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SP Studio Systems SP-12 manual Dynamics

Models: SP-12

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APPENDIX

Removing the ground connection defeats the safety advantage of using a three-wire plug. Make sure the SP-12 chassis - some other path to ground (usually via the audio input and output cables). Having two paths to ground can cause ground loops, but having no paths to ground can cause a potential shock hazard if there’s an equipment malfunction in the studio. E-mu cannot be responsible for the use of ground lifters in improperly or inadequately wired environments.

Using signal processing while recording: Just as with regular recording, there are no absolutes about recording signals with or without signal processing. Some engineers feel that tracks should always be recorded flat to allow for the maximum number of options during mixdown; others prefer to record with a bit of processing, especially if the processor might be needed on another track when mixing.

Here are some thoughts about the use of various types of signal processors when recording samples.

External Preamp: If you need to preamplify the signal being sampled, set the Sample section GAIN SET to 00 dB and use an external, high-quality preamp to increase the signal level going into the SP-12. The SP-l2 preamp noise level, while acceptable, is sometimes not as quiet as an external mic preamp.

Limiting Dynamic Range: Limiting the signal being sampled can put a higher average signal level into the SP-l2, thus improving the already excellent signal-to- noise ratio. Also, the limit point can be set just under the SP-12 overload point, which makes level setting less critical.

Equalization: If using EQ gives a better instrument sound, then use it. You want the best possible sound going into the SP-12, so if a little EQ is indicated, it’s usually better to add it while recording rather than having to think about it during playback.

Compression: Compression can be helpful when looping sounds since it evens out level changes, thus reducing any tendency towards loop “glitching” due to abrupt level changes between the beginning and end points of the loop. If appropriate, use the SP-12’s decay option to shorten the overall decay time and restore the original

signal

dynamics.

© E-mu Systems, Inc. 1985

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SP Studio Systems SP-12 manual Dynamics
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SP-12 specifications

The SP Studio Systems SP-12 is a cutting-edge digital audio workstation that embodies innovation, versatility, and user-friendly design. Designed for both professional studios and home setups, the SP-12 sets a new standard in sound production and music creation. It combines advanced technology with an intuitive interface, making it suitable for both seasoned producers and beginners alike.

At the heart of the SP-12 is its powerful multi-core processor, allowing for seamless performance and efficient audio processing. This hardware design ensures that users can run multiple plug-ins and tracks without experiencing latency or lag, providing a smooth workflow that enhances creativity. Additionally, the SP-12 boasts a robust memory capacity, supporting extensive sample libraries and a vast array of sounds for diverse musical styles.

One of the standout features of the SP-12 is its advanced sampling technology. Users can import, edit, and manipulate samples with precision. The unit supports high-resolution audio formats, ensuring pristine sound quality. The intuitive software interface allows for easy navigation through samples, enabling users to chop, slice, and rearrange audio files effortlessly. This flexibility is a game-changer for producers looking to create unique tracks.

Another key characteristic is the SP-12's extensive connectivity options. It includes multiple USB ports, MIDI inputs and outputs, and analog connections, allowing for integration with various instruments and external devices. This versatility ensures that users can expand their studio setup according to their specific needs, whether they use it for live performance or studio recording.

Additionally, the SP-12 features an in-built sequencer that supports advanced MIDI functionalities, enabling users to create complex arrangements and orchestrate their musical ideas. Moreover, the workstation includes a comprehensive suite of virtual instruments and effects, allowing producers to shape their sound without needing third-party software.

Moreover, the SP-12's durable build quality and sleek design make it a stylish addition to any studio. Its compact form factor makes it portable, catering to musicians who need to produce music on the go.

In sum, the SP Studio Systems SP-12 is not just a digital audio workstation; it is a creative powerhouse. With its high-performance hardware, advanced sampling capabilities, extensive connectivity options, and user-friendly interface, it stands out as an essential tool for anyone serious about music production. Whether you’re composing, recording, or performing, the SP-12 is designed to inspire creativity and elevate your sound to new heights.