INTRODUCTION
Thank you! There are a lot of makes and models of compact mixers out there, all com- peting for your bucks… but you have voted with your wallet for the folks in Woodinville who specialize in
Now that you have your
HOW TO USE THIS MANUAL
Since many of you folks will want to hook up your
Every feature of the
1.PATCHBAY: The zillion jacks on the back of the “pod.”
2.CHANNEL STRIP: The sixteen channel strips on the left.
3.OUTPUT SECTION: The output section on
the right.
Whenever a specific
RUDE SOLO LIGHT.
120 VAC 50/60 Hz 20W | POWER | PHANTOM | MAIN OUT | MAIN INSERT | TAPE | TAPE | SUB OUTS |
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| AUX RETURN |
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| AUX SEND |
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| DIRECT OUT |
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315mA/250V |
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| BAL/UNBAL |
| INPUT | OUTPUT | BAL/UNBAL | BAL/UNBAL |
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| L | L |
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| L | 3 | 1 | 4 | 3 | 2 | 1 | 5 | 3 | 1 | 7 | 5 | 3 | 1 |
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| CAUTION: |
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| INSERT |
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| INSERT | PATCHBAY | INSERT | INSERT | INSERT | INSERT | INSERT | |||||||||||
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| INSERT | INSERT | INSERT |
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| LINE | 16 | LINE | 15 | LINE 14 | LINE | 13 | LINE | 12 | LINE | 11 | LINE | 10 | LINE 9 | LINE | 8 | LINE | 7 | LINE | 6 | LINE | 5 | LINE 4 | LINE 3 | LINE 2 | LINE 1 |
| MIC 16 |
| MIC 15 | MIC 14 | MIC 13 |
| MIC 12 |
| MIC 11 |
| MIC 10 | MIC 9 | MIC 8 |
| MIC 7 |
| MIC 6 |
| MIC 5 | MIC 4 | MIC 3 | MIC 2 | MIC 1 | |||
TRIM | 1 | TRIM | 2 | TRIM | 3 TRIM | 4 TRIM | 5 | TRIM | 6 TRIM | 7 | TRIM | 8 | TRIM | 9 TRIM | 10 TRIM | 11 | TRIM 12 | TRIM | 13 | TRIM | 14 | TRIM | 15 TRIM | 16 |
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BV | BV | BV | BV | BV | BV | BV | BV | BV | BV | BV | BV | BV | BV | BV | BV |
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AIN | AIN | AIN | AIN | AIN | AIN | AIN | AIN | AIN | AIN | AIN | AIN | AIN | AIN | AIN | AIN |
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| LAMP |
AUX | AUX | AUX | AUX | AUX | AUX | AUX | AUX | AUX | AUX | AUX | AUX | AUX | AUX | AUX | AUX |
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PRE |
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| AUX | S EREO AUX RETUR | S | ||||
SHIFT |
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| CHANNELSHIFTSHIFTSHIFTSHIFTSHIFTSHIFT | SHIFTSTRIPSSHIFTSHIFTSHIFTSHIFT |
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| ASSIGN OPTIONS | |||||
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4 |
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| PHAN | PWR | ONLY |
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EQ |
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| SECTION28 | ||||||
| HI |
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| LEFT RIGHT | ||||||||||||||||||
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| MID | TAPE IN |
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| MAIN MIX |
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| MAIN MIX | MODE |
| 30 |
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LOW CUT |
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| SOURCE | NORMAL (AFL) | RUDE |
75 Hz |
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18dB/OCT |
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| LEVEL SET (PFL) | LIGHT | |
PAN |
| PAN |
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| PAN |
| PAN |
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| ASSIGN TO MAIN MIX |
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| LEFT | LEFT | LEFT | LEFT |
L | R | L | R | L | R | L | R | L | R | L | R | L | R | L | R | L | R | L | R | L | R | L | R | L | R | L | R | L | R | L | R |
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1 |
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| PHONES |
MUTE | MUTE |
| MUTE | MUTE | MUTE | MUTE | MUTE | MUTE | MUTE | MUTE | MUTE | MUTE |
| MUTE | MUTE | MUTE | MUTE | RIGHT | RIGHT | RIGHT | RIGHT | MAIN |
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| SOLO | SOLO | SOLO | SOLO | SOLO | SOLO | SOLO | SOLO | SOLO | SOLO |
| SOLO | SOLO | SOLO | SOLO | SOLO |
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| L - R | L - R | L - R | L - R | L - R | L - R | L - R | L - R | L - R | L - R |
| L - R | L - R | L - R | L - R | L - R |
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| TRACK | TRACK |
| TRACK | TRACK | TRACK | TRACK | TRACK |
| TRACK |
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1 2 3 4 5 6 7 8
Throughout these chapters you’ll find illus- trations, with each feature numbered. If you’re curious about a feature, simply locate it on the appropriate illustration, note the number at- tached to it, and find that number in the nearby paragraphs or refer to the table of contents.
You’ll also find
You’ll also notice feature numbers just float- ing in space, like this . These numbers direct you to relevant information. This icon marks infor-
mation that is critically
important or unique to the
good, read them and re- member them. They will be on the final test.
This icon will lead you to
in-depth explanations of fea-
tures and practical tips. While not mandatory, they’ll have some valuable information.
THE GLOSSARY: A HAVEN OF NON-TECHINESS FOR THE NEOPHYTE
Since the
A PLUG FOR THE CONNECTORS SECTION
Also at the back of this manual is a section on connectors: XLR connectors, balanced con- nectors, unbalanced connectors, special hybrid connectors. Although we provide diagrams throughout the manual, the Connections appendix gives more of the whys and wherefores for beginners.
ARCANE MYSTERIES ILLUMINATED
Finally, we’ve included an appendix titled
“Balanced Lines, Phantom Powering, Ground- ing and Other Arcane Mysteries.” This section discusses some of the down ’n’ dirty practical realities of microphones, fixed installations, grounding, and balanced versus unbalanced lines. It’s a gold mine for the neophyte and even the seasoned pro might learn a thing or two.
4