components of the reverb except for early reflections, etc.) is passed through a simple 2x2 matrix. This provides an encoding of the tail that dramatically changes its spatial characteristics. The tail can be changed to feel narrower (even down to mono) or wider than normal stereo. There are values for the parameter to encode the tail in such a way that it decodes into surround channels.
The parameter operates in the range of 0 to 360 degrees, with an incremen- tal change of 1 degree. The matrix uses Sine/Cosine rules so that power dis- tribution remains constant. This may be
This is a powerful tool for audio whose release format is
Tap Slope
This is an extremely subtle parameter and is useful in only a couple of cases:
•For halls and reverbs with relatively long reverb times, the slope should be slightly positive (0.2 or so). For rooms with very short reverb times, the slope should be slightly negative
•Using a reverb to create a gate effect or to create a
Type
This parameter lets you configure a filter as any of 4 basic types, in order:
•Lowpass
•Highpass
•Bandpass
•Notch
The filter provides a subset of filter types available to a Biquad filter.
Wet Dry Mix
Wet Dry Mix is the proportion of wet (processed) signal to dry (unpro- cessed) signal.
50