SURROUND MODES

The SR7200 incorporates digital signal processors (DSP) which can reproduce various surround effects you experience in concert halls and movie theaters, etc. These Surround Modes, are provided to reproduce a variety of surround sound effects, according to the content of the source to be played.

Surroud mode

FEATURES

 

 

1. AUTO

When this mode is selected, the receiver determines whether the digital input signal is Dolby Digital, PCM-audio or DTS.

 

 

Note:

 

 

When a Dolby Digital or DTS signal is input, the number of channels for which the corresponding signal is encoded will be

 

 

played.

 

 

Inputting a Dolby Digital two channel signal with Dolby surround status automatically subjects that signal to Pro-Logic

 

 

processing before play.

 

 

96 kHz source material can be playback in this mode.

 

 

 

2.

STEREO

This mode bypasses all surround processing.

 

 

Stereo program sources the left and right channels play normaly when PCM-audio or analog stereo is input.

 

 

With Dolby Digital and DTS sources, the 5.1 multi-channels are converted to two channel stereo. 96 kHz source material can be

 

 

playback in stereo mode.

 

 

 

3.

2

This mode is used with source materials encoded in Dolby Digital and Dolby Surround.

 

 

Dolby Pro Logic II brings the excitement of surround sound to any stereo mix, while making existing Dolby Surround mixes

 

 

sound more like discrete 5.1 channels Surround sound.

 

 

Dolby Pro Logic II has below 3 modes.

 

MOVIE

This mode provides 5.1 channel surround sound from Dolby Surround encoded stereo movie sound tracks.

 

MUSIC

This mode provides 5.1 channel surround sound from conventional stereo sources, analog or digital, such as CD, tape, FM, TV,

 

 

stereo VCR, etc.

 

PRO

This mode emulated original Dolby Pro Logic decoding (3/1 surround) suit for Dolby Surround encoded stereo movie

 

LOGIC

soundtracks.

 

 

Note:

 

 

PCM-audio signals can be subjected to Pro Logic processing when the sampling frequency is 32 kHz, 44.1 kHz or 48 kHz.

 

 

When a signal in another format is input, output will be muted.

4.

DTS

This mode is for DTS encoded source materials such as LASER DISC, CD, and DVD.

 

 

The DTS mode cannot be used when an Analog input has been selected. When the signal in another digital format is input,

 

 

output will be muted.

 

 

 

5.

6.1CH

This mode reproduces 6.1 channel sound field by extracting the surround center information from surround left and surround

 

Surround

right channels.

 

 

This mode is suited for 6.1 channel encoded material such as Dolby Digital Surround EX and DTS-ES.

 

 

Note:

 

 

Dolby Digital 5.1ch and DTS source material can be playback in this mode.

6.

MOVIE

These modes provide surround effect processing from each input source material.

 

HALL

They will produce theater, concert hall and stadium like atmospheres. Select as your taste desires.

 

STADIUN

Note:

 

MATRIX

PCM-audio (32 kHz, 44.1 kHz or 48 kHz) and analog source material can playback in this mode.

 

 

 

7.

VIRTUAL

This mode create the virtual surround sound with the front right and left speakers.

 

 

Note:

 

 

The 96 kHz sampling frequency and DTS source material mutes output.

 

 

 

8.

CS5.1

This mode is backward compatible, such that surround sound playback is possible from any stereo or passive matrix-encoded

 

 

material. Five full-bandwidth, discrete channels of information can be extracted from an enormous library of material not

 

 

encoded in Dolby Digital or DTS.

 

 

Note:

 

 

PCM-audio (32 kHz, 44.1 kHz or 48 kHz) and analog source material can play back in this mode.

 

 

 

9.

6CH

This mode is used to create a wider, deeper and more natural soundstage from two channel source material.

 

STEREO

This is done by feeding the left channel signal to both left front and left surround speaker and the right channel signal to both

 

 

right front and right surround speaker. Additionally, the center channel reproduces a mix of the right and left channel.

 

 

Note:

 

 

The 96 kHz sampling frequency mutes output.

 

 

 

ENGLISH

Caution for DTS signal:

This signal can be played when the connected DVD-player, laser- disc player or CD-player is capable of DTS-digital output. For details, refer to the player's operation manual.

Depending on the player used, DTS play may produce noise. If that happens, set the Surround mode to DTS.

Playing a DTS-CD or DTS laser disc causes the player’s analog output terminal to output noise. Before playing DTS sources, be sure to connect the player’s digital output to the SR7200’s digital input. Be careful when connecting the output of these players to analog audio input.

Note that the SR7200 has the following restrictive functions built in to reduce noise emission as much as possible.

If DTS is selected while in the Surround mode, digital input cannot be switched to analog input. When the analog input function has been selected, Surround mode cannot be switched to DTS.

While signals from DTS-laser disc or CD are playing in another Surround mode, you cannot switch to digital input or from digital input to analog input.

Caution for 96kHz PCM-audio signal:

This signal can be played when a DVD-player or DAT-player connected to the SR7200 is capable of 96 kHz PCM output. For details, refer to the player’s operation manual.

The signal can be played when STEREO or AUTO has been selected for the Surround mode.

Some DVD formatted discs featured copy protect. When use such disc, 96 kHz PCM signal is not output from the DVD player. For details, refer to the player's operation manual.

27

Page 34
Image 34
Marantz SR7200 manual Surround Modes, Surroud mode, 1CH, CS5.1

SR7200 specifications

The Marantz SR7200 is a notable receiver that exemplifies high-quality audio performance coupled with advanced technology, making it a staple in home theater systems since its release. Designed for both music aficionados and home theater enthusiasts, the SR7200 offers a versatile array of features that enhance sound quality and user experience.

At the core of the SR7200 is a powerful amplification system, providing consumers with 110 watts per channel across seven channels. This ensures that users experience a robust and immersive sound, whether watching movies or listening to music. The receiver supports a wide range of surround sound formats, including Dolby Digital, Dolby Pro Logic II, DTS, and even virtual surround sound options, which allow for a powerful audio experience that fills the room.

One of the standout features of the Marantz SR7200 is its extensive connectivity options. The receiver is equipped with multiple HDMI inputs, allowing users to connect various sources such as Blu-ray players, gaming consoles, and streaming devices. Additionally, it has composite, component, and optical inputs, making it highly compatible with a multitude of devices. This wide array of inputs ensures that users can enjoy their favorite content without the hassle of switching cables.

The SR7200 also boasts advanced room calibration technology, which helps optimize audio performance according to the unique acoustics of the listening environment. Through the use of microprocessors, the receiver automatically adjusts speaker levels, equalization, and timing to ensure the best possible sound quality, regardless of room layout. This feature is particularly beneficial for novice users who may not have extensive knowledge of audio setup.

In terms of build quality, the Marantz SR7200 is constructed with attention to detail, featuring a solid chassis that is designed to minimize interference and reduce vibrations. The tonal balance is excellent, with crisp highs and deep, rich lows that enhance any audio playback.

Moreover, the receiver is user-friendly, with a nicely designed remote control and an intuitive on-screen setup process, making it accessible for everyone from beginners to seasoned audiophiles.

In summary, the Marantz SR7200 is a feature-rich A/V receiver that combines powerful amplification, multiple connectivity options, advanced audio processing technologies, and user-focused design. It remains a compelling choice for anyone seeking to enhance their home audio experience.