|
|
|
|
|
| EN |
| 51 | |
|
|
|
|
|
|
| |||
|
|
|
|
|
| ||||
| SYMPTOM | POSSIBLE CAUSES |
| CORRECTIVE ACTION |
| ||||
| 15. Scene transition does not | 15. •When using “Picture Wipe/ | 15. |
|
|
|
|
|
|
| go as expected. | Dissolve” (☞ pg. 22), there |
|
|
|
|
|
|
|
|
| is a delay of a fraction of a |
|
|
|
|
|
|
|
|
| second between the |
|
|
|
|
|
|
|
|
| previous record |
|
|
|
|
|
|
|
|
| and the Dissolve |
|
|
| ||||
|
| This is normal, but this slight |
|
|
|
|
|
|
|
|
| delay becomes especially |
|
|
|
|
|
|
|
|
| noticeable when shooting a |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
|
| during rapid panning. |
|
|
|
|
|
|
|
|
|
|
|
| |||||
| 16. The Video Echo mode | 16. •The Picture Wipe or | 16. •Make sure the Squeeze |
| |||||
| does not work. | Dissolve functions are in use. |
| mode is set to “OFF” |
| ||||
|
| •The Squeeze mode is selected |
| (☞ pg. 18, 19). |
| ||||
|
| in the Mode Menu. |
| •Do not try to use the Video |
| ||||
|
| •A |
| Echo mode during a |
| ||||
|
| progress. |
| or |
| ||||
|
|
|
|
| |||||
| 17. Even when Slow Shutter is | 17. •When shooting in the dark, | 17. •If you want the lighting to |
| |||||
| not selected, the image | the unit becomes highly |
| look more natural, set GAIN |
| ||||
| looks like it is activated. | sensitive to light and the |
| UP to “AGC” or “OFF” in |
| ||||
|
| image takes on an effect |
| the Mode Menu (☞ pg. 18, |
| ||||
|
| similar to Slow Shutter. | 19). |
|
|
|
|
|
|
|
|
|
|
| |||||
| 18. There is no strobe when | 18. •The Picture Wipe or | 18. •Do not try to use the Classic |
| |||||
| the Classic Film or Strobe | Dissolve function is in use. |
| Film or Strobe mode during |
| ||||
| mode is activated. |
|
| a scene transition |
| ||||
|
|
|
| (☞ pg. 24). |
| ||||
|
|
|
|
| |||||
| 19. White Balance cannot be | 19. •The Sepia or Monotone | 19. •Turn off Sepia or Monotone |
| |||||
| activated. | mode is activated. |
| before setting White |
| ||||
|
|
|
| Balance (☞ pg. 24). |
| ||||
|
|
|
|
|
|
|
|
|
|
| 20. When shooting a subject | 20. •This is a result of exceed- | 20. |
|
|
|
|
|
|
| illuminated by bright light, | ingly high contrast, and is |
|
|
| ||||
| vertical lines appear. | not a malfunction. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 21. When the screen is under | 21. •This is not a malfunction. | 21. |
|
|
|
|
|
|
| direct sunlight during |
|
|
|
|
|
|
|
|
| shooting, the screen |
|
|
|
| ||||
| becomes red or black for |
|
|
|
|
|
|
|
|
| an instant. |
|
|
|
|
|
|
|
|
|
|
|
|
| |||||
| 22. During recording, the date/ | 22. •“DISPLAY” is set to “OFF” in | 22. •Set “DISPLAY” to “ON” in |
| |||||
| time does not appear. | the Date/Time Menu. |
| the Date/Time Menu |
| ||||
|
|
| (☞ pg. 21). |
| |||||
|
|
|
| •During |
| ||||
|
|
|
| date/time does not appear |
| ||||
|
|
|
| (☞ pg. 13). |
| ||||
|
|
|
| •Set “INDICATION” to “ON” |
| ||||
|
|
|
| in the Date/Time Menu |
| ||||
|
|
|
| (☞ pg. 21). |
| ||||
|
|
|
|
| |||||
| 23. The indicators and | 23. •“ON SCREEN” is set to | 23. •Set “ON SCREEN” to “ON” |
| |||||
| messages do not appear. | “OFF” in the Date/Time |
| in the Date/Time Menu |
| ||||
|
| Menu. |
| (☞ pg. 21). |
| ||||
|
| •You have made the |
| •Set “INDICATION” to “ON” |
| ||||
|
| indicators disappear. |
| in the Date/Time Menu |
| ||||
|
|
|
| (☞ pg. 21). |
| ||||
|
|
|
|
|
|
|
|
|
|
CONTINUED ON NEXT PAGE