Special Application (Ping Pong Recording)

Ping-pong Recording to Additional Tracks

This chapter explains how to perform ping-pong recording using Additional tracks L and R.

In this example session, we ping-pong record tracks 1–4 to the Additional tracks.

At this time, check the recording level of the Additional tracks via the level meters L and R. Adjust the input channel faders so that the [OL] section of the level meters L and R will not light up continuously.

ADD. TRK R

 

 

 

 

 

 

 

 

 

 

 

ADD. TRK L

 

 

 

 

 

 

 

Ping pong recording

 

 

 

 

TRK 4

Sound source D

 

(Original sound and

TRK 3

Sound source C

 

effected sound)

TRK 2

Sound source B

 

 

 

 

 

 

 

TRK 1

Sound source A

 

 

 

 

 

 

 

 

 

 

 

 

<Notes>

*This function is available only when you are using a disk formatted in Normal mode or Mastering mode 1.

You cannot use a disk formatted in Mastering mode 2, which allows for normal ping-pong recording.

*You cannot play back data recorded on Additional tracks. To play back the data, move it to Real tracks 1–2 or 3–4.

Initialize the FD-4 before you start the operation.

If multiple Programs exist, select the desired Program first.

Connecting effect units

1. Connect effect units to Aux sends/returns.

Setting the switch and knob

1.Set the channel 1–4 INPUT SEL switches to TRK.

Tracks 1–4 playback signals are routed to the corresponding input channel faders.

2.Turn the channel 1–4 PAN knobs all the way [L] or [R] depending on the sound sources so that they will be recorded to Additional tracks L and R.

3.Set the monitor SELECTOR to L/R.

You can monitor the stereo bus L/R output signals.

4.Press the RECORD TRACK select keys L and R.

5.Raise the master fader L/R to 7–8.

Adjusting the recording level/rehearsal

6.Start playing the Program from the beginning.

Since Additional tracks cannot be set to input monitoring mode, you do not have to press the RECORD button at this time.

7.Use the channel 1–4 input faders to adjust the track output levels.

8.Adjust the channel equalizers, if necessary.

9.Turn the AUX knob of the channel signal to which you wish to apply effects toward AUX 1. Use the AUX RTN 1 knob to adjust the return signal level.

At this time, make sure that the [OL] section of level meters 4 and R do not light up continuously.

10.Raise the MASTER knob in the monitor section gradually to listen to the mix sound to be ping-pong recorded.

When you finish adjusting the level, effects, and balance, stop the recorder section and locate the top of the Program.

Performing ping-pong recording

11.Holding down the RECORD button and press the PLAY button to start recording.

Quitting ping-pong recording

12. Stop the recorder section, and initialize the FD-4.

Checking the result of ping-pong recording

Because any sound that has been ping ponged onto the additional track cannot be checked directly, the additional track and a real track must be temporarily exchanged.

1.Use the Track Exchange function to swap data between the Additional and Real tracks.

See “Track Exchange” on page 60 for more information on moving data between tracks.

2.Set the monitor SELECTOR to MON.

3.Play the Program from the beginning.

4.Turn the MON knob of the channel (to which you moved the data) toward [TRK] and turn the MASTER knob in the monitor section gradually to audition the sound.

After exchanging the additional track with the real track and check- ing it. UNDO/REDO can be executed in the same way as with the previous “ping pong recording” if you are not satisfied after checking it.

If UNDO is executed after checking the sound, it can be re- turned to the state prior to executing ping pong.

If REDO is executed after execution of UNDO, it can be re- turned to the state prior to the second execution of UNDO (The state upon moving to the real track).

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Fostex FD-4 owner manual Checking the result of ping-pong recording, Connect effect units to Aux sends/returns

FD-4 specifications

The Fostex FD-4 is a cutting-edge digital multi-track recorder that combines innovative technology with user-friendly features, making it a preferred choice for musicians, audio engineers, and content creators. This portable device brings studio-quality recording capabilities in a compact format, ensuring versatility and ease of use.

One of the standout features of the FD-4 is its ability to record up to eight tracks simultaneously, allowing for complex layering and arrangements. The device supports a variety of audio formats including WAV and MP3, making it suitable for both high-fidelity recordings and efficient file storage. The high-resolution 24-bit/96kHz recording capabilities ensure that the depth and clarity of sound are preserved, regardless of the genre or style being recorded.

The FD-4 is equipped with a user-friendly interface, featuring a large, bright LCD display that provides an overview of tracks, levels, and settings. The intuitive navigation simplifies the process of creating, editing, and mixing audio. Users can easily maneuver through menus, making adjustments on-the-fly without disrupting the creative flow.

Additionally, the FD-4 utilizes advanced digital signal processing (DSP) to enhance audio quality. Built-in effects such as reverb, compression, and EQ provide users with an array of tools to shape their sound before mixing. The flexibility offered by these effects, coupled with the device's capability to handle external effects processors, further expands its creative possibilities.

The FD-4 also features an extensive connectivity range, including multiple microphone inputs that support both XLR and TRS jacks, allowing for versatile recording configurations. This lets users connect various types of microphones and instruments seamlessly. With USB connectivity, users can easily transfer their recorded tracks to a computer for further editing and mixing in digital audio workstations (DAWs).

Moreover, the FD-4 is designed for portability, making it ideal for on-the-go musicians and producers. Its robust construction ensures durability, while the lightweight design allows it to fit easily into a travel bag.

In conclusion, the Fostex FD-4 stands out as a powerful digital multi-track recorder packed with features that cater to both professional and aspiring audio creators. Its combination of high-quality recording, user-friendly interface, and extensive connectivity options positions it as an essential tool for anyone looking to capture high-quality audio in any setting. Whether in a studio or out in the field, the FD-4 delivers the reliability and sound fidelity that users demand.