INTRODUCTION

Thank you! There are a lot of makes and models of compact mixers out there, all com- peting for your bucks… but you have voted with your wallet for the folks in Woodinville who specialize in American-made mixers.

Now that you have your CR1604-VLZ, find out how to get the most from it. That’s where this manual comes in.

HOW TO USE THIS MANUAL

Since many of you folks will want to hook up your CR1604-VLZ immediately, the first pages you will encounter after the table of contents are the ever popular hookup diagrams. These show typical mixer setups for Record/Mixdown, Video, Disc Jockey and Stereo PA. After this section is a detailed tour of the entire mixer.

Every feature of the CR1604-VLZ will be described “geographically;” in other words, in order of where it is physically placed on the mixer’s top or rear panel. These descriptions are divided into the first three manual chapters, just as your mixer is organized into three distinct zones:

1.PATCHBAY: The zillion jacks on the back of the “pod.”

2.CHANNEL STRIP: The sixteen channel strips on the left.

3.OUTPUT SECTION: The output section on

the right.

Whenever a specific CR1604-VLZ compo- nent is mentioned, it’ll be in all capital letters sans-serif type. That can help you find refer- ences to specific controls much faster, without slowing you down as you read normally. For ex- ample: The quick brown fader jumped over the

RUDE SOLO LIGHT.

120 VAC 50/60 Hz 20W

POWER

PHANTOM

MAIN OUT

MAIN INSERT

TAPE

TAPE

C-R OUTS

SUB OUTS

 

 

AUX RETURN

 

 

 

AUX SEND

 

 

DIRECT OUT

 

 

315mA/250V SLO-BLO

 

 

BAL/UNBAL

 

INPUT

OUTPUT

BAL/UNBAL

BAL/UNBAL

 

 

BAL/UNBAL

 

 

 

BAL/UNBAL

 

 

BAL/UNBAL

 

 

 

 

 

L

L

 

 

L

3

1

4

3

2

1

5

3

1

7

5

3

1

 

 

 

 

L

 

 

L

 

 

L

L

L

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

MONO

R

 

 

R

4

2

 

 

 

 

6

4

2

8

6

4

2

 

 

 

R

 

 

R

R

R

 

 

CAUTION:

 

R

 

 

R

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

+6

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

INSERT

 

INSERT

INSERT

INSERT

 

INSERT

 

INSERT

PATCHBAY

INSERT

INSERT

INSERT

INSERT

INSERT

 

 

 

 

 

INSERT

INSERT

INSERT

 

INSERT

 

INSERT

 

 

LINE

16

LINE

15

LINE 14

LINE

13

LINE

12

LINE

11

LINE

10

LINE 9

LINE

8

LINE

7

LINE

6

LINE

5

LINE 4

LINE 3

LINE 2

LINE 1

 

MIC 16

 

MIC 15

MIC 14

MIC 13

 

MIC 12

 

MIC 11

 

MIC 10

MIC 9

MIC 8

 

MIC 7

 

MIC 6

 

MIC 5

MIC 4

MIC 3

MIC 2

MIC 1

TRIM

1

TRIM

2

TRIM

3 TRIM

4 TRIM

5

TRIM

6 TRIM

7

TRIM

8

TRIM

9 TRIM

10 TRIM

11

TRIM 12

TRIM

13

TRIM

14

TRIM

15 TRIM

16

 

 

BV

BV

BV

BV

BV

BV

BV

BV

BV

BV

BV

BV

BV

BV

BV

BV

 

AIN

AIN

AIN

AIN

AIN

AIN

AIN

AIN

AIN

AIN

AIN

AIN

AIN

AIN

AIN

AIN

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

CR1604-VLZ

12V

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

0.5A

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

16-CHANNEL MIC/LINE MIXER

LAMP

AUX

AUX

AUX

AUX

AUX

AUX

AUX

AUX

AUX

AUX

AUX

AUX

AUX

AUX

AUX

AUX

1

 

 

1

 

 

1

 

 

1

 

 

 

1

 

 

1

 

 

1

 

 

1

 

 

1

 

1

 

1

 

