Setting MTC OFFSET

1.Set the time offset from the ABS time (less than six hours) in the “Setting an MTC offset value” menu in SETUP mode.

• See page 88 for more information.

Setting a frame rate

1.Select the same MTC frame rate as that for the sequence software in the “Setting an MTC frame rate” in SETUP mode.

• See page 87 for more information.

Setting the device ID number

1.Set the same device ID number as the MMC device number for the sequence software and the FEX device number in the “Setting the device ID number” menu in SETUP mode.

You do not set a number if the sequence software transmits [7Fh], which means [ALL DEVICE].

• See page 93 for more information.

Checking synchronization and Machine Control

1.Operate the FD-4 in play mode, and check to see if the sequence software synchronizes to the MTC output from the FD-4.

Check to see if the FD-4 plays, stops, and locates points correctly when it is controlled from the computer.

Overdubbing

1.Overdub on tracks 1 – 4 as explained in “Overdubbing” of the “MIDI clock sync system” section.

Mixing down while syncing the MIDI sound sources

1.Synchronize the output from tracks 1–4 with four MIDI sound sources, and mix down while applying the effects, as explained in “Mixing down while syncing MIDI sound sources” in the “MIDI clock sync system” section.

MIDI Synchronization

Effect unit 1

Effect unit 2

Digital Master

 

 

Recorder

 

 

MTC

MMC

 

Computer

 

with MMC/MTC

 

compatible software

MIDI sound sources

 

 

 

MIDI

 

<Please read this>

 

 

About MMC REC Out function

If you use the MMC REC Out function, operating the FD-4 will cause the MIDI OUT connector to output the MMC command that corresponds to the operation.

For example, pressing the PLAY button while pressing the RECORD button will output the MMC REC command from the MIDI OUT connec- tor. The following commands are output:

Operation on the FD-4

Output MMC command

(Device No. = 7F fixed)

 

PLAY + RECORD buttons

 

 

 

Punch In operation in TAKE mode

REC command

of Auto Punch In/Out.

 

 

 

Punch In operation via a footswitch.

 

 

 

RECORD button ON/OFF.

 

 

Input monitor ON/OFF command

Rehearsal In in rehearsal mode of Auto

Punch In/Out.

 

 

 

Rehearsal In via a footswitch.

 

 

 

PLAY button

 

 

 

Punch out in TAKE mode

REC EXIT command

of Auto Punch In/Out

 

 

 

Punch out via a footswitch.

 

 

 

STOP button

STOP command

 

 

These MMC commands are output only when you operate the buttons on the FD-4. They are not output when the FD-4 receives external MMC commands.

You cannot turn off the MMC REC Out function. Whenever you perform any of the operations described above, the corresponding command is output. This is something you should note. If the sequencer connected to the FD-4’s MIDI OUT is in record mode and you operate the FD-4, the corresponding MMC command will be recorded in a track on the sequencer. Then, if MIDI data is sent from the sequencer to the FD-4, the MMC command recorded in the sequence data will cause the FD-4 to enter record mode.

73

Page 73
Image 73
Fostex FD-4 owner manual Setting MTC Offset, Setting a frame rate, Setting the device ID number, Please read this

FD-4 specifications

The Fostex FD-4 is a cutting-edge digital multi-track recorder that combines innovative technology with user-friendly features, making it a preferred choice for musicians, audio engineers, and content creators. This portable device brings studio-quality recording capabilities in a compact format, ensuring versatility and ease of use.

One of the standout features of the FD-4 is its ability to record up to eight tracks simultaneously, allowing for complex layering and arrangements. The device supports a variety of audio formats including WAV and MP3, making it suitable for both high-fidelity recordings and efficient file storage. The high-resolution 24-bit/96kHz recording capabilities ensure that the depth and clarity of sound are preserved, regardless of the genre or style being recorded.

The FD-4 is equipped with a user-friendly interface, featuring a large, bright LCD display that provides an overview of tracks, levels, and settings. The intuitive navigation simplifies the process of creating, editing, and mixing audio. Users can easily maneuver through menus, making adjustments on-the-fly without disrupting the creative flow.

Additionally, the FD-4 utilizes advanced digital signal processing (DSP) to enhance audio quality. Built-in effects such as reverb, compression, and EQ provide users with an array of tools to shape their sound before mixing. The flexibility offered by these effects, coupled with the device's capability to handle external effects processors, further expands its creative possibilities.

The FD-4 also features an extensive connectivity range, including multiple microphone inputs that support both XLR and TRS jacks, allowing for versatile recording configurations. This lets users connect various types of microphones and instruments seamlessly. With USB connectivity, users can easily transfer their recorded tracks to a computer for further editing and mixing in digital audio workstations (DAWs).

Moreover, the FD-4 is designed for portability, making it ideal for on-the-go musicians and producers. Its robust construction ensures durability, while the lightweight design allows it to fit easily into a travel bag.

In conclusion, the Fostex FD-4 stands out as a powerful digital multi-track recorder packed with features that cater to both professional and aspiring audio creators. Its combination of high-quality recording, user-friendly interface, and extensive connectivity options positions it as an essential tool for anyone looking to capture high-quality audio in any setting. Whether in a studio or out in the field, the FD-4 delivers the reliability and sound fidelity that users demand.