powerful hardware
software updatable
multichannel
Special Design Features
Congratulations on your purchase of the Proceed Audio Video Preamplifier (AVP2). We have gone to great lengths to ensure that the AVP2 remains
The AVP2 shares the same type of powerful DSP engine used in the Mark Levinson Nº40 Media Console, employing multiple Analog Devices SHARC DSP chips in a
The AVP2 includes eight channels of digital to analog conversion, all of which |
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can process and convert 192 kHz digital information. In addition, all volume con- |
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trols within the AVP2 are implemented in the analog domain, allowing the DACs |
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to run at their maximum resolution at all times. (This approach stands in contrast |
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to digital volume controls, which operate by requiring the converters to operate at |
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less than their maximum capabilities. After all, what would be the point of having | 15 |
24 bit/192 kHz music formats if you end up throwing away much of the improve- |
ment in a digital volume control?)
All the software that the AVP2 uses is stored in special “flash” memory that can easily be updated as improvements are made available. These improvements can affect both operational and performance enhancements, and can accommodate new industry standards for digital audio (which seem to proliferate with every passing every year).
With a simple software download a short time after such a new digital audio standard is announced, your Audio Video Preamplifier would be able to decode and play back the new digital signal. The previous generation of AVP, for example, saw several significant software updates that provided support for both new sig- nal formats and important feature enhancements.
The Audio Video Preamplifier is designed to be flexible with respect to its audio configurations, as well. In its standard configuration, it provides the standard 5.1 channel selection of outputs made popular by home theater. However, it also in- cludes an extra two channels that may be used in any of several ways, whether to accommodate larger rooms (separate side and rear speakers) or more sophisti- cated audio processing (Dual Drive™ surrounds, for example).
It is just a matter of what you want the system to do. You can have the system work the way you want it to work, rather than being limited to the way we thought you’d want it to work. (After all, a