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Image 71
Fostex FD-4 owner manual Midi Synchronization, Midi clock sync system

FD-4 specifications

The Fostex FD-4 is a cutting-edge digital multi-track recorder that combines innovative technology with user-friendly features, making it a preferred choice for musicians, audio engineers, and content creators. This portable device brings studio-quality recording capabilities in a compact format, ensuring versatility and ease of use.

One of the standout features of the FD-4 is its ability to record up to eight tracks simultaneously, allowing for complex layering and arrangements. The device supports a variety of audio formats including WAV and MP3, making it suitable for both high-fidelity recordings and efficient file storage. The high-resolution 24-bit/96kHz recording capabilities ensure that the depth and clarity of sound are preserved, regardless of the genre or style being recorded.

The FD-4 is equipped with a user-friendly interface, featuring a large, bright LCD display that provides an overview of tracks, levels, and settings. The intuitive navigation simplifies the process of creating, editing, and mixing audio. Users can easily maneuver through menus, making adjustments on-the-fly without disrupting the creative flow.

Additionally, the FD-4 utilizes advanced digital signal processing (DSP) to enhance audio quality. Built-in effects such as reverb, compression, and EQ provide users with an array of tools to shape their sound before mixing. The flexibility offered by these effects, coupled with the device's capability to handle external effects processors, further expands its creative possibilities.

The FD-4 also features an extensive connectivity range, including multiple microphone inputs that support both XLR and TRS jacks, allowing for versatile recording configurations. This lets users connect various types of microphones and instruments seamlessly. With USB connectivity, users can easily transfer their recorded tracks to a computer for further editing and mixing in digital audio workstations (DAWs).

Moreover, the FD-4 is designed for portability, making it ideal for on-the-go musicians and producers. Its robust construction ensures durability, while the lightweight design allows it to fit easily into a travel bag.

In conclusion, the Fostex FD-4 stands out as a powerful digital multi-track recorder packed with features that cater to both professional and aspiring audio creators. Its combination of high-quality recording, user-friendly interface, and extensive connectivity options positions it as an essential tool for anyone looking to capture high-quality audio in any setting. Whether in a studio or out in the field, the FD-4 delivers the reliability and sound fidelity that users demand.