If using Playback Special Effects, press EFFECT ( pg. 51).
At the end of the scene, press EDIT IN/OUT. The Edit-Out position appears in the Random Assemble Editing Menu.

54 EN

USING THE REMOTE CONTROL UNIT (cont.)

Programme

 

 

 

 

 

I N

OUT MODE

Random Assemble

 

1

 

—— ——: ——~

Editing Menu

 

2

 

~

3~

4~

5~

6~

7~

8~

T I ME CODE ——: ——

TOTAL 0 0 : 0 0

Remote sensor

SELECT SCENES

4 Point the remote control at the camcorder’s remote sensor. Press PLAY (4) and then press R.A.EDIT ON/ OFF on the remote control.

The Random Assemble Editing Menu appears.

5 If using a Fade/Wipe at the beginning of the scene, press FADE/WIPE on the remote control.

•Cycle through the effects by pressing repeatedly, and stop when the one you want is displayed.

•You cannot use a Picture Wipe/Dissolve at the beginning of Programme 1.

6 At the beginning of the scene, press EDIT IN/OUT on the remote control. The Edit-In position appears in the Random Assemble Editing Menu.

7

FADE/WIPE

PLAY

8 If using a Fade/Wipe at the end of the scene, press FADE/WIPE.

•Cycle through the effects by pressing repeatedly, and stop when the one you want is displayed.

•If you select a Fade/Wipe effect for an Edit-Out point, the effect is automatically applied to the following Edit-In point.

•You cannot use a Picture Wipe/Dissolve at the end of the last scene.

•When you use Fade/Wipe effects, that time is included in the total time (this does not apply to Picture Wipe/Dissolve).

9

EFFECT

EDIT IN/OUT R.A.EDIT ON/OFF

CANCEL

10 Repeat steps 6 through 9 to register additional scenes.

•To change previously registered points, press CANCEL on the remote control. The registered points disappear, one at a time, from the most recently registered point.

•If you are not using Fade/Wipe or Programme AE with special effects, repeat steps 6 and 7 only.

NOTES:

●When choosing a scene, set Edit-In and Edit-Out points so that there is a relatively large difference between them.

●If the search time for an in-point exceeds 5 minutes, the recording deck’s Record-Standby mode will be cancelled and editing will not take place.

●If there are blank portions before or after the Edit-In and Edit-Out points, a blue screen may be included in the edited version.

●Since time codes register time only as accurately as seconds, the time code total time may not match the total programme time exactly.

●Turning off the camcorder’s power erases all registered Edit-In and Edit-Out points.

●If you select Sepia or Monotone mode from Programme AE with special effects, you cannot use the Dissolve or Black & White Fader. In this case the Dissolve or Black & White indicator begins blinking. Once the next Edit-In point is registered, the effect is turned off. To combine these effects, use Sepia or Monotone during recording, then use the Dissolve or Black & White Fader during Random Assemble Editing.

●It is not possible to use Fade/Wipe effects and Programme AE with special effects during Random Assemble Editing using a DV cable.

VMD6 EN(40/80)

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Technicolor - Thomson VMD 6 user manual 54 EN, Select Scenes, Programme, Editing Menu
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VMD 6 specifications

The Technicolor - Thomson VMD 6 is a sophisticated video module designed for advanced video processing and distribution applications. Known for its reliability and high performance, the VMD 6 is widely utilized in broadcast, multimedia, and video surveillance systems. Its robust architecture ensures that it meets the demanding requirements of contemporary content delivery networks.

One of the standout features of the VMD 6 is its ability to support various video formats, including SD, HD, and even 4K resolutions. The module is equipped with an automated format detection system that simplifies the integration of different video sources, making it adaptable to various workflows. This versatility is crucial in environments where multiple video streams must be handled simultaneously without compromising quality.

The VMD 6 leverages advanced compression technologies to efficiently encode and decode video streams. It incorporates industry-standard codecs such as H.264 and H.265, enabling high-quality video streaming while minimizing bandwidth usage. This compression capability is particularly beneficial for delivering content over constrained networks, ensuring seamless playback regardless of connection quality.

Another key characteristic of the Technicolor - Thomson VMD 6 is its real-time processing capabilities. The module features low-latency processing, which is essential for live broadcasts and interactive applications. Its architecture allows for frame-accurate editing and timing synchronization, making it an ideal choice for broadcast studios and post-production facilities.

The user interface of the VMD 6 is designed for ease of use, providing operators with intuitive control over the module’s features. With comprehensive monitoring options, users can track video quality metrics and system performance in real-time, enabling proactive maintenance and troubleshooting.

In terms of connectivity, the VMD 6 offers multiple input and output options, including HDMI, SDI, and IP streaming. This ensures compatibility with a wide range of external devices and simplifies integration into existing infrastructures.

Overall, the Technicolor - Thomson VMD 6 stands out as a versatile and powerful video module. Its support for various video formats, advanced compression capabilities, real-time processing features, and user-friendly interface make it an invaluable asset for any organization looking to enhance its video processing and distribution efficiencies. This module represents a significant advancement in video technology, catering to the needs of contemporary media environments.
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