SAMPLING YOUR OWN SOUNDS

6.Looping can be set at the same time as truncation, or you can loop a previously truncated sample. Looping marks off a section (called a loop) of a User Sound. The display indicates the Loop Length (L=), whose end point is the end of the sample. With a looped User Sound, the sound plays normally until it reaches the end of the loop. It then jumps back to the Loop start point and re-plays through the loop. Upon reaching the loop end, it again re-plays the loop. Fig. 4-1 indicates a typical looping action. Looping provides “infinite sustain” effects, extends short samples, and if the loop is rhythmically related to a composition, produces interesting rhythmic effects.

You might wonder how useful an infinitely sustaining sound is, especially since this is supposed to be a percussive device...well, don’t forget about SETUP 18, which lets you alter a sound’s decay time instead of its tuning. Short decays work great with looped sounds if you want percussive effects.

7.If the display is already showing the truncation/loop parameters, proceed to step 7. Otherwise, activate the SET-UP module and key in 19. The display’s top line will show the User Sound to be truncated/looped. If this is the desired User Sound, press ENTER. If not, key in the desired User Sound with the keypad and then press ENTER.

8.Slider #5 gives coarse control over the loop length, while Slider #6 gives fine control. Moving the sliders upwards increases the loop length. Example: Adjusting these sliders so that L=2750 means that the loop length is 1/10th of a second long.

Note that you cannot alter loop length a sample at a time, but rather, in groups of samples (even with the fine loop length slider).

9.If you decide to change the truncation, note that you cannot truncate the sound shorter than the loop length; you must decrease the loop length in order to truncate any further. Also, you cannot set a loop length longer than the total sample time (fair enough).

10.When truncation and looping are set as desired, press ENTER. The display now asks “Make Truncation Permanent? Y/N.” Press YES to discard the truncated portions of the sound; this frees up additional sampling memory. Press NO to retain the current truncation settings, but hold the full sound in memory. This is useful if you think you might need to return to the original

© E-mu Systems, Inc. 1985

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SP Studio Systems SP-12 manual Sampling Your OWN Sounds
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SP-12 specifications

The SP Studio Systems SP-12 is a cutting-edge digital audio workstation that embodies innovation, versatility, and user-friendly design. Designed for both professional studios and home setups, the SP-12 sets a new standard in sound production and music creation. It combines advanced technology with an intuitive interface, making it suitable for both seasoned producers and beginners alike.

At the heart of the SP-12 is its powerful multi-core processor, allowing for seamless performance and efficient audio processing. This hardware design ensures that users can run multiple plug-ins and tracks without experiencing latency or lag, providing a smooth workflow that enhances creativity. Additionally, the SP-12 boasts a robust memory capacity, supporting extensive sample libraries and a vast array of sounds for diverse musical styles.

One of the standout features of the SP-12 is its advanced sampling technology. Users can import, edit, and manipulate samples with precision. The unit supports high-resolution audio formats, ensuring pristine sound quality. The intuitive software interface allows for easy navigation through samples, enabling users to chop, slice, and rearrange audio files effortlessly. This flexibility is a game-changer for producers looking to create unique tracks.

Another key characteristic is the SP-12's extensive connectivity options. It includes multiple USB ports, MIDI inputs and outputs, and analog connections, allowing for integration with various instruments and external devices. This versatility ensures that users can expand their studio setup according to their specific needs, whether they use it for live performance or studio recording.

Additionally, the SP-12 features an in-built sequencer that supports advanced MIDI functionalities, enabling users to create complex arrangements and orchestrate their musical ideas. Moreover, the workstation includes a comprehensive suite of virtual instruments and effects, allowing producers to shape their sound without needing third-party software.

Moreover, the SP-12's durable build quality and sleek design make it a stylish addition to any studio. Its compact form factor makes it portable, catering to musicians who need to produce music on the go.

In sum, the SP Studio Systems SP-12 is not just a digital audio workstation; it is a creative powerhouse. With its high-performance hardware, advanced sampling capabilities, extensive connectivity options, and user-friendly interface, it stands out as an essential tool for anyone serious about music production. Whether you’re composing, recording, or performing, the SP-12 is designed to inspire creativity and elevate your sound to new heights.
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