GETTING READY

1F TUNING THE DRUMS/CHANGING DECAY (SET-UP 18)

1.You may tune or change the decay time of any of the drum sounds. Cymbals may also be tuned, but due to the nature of the SP-12’s tuning change software, the sound will probably be different from your expectations of a “tuned cymbal” (SP-12 tuning creates more of a ring modulation type of effect).

2.Each sound may be programmed to have its tuning or decay (but not both) varied by its associated slider while the TUNE/DECAY LED is lit. Whether the slider affects tuning or decay is programmed in the SET-UP module. Activate SETUP, then key in 18. Play the desired sound. The display will indicate whether the sound is “TUNED” or “DECAYED”. Key in 1 if you want the slider to vary the tuning, or 2 if you want the slider to vary the decay. Drums and claps default to tuning variations, while cymbals default to decay variations.

3.Press the TUNE-MIX-MULTI switch until the TUNE/DECAY LED lights. Sounds which are set for decay mode have a small diagonal line above the drum sound number. The display graphically shows the relative tuning or decay of each drum; the center line indicates normal pitch or decay.

4.Vary the slider above the corresponding Drum Play button to vary the individual tuning (plus or minus a fifth) for each drum set for tuning change. As soon as you move the slider, the corresponding display graph will jump to its new position. The higher-pitched the drum, the taller the bar; the lower- pitched the drum, the shorter the bar. With those sounds set for decay change, varying the slider changes the amount of decay. The longer the decay, the taller the bar; the shorter the decay, the shorter the bar.

1G BACKGROUND: SETTING UP ADDITIONAL SOUNDS

This is where things really start to get interesting, thanks to a cute little trick called multimode and its offshoots, multipitch and multilevel.

Multipitch takes a single drum sound or handclap and “spreads” its pitch over all eight Drum Play buttons, with the leftmost button playing the highest pitch and the rightmost button playing the lowest pitch. With cymbals, multipitch spreads the decay with the leftmost button playing the longest decay and the rightmost button playing the shortest decay.

Multilevel takes a sound and spreads the level over all eight Drum Play buttons, with the leftmost button playing the softest level and the rightmost button playing the loudest level.

© E-mu Systems, Inc. 1985

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SP Studio Systems SP-12 manual 1F Tuning the DRUMS/CHANGING Decay SET-UP, 1G Background Setting UP Additional Sounds

SP-12 specifications

The SP Studio Systems SP-12 is a cutting-edge digital audio workstation that embodies innovation, versatility, and user-friendly design. Designed for both professional studios and home setups, the SP-12 sets a new standard in sound production and music creation. It combines advanced technology with an intuitive interface, making it suitable for both seasoned producers and beginners alike.

At the heart of the SP-12 is its powerful multi-core processor, allowing for seamless performance and efficient audio processing. This hardware design ensures that users can run multiple plug-ins and tracks without experiencing latency or lag, providing a smooth workflow that enhances creativity. Additionally, the SP-12 boasts a robust memory capacity, supporting extensive sample libraries and a vast array of sounds for diverse musical styles.

One of the standout features of the SP-12 is its advanced sampling technology. Users can import, edit, and manipulate samples with precision. The unit supports high-resolution audio formats, ensuring pristine sound quality. The intuitive software interface allows for easy navigation through samples, enabling users to chop, slice, and rearrange audio files effortlessly. This flexibility is a game-changer for producers looking to create unique tracks.

Another key characteristic is the SP-12's extensive connectivity options. It includes multiple USB ports, MIDI inputs and outputs, and analog connections, allowing for integration with various instruments and external devices. This versatility ensures that users can expand their studio setup according to their specific needs, whether they use it for live performance or studio recording.

Additionally, the SP-12 features an in-built sequencer that supports advanced MIDI functionalities, enabling users to create complex arrangements and orchestrate their musical ideas. Moreover, the workstation includes a comprehensive suite of virtual instruments and effects, allowing producers to shape their sound without needing third-party software.

Moreover, the SP-12's durable build quality and sleek design make it a stylish addition to any studio. Its compact form factor makes it portable, catering to musicians who need to produce music on the go.

In sum, the SP Studio Systems SP-12 is not just a digital audio workstation; it is a creative powerhouse. With its high-performance hardware, advanced sampling capabilities, extensive connectivity options, and user-friendly interface, it stands out as an essential tool for anyone serious about music production. Whether you’re composing, recording, or performing, the SP-12 is designed to inspire creativity and elevate your sound to new heights.