SP Studio Systems SP-12 manual Part 7 Mixing and Processing, Appendix

Models: SP-12

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CONTENTS

 

6C INTERNAL SYNC (SYNC 1)

73

6D MIDI SYNC (SYNC 2)

73

6E SMPTE SYNC (SYNC 3)

74

6F

CLICK SYNC (SYNC 4)

75

6G WRITING SMPTE TIME CODE ON TAPE

76

6H WRITING A 24 PPQN CLICK SYNC TRACK ON TAPE

77

PART 7: MIXING AND PROCESSING

78

7A MIXING AND PROCESSING: OVERVIEW

79

7B

PSEUDO AUTOMATED MIXDOWN

79

7C

CREATING AMBIENCE

79

7D USING SPECIAL EFFECTS IN THE STUDIO

80

APPENDIX

81

APPENDIX A: THE ART OF SAMPLING

82

 

PART 1: TAKING THE BEST POSSIBLE SAMPLE

82

 

PART 2: MANIPULATING THE SAMPLE

86

APPENDIX C: UNDERSTANDING TIME SIGNATURES

89

APPENDIX D: UNDERSTANDING MIDI/SMPTE

90

 

What does the MIDI cable do?

90

 

What does MIDI stand for?

90

 

How can information control a synthesizer or drum machine?

90

 

How does MIDI differentiate between different instruments?

91

 

16 channels, huh? Sounds like a lot of patch cords to me!

91

 

What kind of words does the MIDI language include?

91

 

Dealing With “MlDlosyncracies”

92

 

SMPTE

92

APPENDIX E: TIPS ON CREATING REALISTIC DRUM PARTS

93

APPENDIX F: TIPS ON USING CASSETTE INTERFACES

94

APPENDIX G: HOW THE SP-12 WORKS

96

APPENDIX H: SPECIAL FUNCTIONS (SET-UP #23)

97

© E-mu Systems, Inc. 1985

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SP Studio Systems SP-12 manual Part 7 Mixing and Processing, Appendix

SP-12 specifications

The SP Studio Systems SP-12 is a cutting-edge digital audio workstation that embodies innovation, versatility, and user-friendly design. Designed for both professional studios and home setups, the SP-12 sets a new standard in sound production and music creation. It combines advanced technology with an intuitive interface, making it suitable for both seasoned producers and beginners alike.

At the heart of the SP-12 is its powerful multi-core processor, allowing for seamless performance and efficient audio processing. This hardware design ensures that users can run multiple plug-ins and tracks without experiencing latency or lag, providing a smooth workflow that enhances creativity. Additionally, the SP-12 boasts a robust memory capacity, supporting extensive sample libraries and a vast array of sounds for diverse musical styles.

One of the standout features of the SP-12 is its advanced sampling technology. Users can import, edit, and manipulate samples with precision. The unit supports high-resolution audio formats, ensuring pristine sound quality. The intuitive software interface allows for easy navigation through samples, enabling users to chop, slice, and rearrange audio files effortlessly. This flexibility is a game-changer for producers looking to create unique tracks.

Another key characteristic is the SP-12's extensive connectivity options. It includes multiple USB ports, MIDI inputs and outputs, and analog connections, allowing for integration with various instruments and external devices. This versatility ensures that users can expand their studio setup according to their specific needs, whether they use it for live performance or studio recording.

Additionally, the SP-12 features an in-built sequencer that supports advanced MIDI functionalities, enabling users to create complex arrangements and orchestrate their musical ideas. Moreover, the workstation includes a comprehensive suite of virtual instruments and effects, allowing producers to shape their sound without needing third-party software.

Moreover, the SP-12's durable build quality and sleek design make it a stylish addition to any studio. Its compact form factor makes it portable, catering to musicians who need to produce music on the go.

In sum, the SP Studio Systems SP-12 is not just a digital audio workstation; it is a creative powerhouse. With its high-performance hardware, advanced sampling capabilities, extensive connectivity options, and user-friendly interface, it stands out as an essential tool for anyone serious about music production. Whether you’re composing, recording, or performing, the SP-12 is designed to inspire creativity and elevate your sound to new heights.