 

1

 

 

1

 

 

1

 

 

1

 

 

1

 

 

1

 

1

1

 

 

TO AUX

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

SEND 1

 

+15

 

 

+15

 

 

+15

 

 

 

+15

 

 

+15

 

 

+15

 

 

+15

 

 

+15

 

 

+15

 

+15

 

 

+15

 

 

+15

 

 

+15

 

+15

 

 

+15

 

 

+15

 

 

+10

+20

 

 

+15

EFFECTS TO

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

MONITORS

2

 

 

2

 

 

2

 

 

2

 

 

 

2

 

 

2

 

 

2

 

 

2

 

 

2

 

2

 

2

 

 

2

 

 

2

 

 

2

 

 

2

 

 

2

 

 

2

 

2

2

 

 

TO AUX

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

SEND 2

 

+15

 

 

+15

 

 

+15

 

 

 

+15

 

 

+15

 

 

+15

 

 

+15

 

 

+15

 

 

+15

 

+15

 

 

+15

 

 

+15

 

 

+15

 

+15

 

 

+15

 

 

+15

 

 

+10

+20

 

 

+15

 

PRE

 

 

PRE

 

 

PRE

 

 

 

PRE

 

 

PRE

 

 

PRE

 

 

PRE

 

 

PRE

 

 

PRE

 

PRE

 

 

PRE

 

 

P E

 

 

RE

 

PRE

 

 

PRE

 

 

PRE

 

 

AUX

S EREO AUX RETUR

S

SHIFT

 

 

SHIFT

 

 

SHIFT

 

 

 

CHANNELSHIFTSHIFTSHIFTSHIFTSHIFTSHIFT

SHIFTSTRIPSSHIFTSHIFTSHIFTSHIFT

 

SHIFT

 

 

SHIFT

 

 

SENDS

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

ASSIGN OPTIONS

3

 

5

3

 

5

3

 

5

3

 

 

5

3

 

5

3

 

5

3

 

5

3

 

5

3

5

3

5

3

 

5

3

 

5

3

 

5

3

 

5

3

 

5

3

 

5

1

 

3

 

 

 

 

5/6

 

 

5/6

 

 

5/6

 

 

 

5/6

 

 

5/6

 

 

5/6

 

 

5/6

 

 

5/6

 

 

5/6

 

5/6

 

 

5/6

 

 

5/6

 

 

5/6

 

5/6

 

 

5/6

 

 

5/6

 

 

SOLO

 

MAIN MIX

1–2

+15

 

+15

 

+15

 

 

+15

 

+15

 

+15

 

+15

 

+15

 

+15

+15

 

+15

 

+15

 

+15

+15

 

+15

 

+15

 

 

OUTPUTSOLO

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

+20

TO S BS

3–

4

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

2

 

 

 

 

 

 

4

 

6

4

 

6

4

 

6

4

 

 

6

4

 

6

4

 

6

4

 

6

4

 

6

4

6

4

6

4

 

6

4

 

6

4

 

6

4

 

6

4

 

6

4

 

6

SOLO

4

 

 

 

 

 

+15

 

 

+15

 

 

+15

 

 

 

+15

 

 

+15

 

 

+15

 

 

+15

 

 

+15

 

 

+15

 

+15

 

 

+15

 

 

+15

 

 

+15

 

+15

 

 

+15

 

 

+15

 

 

 

+20

C-R / PHNS

RE URNS

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

PHAN

PWR

ONLY

 

 

 

EQ

 

 

EQ

 

 

EQ

 

 

EQ

 

 

EQ

 

 

EQ

 

 

EQ

 

 

EQ

 

 

EQ

 

EQ

 

EQ

 

 

EQ

 

 

EQ

 

 

EQ

 

 

EQ

 

 

EQ

 

 

 

SECTION28

 

HI

 

HI

 

HI

 

HI

 

HI

 

HI

 

HI

 

HI

HI

HI

 

HI

 

HI

 

HI

 

HI

 

HI

 

HI

 

 

 

 

 

LEFT RIGHT

 

 

12k

 

 

12k

 

 

12k

 

