APPENDIX

APPENDIX F: TIPS ON USING CASSETTE INTERFACES

Here is a collection of background information and tips concerning cassette interfaces. Note that it might take you some time to set levels properly and get everything working right. However, once you get the hang of it, using the cassette interface should be simple and its operation highly reliable.

How they work: Pushing buttons on the SP-12 feeds data on songs and segments into the SP-12’s “brain”. This data, expressed in digital form, is conveniently stored in the SP-12’s memory banks, and backed up with a battery to keep the data intact even when the power is off.

By translating this data into a series of alternating audio tones rather than voltages, we may store the data on a standard audio tape recorder. Thus, the recorder stores a complete record of all the segment and song information, expressed as audio tones. The hardware that records or reads this data to or from tape is called a cassette interface. Once this data is stored on cassette, it may then be re-loaded back into the SP-12 at any time in the future.

Use the right kind of tape: Standard audiocassettes, while they may be used with cassette interfaces, are not recommended for this particular application. First of all, audio cassettes tend to be fairly long; if you use something like a C- 90, you can store so much data that sifting out one particular group of sounds or sequences can take forever.

Another problem is drop-outs. With audiotape, a short drop-out (while annoying) is no big deal. If that drop-out occurs in the middle of your data, though, look out! The cassette interface will receive garbled information, and may not even be able to load the data at all.

A better alternative is the certified data cassette. Certified data cassettes (available at Radio Shack, computer stores, some office supply stores, etc.) are terrible for audio, but wonderful for data storage. They come in relatively short lengths (C-5, C-10, and C-20) so you don’t waste tape, and are not too expensive. Ask your local computer freak (he’s the nerd with the glasses and $60,000 salary) for a good local source.

Use one cassette deck consistently: When using cassettes, store and play back data on the same tape recorder, preferably one with AC power. This gives the most reliable results, since there might be enough variations between different machines to cause problems.

Recording data on reel-to-reel recorders: It’ you’re working in the studio on a song which uses the SP-12, record the SP-12 data either just before or just after the song. Since reel-to-reel recorders run at higher speeds than cassette recorders, and use good quality tape, drop-outs and similar hassles should not be a problem. And, if you come back to the song at a later date, the SP-b2 data will be right there waiting for you. Reel-to-reel recorders also usually give you more flexibility in terms of setting input and output levels, thus allowing you to better match the tape interface to the tape.

© E-mu Systems, Inc. 1985

Page 94

Enhanced by The Emulator Archive 2002

www.emulatorarchive.com

Page 93 Page 95
Page 94
Image 94
SP Studio Systems SP-12 manual Appendix F Tips on Using Cassette Interfaces
Page 93 Page 95

SP-12 specifications

The SP Studio Systems SP-12 is a cutting-edge digital audio workstation that embodies innovation, versatility, and user-friendly design. Designed for both professional studios and home setups, the SP-12 sets a new standard in sound production and music creation. It combines advanced technology with an intuitive interface, making it suitable for both seasoned producers and beginners alike.

At the heart of the SP-12 is its powerful multi-core processor, allowing for seamless performance and efficient audio processing. This hardware design ensures that users can run multiple plug-ins and tracks without experiencing latency or lag, providing a smooth workflow that enhances creativity. Additionally, the SP-12 boasts a robust memory capacity, supporting extensive sample libraries and a vast array of sounds for diverse musical styles.

One of the standout features of the SP-12 is its advanced sampling technology. Users can import, edit, and manipulate samples with precision. The unit supports high-resolution audio formats, ensuring pristine sound quality. The intuitive software interface allows for easy navigation through samples, enabling users to chop, slice, and rearrange audio files effortlessly. This flexibility is a game-changer for producers looking to create unique tracks.

Another key characteristic is the SP-12's extensive connectivity options. It includes multiple USB ports, MIDI inputs and outputs, and analog connections, allowing for integration with various instruments and external devices. This versatility ensures that users can expand their studio setup according to their specific needs, whether they use it for live performance or studio recording.

Additionally, the SP-12 features an in-built sequencer that supports advanced MIDI functionalities, enabling users to create complex arrangements and orchestrate their musical ideas. Moreover, the workstation includes a comprehensive suite of virtual instruments and effects, allowing producers to shape their sound without needing third-party software.

Moreover, the SP-12's durable build quality and sleek design make it a stylish addition to any studio. Its compact form factor makes it portable, catering to musicians who need to produce music on the go.

In sum, the SP Studio Systems SP-12 is not just a digital audio workstation; it is a creative powerhouse. With its high-performance hardware, advanced sampling capabilities, extensive connectivity options, and user-friendly interface, it stands out as an essential tool for anyone serious about music production. Whether you’re composing, recording, or performing, the SP-12 is designed to inspire creativity and elevate your sound to new heights.
Top Page Image Contents