We recommend going into a stereo reverb in mono and returning in stereo. We have found that on most “stereo” reverbs, the second input just ties up an extra aux send and adds nothing to the sound. There are exceptions, so feel free to try it both ways. Should you choose to use two aux sends, use the “odd” AUX (1, 3 or 5) to feed its left input and the “even” AUX (2, 4 or 6) to feed the right input. Remember, if you’re also dealing with a stereo source signal, you’ll want to follow the sides — use the odd AUX on the channel carrying the left side and the even AUX on the channel carrying the right.
PRE
This switch determines the tap point of AUX 1 and 2. Generally, “post” sends are used to feed effects devices, and “pre” sends are used to feed your stage monitors. See the “Pre vs. Post” diagram below. AUX 3 through 6 are always in post mode.
In post mode (switch up), AUX 1 and 2 will follow the EQ, LOW CUT, fader and MUTE set- tings. If you fade the channel, you fade the send. This is a must for effects sends, since you want the levels of your “wet” signals to follow the level of the “dry.”
In PRE mode (switch down), AUX 1 and 2 follow the TRIM and LOW CUT settings only. EQ, PAN, fader and MUTE settings have no ef- fect on the PRE sends. This is the preferred method for setting up stage monitor feeds — they’ll be controlled independently of the fader and mute moves.
5/6 SHIFT
Don’t let the fact that there’s only four AUX knobs per channel fool you — the
With the shift switch down, the signals appear at the AUX SEND 5 and 6 outputs.
We recommend that AUX SEND 3 and 4 be patched into your “utility” effects, like a short re- verb and slap delay; effects you use all the time. Use AUX SEND 5 and 6 for “exotic” effects, like harmonizers and
TRIM |
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IC GAI | ||
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+10dB |
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AUX | U |
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PRE |
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OO |
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EQ | U | HI |
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LOW CUT |
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PAN
ASSIGN
AUX 1
L R |
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MUTE |
OL |
SOLO |
PRE SWITCH | AUX 2 |
L - R |
OO |
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