Front Speaker Size - Small
Center Speaker Size - None, Small
Subwoofer Speaker - None or Yes
Surround Speaker Size - None, Small
Back Surround Speaker size - None, Small
Note: Absent speakers are shown with dotted outline.
Distance
You can specify the distance (changing the sound delay) between speakers (front, center and surround speakers) and the listener for optimal stereo sound.
The default distance is 10 feet for front and center speakers and 5 feet for surround speakers. Change the distance from 1 to 30 feet according to your actual listening environment by pressing
and then OK.
Volume
You can make fine adjustment to the loudness of each speaker from -
10to +10 dB. When this option is selected, a test noise will
generate automatically from each speaker, one by one. To go to the
next speaker manually, press | . |
Front
Center
Surround
Surround Back
Front Speaker Distance
10 feet
Speakers
Distance
Adjust loudness by pressing 
and press OK to confirm setting and exit the menu.
Volume
Center Speaker
0 dB
|
|
| Pro Logic II Mode | |
| Pro Logic |
| ||
|
| The additional flexibility of Pro Logic II allows it to be tailored for specific | ||
|
|
| ||
|
|
| applications. Five standard modes are available: | |
| Virtual |
| ||
|
|
|
| |
|
|
| Pro Logic - it offers users the robust surround processing of the original | |
|
|
| ||
| Music |
| ||
|
|
| Pro Logic. | |
|
|
|
| |
|
|
| Virtual | - it’s usually used when Pro Logic II is connected to a virtual |
| Movie |
| ||
|
|
| process for speaker use. | |
|
|
|
| |
|
|
| Music | - it’s recommended as the standard mode for autosound music |
| Matrix |
| ||
|
|
| systems (without video), and is optional for A/V systems. | |
|
|
|
| |
|
|
|
| |
|
|
| Movie | - It can be called simply “Pro Logic II”. It has stereo surround |
|
|
|
| channels and no surround filter, unlike Pro Logic which has a |
|
|
|
| monosurround channels and a 7KHz surround filter. Movie |
|
|
|
| mode is the standard required for all A/V systems. |
|
|
| Matrix | - It the same as the Music mode except that the directional |
|
|
|
| enhancement logic is turned off. It may be used to enhance |
|
|
|
| mono signals by making them seem “larger”. |
| Dimension | Off | Pro Logic II Control |
|
|
|
|
| PL II Control lets you to customize the Pro Logic II Music Mode Sound |
| |||||
| Panorama | Off |
| ||||
| Effect. The option is available only when the player is in Music Mode. |
| |||||
|
| Off |
|
|
|
|
|
| Center Width |
|
|
|
|
| |
|
|
|
|
| |||
|
|
|
|
|
| ||
|
|
|
|
|
|
| |
Dimension |
|
|
|
| |||
|
|
|
|
|
| ||
A simple control that alters the ratio of L+R to |
|
|
| ||||
channel input signals. It allows the user to gradually adjust the | Dimension |
|
|
| |||
| OFF |
| |||||
soundfield either towards the front or towards the rear. If a |
|
|
| ||||
|
| ||||||
recording is too spacious or strong from the surrounds, it can be |
|
|
|
| |||
|
| 1 |
| ||||
adjusted “forward” to get a better balance. Likewise, if a stereo |
|
| |||||
|
|
|
| ||||
|
|
|
| ||||
recording is somewhat too “mono” or “narrow” sounding, it can be |
| 2 |
| ||||
adjusted toward the rear to get a more enveloping, immersing |
|
|
|
| |||
|
|
|
| ||||
result. | 3 |
|
GB
E 17
