Basic Recording/Playback

Preliminary knowledge

• Inputs and tracks

You can record onto adjacent two tracks (Tracks 1-2, 3-4, 5-6, or 7-8) or a mono track (one of Tracks 1 through 6). You cannot select another combination.

The input signal from INPUT A is fed to odd tracks (1, 3, 5 and 7), while the input signal from INPUT B is fed to even tracks (2, 4, 6 and 8). Because each input signal is directly fed to appropriate tracks, you cannot tailor the signal when recording. However, you can add reverb or equalize the sound during mixdown, or rerecord a track sound later with applying a distortion-type effect.

PEAK

CH ON/OFF

TRACK STATUS

HARD DISK

/ TRACK SEL

 

 

 

TRACK 1

 

 

INPUT A

BALANCE

 

TRIM

TRACK 2

 

 

UNBALANCE

 

TRACK 3

 

 

TRACK 4

TRACK 5

TRACK 6

TRACK 7

CH ON/OFF

TRACK 8

INPUT B

BALANCE

TRIM

PEAK

UNBALANCE

<Balanced (XLR) and unbalanced (phone) input connectors>

Both the balanced and unbalanced input connectors are provided for INPUT A and INPUT B, allowing connec- tion of balanced and unbalanced devices. In addition, the phantom (DC 48 V) power can be supplied to the balanced XLR inputs, so you can use condenser microphones that need the phantom power (see the following section about how to use condenser microphones).

<Note>

You cannot use both the balanced and unbalanced inputs simultaneously.

When plugging the unbalanced (phone) input connector, the balanced (XLR) input connector is disconnected.

• How to use condenser microphones

When connecting a condenser microphone that needs the phantom power, set the [PHANTOM] switch on the rear panel to “ON”. Read the following notes carefully before using the phantom power.

 

POWER

PHANTOM

S/P DIF / DATA

 

 

 

 

ON OFF

OUTPUT INPUT

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

[PHANTOM]switch

<Important notes for on/off switching>

Note that the VF80 power must be ON when changing the [PHANTOM] switch setting.

Also note that the [PHANTOM] switch should be set to “OFF” after using the phantom power.

<Notes for using the phantom power>

Be sure to keep the following notes.

*When connecting a condenser microphone to the balanced input connector of the VF80, check whether or not the microphone needs the phantom power (+48 V).

*Switch the [PHANTOM] switch to ON after connecting a microphone.

*When switching the [PHANTOM] switch, or when plugging or unplugging a microphone, mute the VF80 output signals.

*When connecting a dynamic microphone to the balanced input connector, set the [PHANTOM] switch to OFF. Otherwise, the microphone may damage.

You cannot use the phantom power for following microphones.

*microphones with the unbalanced output

*high impedance microphones

*microphones with the XLR connectors that leaks a signal between pin #2 and pin #1 or pin #3 and pin #1

*microphones with the center tapout type ground such as old- fashioned ribbon microphones

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Fostex VF80 owner manual Preliminary knowledge, Balanced XLR and unbalanced phone input connectors, PHANTOMswitch

VF80 specifications

The Fostex VF80 is a notable addition to the world of compact digital recording, particularly appealing to musicians, producers, and sound engineers looking for a portable device that doesn’t compromise on quality. This versatile digital multitrack recorder provides a mixture of user-friendly features that make it ideal for both studio and mobile applications.

At the heart of the Fostex VF80 is its 8-track recording capability, which allows users to capture multiple audio sources simultaneously. This is particularly advantageous for band setups or when layering various instruments. The device operates using a 20-bit A/D and D/A conversion for top-notch audio quality, ensuring that each recording is crisp and clear. The VF80 supports both analog and digital inputs, accommodating a variety of equipment, thereby enhancing its versatility.

One of its standout features is the built-in CD-R/W drive, allowing users to easily burn their recordings onto CDs, making it simple to share demos and final mixes. The VF80 utilizes a 10-voice digital mixer with various built-in effects such as reverb and delay, enabling musicians to craft their sound directly on the device without the need for external processing.

The user interface is designed for efficiency, featuring an easy-to-read LCD screen and intuitive controls, which makes navigating through tracks, edits, and settings straightforward. The VF80 also includes a metronome and tuner, essential tools for musicians during recording sessions.

Storage-wise, the Fostex VF80 employs an internal hard drive, ensuring ample space for long sessions and large projects. Accessibility to a broad range of file formats allows for efficient track management and compatibility with computer-based audio editing software.

Included with the device are various input options like standard mic preamps, making it suitable for various recording scenarios, from vocals to instruments. The robust construction of the VF80 ensures it can withstand the rigors of both studio and live environments, making it a reliable choice for professionals.

Overall, the Fostex VF80 merges functionality with portability, making it a fantastic companion for anyone looking to produce high-quality audio recordings without the fuss of intricate equipment setups. Its blend of features makes it an attractive option for both amateurs and seasoned audio professionals alike.