SP Studio Systems SP-12 manual 4A Sampling AN Overview

Models: SP-12

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SAMPLING YOUR OWN SOUNDS

4A SAMPLING: AN OVERVIEW

The SP-12’s sampling capabilities are pretty staggering. Bank 4 has eight sounds (User 1 through User 8) dedicated to sampled sounds. These samples can come from acoustic drums, electronic drums, synthesizers, or even records, CDs, and tapes.

Note that you are not limited to eight sampled sounds; while sounds can only be sampled into bank 4, once recorded in the bank they may then be copied over to other banks with the sound copy function. For example, copying bank 4, User 3 to bank 1, Bass 1 replaces the Bass 1 sound with the sound sampled into User 3.

The original User sound can then be erased to make room for another sound. By copying and erasing, it’s possible to obtain up to 32 sampled sounds:

Sample eight sounds into bank 14, User 1 through User 8. Copy these over to bank 1.

Erase the User sounds and record eight new User sounds. Copy the new User sounds over to bank 2.

Erase the User sounds and record eight new User sounds. Copy the new User sounds over to bank 3.

Erase the User sounds and record eight new User sounds, which remain in User 1 through User 8.

There is a catch; with the Turbo SP-12 (five seconds of sampling time), the average length of each sound can only be about 150 milliseconds long (5 seconds divided by 32 sounds). On the other hand, since the SP-12 sounds are so gorgeous it’s doubtful you would want to replace all of them with sampled sounds anyway. If you’re that serious about sampling, then give E-mu a call and ask them to tell you about the Emulator II...

Obtaining high-quality samples, and making optimum use of the standard available memory sampling space of 1.2 seconds, takes some practice. This Chapter of the manual gives the basics of sampling, while the Appendix gives additional tips and techniques to help you create top-quality samples.

Sampling always begins by activating the Sample module.

© E-mu Systems, Inc. 1985

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Enhanced by The Emulator Archive 2002

www.emulatorarchive.com

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SP Studio Systems SP-12 manual 4A Sampling AN Overview

SP-12 specifications

The SP Studio Systems SP-12 is a cutting-edge digital audio workstation that embodies innovation, versatility, and user-friendly design. Designed for both professional studios and home setups, the SP-12 sets a new standard in sound production and music creation. It combines advanced technology with an intuitive interface, making it suitable for both seasoned producers and beginners alike.

At the heart of the SP-12 is its powerful multi-core processor, allowing for seamless performance and efficient audio processing. This hardware design ensures that users can run multiple plug-ins and tracks without experiencing latency or lag, providing a smooth workflow that enhances creativity. Additionally, the SP-12 boasts a robust memory capacity, supporting extensive sample libraries and a vast array of sounds for diverse musical styles.

One of the standout features of the SP-12 is its advanced sampling technology. Users can import, edit, and manipulate samples with precision. The unit supports high-resolution audio formats, ensuring pristine sound quality. The intuitive software interface allows for easy navigation through samples, enabling users to chop, slice, and rearrange audio files effortlessly. This flexibility is a game-changer for producers looking to create unique tracks.

Another key characteristic is the SP-12's extensive connectivity options. It includes multiple USB ports, MIDI inputs and outputs, and analog connections, allowing for integration with various instruments and external devices. This versatility ensures that users can expand their studio setup according to their specific needs, whether they use it for live performance or studio recording.

Additionally, the SP-12 features an in-built sequencer that supports advanced MIDI functionalities, enabling users to create complex arrangements and orchestrate their musical ideas. Moreover, the workstation includes a comprehensive suite of virtual instruments and effects, allowing producers to shape their sound without needing third-party software.

Moreover, the SP-12's durable build quality and sleek design make it a stylish addition to any studio. Its compact form factor makes it portable, catering to musicians who need to produce music on the go.

In sum, the SP Studio Systems SP-12 is not just a digital audio workstation; it is a creative powerhouse. With its high-performance hardware, advanced sampling capabilities, extensive connectivity options, and user-friendly interface, it stands out as an essential tool for anyone serious about music production. Whether you’re composing, recording, or performing, the SP-12 is designed to inspire creativity and elevate your sound to new heights.