Mixer Functions

L20: Clean_EG

 

LO

HI

Adds a bright character to a trans-

Gain

-4.0

+4.0

Freq.

100Hz

6.6kHz

parent and clean electric guitar

 

 

H-S

sound.

Q

L-S

L21: CrunCh_EG

 

LO

HI

Makes a moderately distorted

Gain

-2.0

+6.0

Freq.

120Hz

4kHz

crunch electric guitar sound distinc-

 

 

 

tive.

Q

0.7

1.4

L22: OverDrvEG

 

LO

HI

Makes a mellow overdriven electric

Gain

+6.0

+7.0

Freq.

310Hz

1.3kHz

guitar sound fatter.

 

 

1.1

 

Q

1.5

 

 

 

 

L23: Dist.EG

 

LO

HI

Makes a hardly distorted electric

Gain

+6.0

+4.0

Freq.

370Hz

3.6kHz

guitar sound distinctive.

 

 

10

 

Q

L-S

 

 

 

 

L24: Metal_EG

 

LO

HI

Makes a high-gain metal sound dis-

Gain

+3.0

+12.0

 

 

14kHz

tinctive.

Freq.

230Hz

 

Q

0.7

H-S

 

 

 

 

L25: Stroke_AG

 

LO

HI

Suppresses a hole resonance of an

Gain

-9.0

+8.0

acoustic guitar and makes a code

Freq.

100Hz

9kHz

stroke sound powerful.

Q

0.7

1.2

 

 

 

 

L26: Arpeg.EAG

 

LO

HI

Controls the arpeggio code balance

Gain

-2.0

+3.0

of an electro-acoustic guitar.

Freq.

210Hz

9.4kHz

 

Q

L-S

0.1

 

 

 

 

L27: Arpeg.AG

 

LO

HI

Suppresses a hole resonance of an

Gain

-7.0

+5.0

acoustic guitar and makes an ar-

Freq.

530Hz

4.4kHz

peggio brighter.

Q

7.1

H-S

 

 

 

 

L28: Brass_Sec

 

LO

HI

Controls the balance of brass instru-

Gain

-3.0

+4.0

Freq.

100Hz

5.6kHz

ments (such as trumpets, trom-

 

 

5.0

bones. etc.).

Q

2.5

 

 

 

 

L29: W.WindSec

 

LO

HI

Makes the mid frequency range of

Gain

+3.0

+4.0

Freq.

125Hz

260Hz

woodwind instruments (such as

Q

L-S

2.2

clarinets, oboe, etc.) richer.

 

 

 

L30: Male_Vo

 

LO

HI

Effective for a male vocal

Gain

+2.0

+3.0

Freq.

2kHz

6.2kHz

 

 

Q

0.5

H-S

 

 

 

 

L31: Female_Vo

 

LO

HI

Effective for a female vocal

Gain

-5.0

+4.0

Freq.

170Hz

5.8kHz

 

 

Q

0.7

H-S

 

 

 

 

L32: Chorus

 

LO

HI

Effective for a whole chorus part by

Gain

-5.0

+5.0

 

 

10kHz

emphasizing the high frequency

Freq.

120Hz

range.

Q

0.7

H-S

 

 

 

 

L33: SpeeCh

 

LO

HI

Makes a narration clear.

Gain

ON

+3.0

 

 

10kHz

 

Freq.

180Hz

 

Q

HPF

H-S

 

 

 

 

L34: Digi.Mix

 

LO

HI

Makes an analog open-reel or cas-

Gain

+5.0

+6.0

sette tape sound closer to a digital

Freq.

100Hz

12kHz

sound.

Q

L-S

H-S

 

 

 

 

L35: AnalogMix

 

LO

HI

Cuts the high frequency range and

Gain

ON

ON

 

 

 

provides an opposite character to

Freq.

250Hz

8kHz

L34.

Q

HPF

LPF

 

 

 

 

L36: Telephone

 

LO

HI

Emphasizes the mid range only to

Gain

ON

ON

Freq.

1.2kHz

5.6kHz

provide a telephone receiver sound.

 

 

 

 

Q

HPF

LPF

 

 

 

 

Tips:

“L-S” (Low shelving type)

This equalizer affects all frequencies below a specified frequency when applying boost or cut.

“H-S” (High shelving type)

This equalizer affects all frequencies below a specified frequency when applying boost or cut.

“LPF” (Low pass filter)

This filter passes frequencies below a cut-off frequency while cuts frequencies above the frequency.

“HPF” (High pass filter)

This filter passes frequencies below a cut-off frequency while cuts frequencies above the frequency.

43

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Image 43
Fostex VF80 owner manual Tips Low shelving type, High shelving type, LPF Low pass filter, HPF High pass filter
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VF80 specifications

The Fostex VF80 is a notable addition to the world of compact digital recording, particularly appealing to musicians, producers, and sound engineers looking for a portable device that doesn’t compromise on quality. This versatile digital multitrack recorder provides a mixture of user-friendly features that make it ideal for both studio and mobile applications.

At the heart of the Fostex VF80 is its 8-track recording capability, which allows users to capture multiple audio sources simultaneously. This is particularly advantageous for band setups or when layering various instruments. The device operates using a 20-bit A/D and D/A conversion for top-notch audio quality, ensuring that each recording is crisp and clear. The VF80 supports both analog and digital inputs, accommodating a variety of equipment, thereby enhancing its versatility.

One of its standout features is the built-in CD-R/W drive, allowing users to easily burn their recordings onto CDs, making it simple to share demos and final mixes. The VF80 utilizes a 10-voice digital mixer with various built-in effects such as reverb and delay, enabling musicians to craft their sound directly on the device without the need for external processing.

The user interface is designed for efficiency, featuring an easy-to-read LCD screen and intuitive controls, which makes navigating through tracks, edits, and settings straightforward. The VF80 also includes a metronome and tuner, essential tools for musicians during recording sessions.

Storage-wise, the Fostex VF80 employs an internal hard drive, ensuring ample space for long sessions and large projects. Accessibility to a broad range of file formats allows for efficient track management and compatibility with computer-based audio editing software.

Included with the device are various input options like standard mic preamps, making it suitable for various recording scenarios, from vocals to instruments. The robust construction of the VF80 ensures it can withstand the rigors of both studio and live environments, making it a reliable choice for professionals.

Overall, the Fostex VF80 merges functionality with portability, making it a fantastic companion for anyone looking to produce high-quality audio recordings without the fuss of intricate equipment setups. Its blend of features makes it an attractive option for both amateurs and seasoned audio professionals alike.
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