 

 

12k

 

 

12k

 

 

12k

 

 

12k

 

 

12k

 

12k

 

12k

 

 

12k

 

 

12k

 

 

12k

 

 

12k

 

 

12k

 

 

12k

 

 

 

 

 

0 dB=0 dBu

-15

+15

 

-15

+15

 

-15

+15

 

 

-15

+15

 

-15

+15

 

-15

+15

 

-15

+15

 

-15

+15

 

-15

+15

-15

+15

 

-15

+15

 

-15

+15

 

-15

+15

-15

+15

 

-15

+15

 

-15

+15

 

 

MAX

+20

 

10

 

 

 

 

MID

 

 

MID

 

 

MID

 

 

 

MID

 

 

MID

 

 

MID

 

 

MID

 

 

MID

 

MID

 

MID

 

 

MID

 

 

MID

 

 

MID

 

 

MID

 

 

MID

 

 

MID

C-R / PHONES

TAPE IN

 

7

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

4

 

 

-15

+15

 

-15

+15

 

-15

+15

 

 

-15

+15

 

-15

+15

 

-15

+15

 

-15

+15

 

-15

+15

 

-15

+15

-15

+15

 

-15

+15

 

-15

+15

 

-15

+15

-15

+15

 

-15

+15

 

-15

+15

 

TAPE

TAPE TO

 

2

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

MAIN MIX

 

0

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

SUBS 1–2

 

 

2

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

4

 

 

 

 

LOW

 

 

LOW

 

 

LOW

 

 

 

LOW

 

 

LOW

 

 

LOW

 

 

LOW

 

 

LOW

 

LOW

 

LOW

 

 

LOW

 

 

LOW

 

 

LOW

 

 

LOW

 

 

LOW

 

 

LOW

 

 

MAX

LEVEL

7

 

 

 

 

80Hz

 

 

80Hz

 

 

80Hz

 

 

 

80Hz

 

 

80Hz

 

 

80Hz

 

 

80Hz

 

 

80Hz

 

80Hz

 

80Hz

 

 

80Hz

 

 

80Hz

 

 

80Hz

 

 

80Hz

 

 

80Hz

 

 

80Hz

SUBS 3–4

SOLO

 

10

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

20

 

 

-15

+15

 

-15

+15

 

-15

+15

 

 

-15

+15

 

-15

+15

 

-15

+15

 

-15

+15

 

-15

+15

 

-15

+15

-15

+15

 

-15

+15

 

-15

+15

 

-15

+15

-15

+15

 

-15

+15

 

-15

+15

 

MAIN MIX

MODE

 

30

 

 

LOW CUT

 

 

LOW CUT

 

 

LOW CUT

 

 

LOW CUT

 

 

LOW CUT

 

 

LOW CUT

 

 

LOW CUT

 

 

LOW CUT

 

 

LOW CUT

 

 

LOW CUT

 

 

LOW CUT

 

 

LOW CUT

 

 

LOW CUT

 

 

LOW CUT

 

 

LOW CUT

 

 

LOW CUT

 

 

SOURCE

NORMAL (AFL)

RUDE

75 Hz

 

75 Hz

 

75 Hz

 

75 Hz

 

75 Hz

 

75 Hz

 

75 Hz

 

75 Hz

 

75 Hz

 

75 Hz

 

75 Hz

 

75 Hz

 

75 Hz

 

75 Hz

 

75 Hz

 

75 Hz

 

SOLO

18dB/OCT

 

 

18dB/OCT

 

 

18dB/OCT

 

 

18dB/OCT

 

 

18dB/OCT

 

 

18dB/OCT

 

 

18dB/OCT

 

 

18dB/OCT

 

 

18dB/OCT

 

 

18dB/OCT

 

 

18dB/OCT

 

 

18dB/OCT

 

 

18dB/OCT

 

 

18dB/OCT

 

 

18dB/OCT

 

 

18dB/OCT

 

 

LEVEL SET (PFL)

LIGHT

PAN

 

PAN

 

PAN

 

PAN

 

PAN

 

PAN

 

PAN

 

PAN

 

