4.4 STEREO INPUTS | 5 |
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These are Channel 5 through 8. They are organised |
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in stereo pair (5&6 pair also features XLR Mic Input) |
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| LINE IN 5/6 | LINE IN 7/8 |
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and they are provided with 1/4" TRS phone sockets. |
| 2 | 1 |
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| 3 |
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If you connect only the left jack, the input will operate |
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| LEFT(MONO) | LEFT (MONO) |
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in mono mode. |
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| MIC (MONO) |
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| TRIM |
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| RIGHT | RIGHT |
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| 0dB | 60dB MIC |
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4.5 The 3 BANDS EQUALISER
A |
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range of frequency adjustment. |
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| EQ |
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| HI | 6 |
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| 12kHz | |
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4.5.1 HI | 6 | +15 |
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This is the Treble control. You can use it to get rid of high frequency |
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noises or to boost the sound of cymbals or the high harmonics of |
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| MID | 7 | |
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| 2.5kHz | |||
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the human voice. The gain range goes from | +12 |
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a center frequency of 12 kHz. |
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| LOW | 8 |
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| 80Hz |
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4.5.2 MID | 7 | +15 |
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This is the Midrange control. It can affect most fundamental fre- | 1 |
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quencies of all musical instruments and human voice. An attentive |
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use of this control will give you and very wide panorama of sound |
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| PRE |
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effects. The gain range goes from | - | 8 | +15 |
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frequency is 2.5 kHz. | 2 |
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| POST |
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4.5.3 LOW | 8 | - | 8 | +15 |
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This is the Bass control. Boost male voice or kickdrum and bass |
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guitar. Your system will sound much bigger than what it is. The gain |
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range goes from |
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| LEFT | RIGHT |
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| PEAK |
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| - | 8 | +15 |
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| LEVEL |
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5
9