PAN

 

PAN

 

PAN

 

PAN

 

PAN

 

PAN

 

PAN

 

PAN

 

ASSIGN TO MAIN MIX

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

LEFT

LEFT

LEFT

LEFT

L

R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

 

 

 

1

 

2

 

3

 

4

 

5

 

6

 

7

 

8

 

9

 

10

 

11

 

12

 

13

 

14

 

15

 

16

 

 

 

PHONES

MUTE

MUTE

 

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

 

MUTE

MUTE

MUTE

MUTE

RIGHT

RIGHT

RIGHT

RIGHT

MAIN

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

1

2

3

4

L-R MIX

 

OL

OL

OL

OL

OL

OL

OL

OL

OL

OL

 

OL

OL

OL

OL

OL

 

OL

 

 

dB

dB

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

10

10

 

-20

-20

-20

-20

-20

-20

-20

-20

-20

-20

 

-20

-20

-20

-20

-20

 

-20

 

 

5

5

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

U

U

 

SOLO

SOLO

SOLO

SOLO

SOLO

SOLO

SOLO

SOLO

SOLO

SOLO

 

SOLO

SOLO

SOLO

SOLO

SOLO

 

SOLO

 

 

5

5

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

1–2

1–2

1–2

1–2

1–2

1–2

1–2

1–2

1–2

1–2

 

1–2

1–2

1–2

1–2

1–2

 

1–2

 

 

10

10

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

20

20

 

3–4

3–4

3–4

3–4

3–4

3–4

3–4

3–4

3–4

3–4

 

3–4

3–4

3–4

3–4

3–4

 

3–4

 

 

30

30

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

40

40

 

L - R

L - R

L - R

L - R

L - R

L - R

L - R

L - R

L - R

L - R

 

L - R

L - R

L - R

L - R

L - R

 

L - R

 

 

50

50

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

60

60

 

 

 

 

 

 

 

 

 

TRACK

TRACK

 

TRACK

TRACK

TRACK

TRACK

TRACK

 

TRACK

 

 

 

 

1 2 3 4 5 6 7 8

Throughout these chapters you’ll find illus- trations, with each feature numbered. If you’re curious about a feature, simply locate it on the appropriate illustration, note the number at- tached to it, and find that number in the nearby paragraphs or refer to the table of contents.

You’ll also find cross-references to these num- bered features within a paragraph. For instance, if you see “To wire your own cables: ,” simply find that number in the manual and you’ve found your answer. (These are not page numbers.)

You’ll also notice feature numbers just float- ing in space, like this . These numbers direct you to relevant information. This icon marks infor-

mation that is critically

important or unique to the

CR1604-VLZ. For your own

good, read them and re- member them. They will be on the final test.

This icon will lead you to

in-depth explanations of fea-

tures and practical tips. While not mandatory, they’ll have some valuable information.

THE GLOSSARY: A HAVEN OF NON-TECHINESS FOR THE NEOPHYTE

Since the CR1604-VLZ is often purchased by folks who are new to the jargon of professional audio, we’ve included a fairly comprehensive dictionary of pro-audio terms. If terms like “clip- ping,” “noise floor,” or “unbalanced” leave you blank, flip to the glossary at the back of this manual for a quick explanation.

A PLUG FOR THE CONNECTORS SECTION

Also at the back of this manual is a section on connectors: XLR connectors, balanced con- nectors, unbalanced connectors, special hybrid connectors. Although we provide diagrams throughout the manual, the Connections appendix gives more of the whys and wherefores for beginners.

ARCANE MYSTERIES ILLUMINATED

Finally, we’ve included an appendix titled

“Balanced Lines, Phantom Powering, Ground- ing and Other Arcane Mysteries.” This section discusses some of the down ’n’ dirty practical realities of microphones, fixed installations, grounding, and balanced versus unbalanced lines. It’s a gold mine for the neophyte and even the seasoned pro might learn a thing or two.

4

Page 4
Image 4
Mackie CR1604 - VLZ Introduction, HOW to USE this Manual, Plug for the Connectors Section, Arcane Mysteries Illuminated