Set the Power Switch to “ ” while pressing down the Lock Button located on the switch.
Press MENU/BRIGHT. The Menu Screen appears.

30 EN RECORDING Advanced Features For Video And D.S.C. (cont.)

White Balance Adjustment

Manual White Balance Operation

A term that refers to the correctness of colour reproduction under various lighting. If the white balance is correct, all other colours will be accu- rately reproduced.

The white balance is usually adjusted automatically. However, more advanced camcorder operators control this function manually to achieve a more professional colour/tint reproduction.

1

2

3 Rotate MENU/BRIGHT to select “ ”, then press it. The Menu Screen disappears and “W.BAL” and the currently selected mode are displayed.

4 Rotate MENU/BRIGHT to select the desired mode.

AUTO” – White balance is adjusted automati- cally (factory preset).

MAN.” – White balance is set manually. “” – Outdoors on a sunny day.

” – Outdoors on a cloudy day.

” – A video light or similar type of lighting is used.

5 Press MENU/BRIGHT. Selection is complete.

To Return To Automatic White Balance . . .

.... select “AUTO” in step 4. Or, set the Power

Switch to “”.

NOTE:

White balance cannot be used when Sepia or Monotone ( pg. 28) is activated.

Perform Manual White Balance when shooting under various types of lighting.

1 Follow steps 1 through 4 of the white balance adjustment, and select “ MAN.”.

2 Hold a sheet of plain white paper in front of the subject. Adjust zoom or position yourself so that the white paper fills the screen.

3 Press MENU/BRIGHT until begins blinking.

When the setting is completed, stops blinking.

4 Press MENU/BRIGHT. Only the Manual White

Balance indicator is displayed.

MENU/BRIGHT Wheel

White paper

Power Switch

To Change The Tint For Recording . . .

.... in step 2, substitute coloured paper for white.

The white balance is adjusted based on the colour, changing the tint. Red paper = deeper green; blue paper = orange; yellow paper = deeper purple.

NOTES:

In step 2, it may be difficult to focus on the white

paper. In such a case, adjust focus manually (  pg. 21).

A subject can be shot under various types of lighting conditions indoors (natural, flourescent, candlelight, etc.). Because the colour temperature is different depending on the light source, the subject tint will differ depending on the white balance settings. Use this function for a more natural result.

Once you adjust white balance manually, the setting is retained even if the power is turned off or the battery removed.

VMD6 EN(02/39)

30

28/08/00, 15:49

Page 31
Image 31
Technicolor - Thomson VMD 6 White Balance Adjustment, Manual White Balance Operation, To Return To Automatic White Balance

VMD 6 specifications

The Technicolor - Thomson VMD 6 is a sophisticated video module designed for advanced video processing and distribution applications. Known for its reliability and high performance, the VMD 6 is widely utilized in broadcast, multimedia, and video surveillance systems. Its robust architecture ensures that it meets the demanding requirements of contemporary content delivery networks.

One of the standout features of the VMD 6 is its ability to support various video formats, including SD, HD, and even 4K resolutions. The module is equipped with an automated format detection system that simplifies the integration of different video sources, making it adaptable to various workflows. This versatility is crucial in environments where multiple video streams must be handled simultaneously without compromising quality.

The VMD 6 leverages advanced compression technologies to efficiently encode and decode video streams. It incorporates industry-standard codecs such as H.264 and H.265, enabling high-quality video streaming while minimizing bandwidth usage. This compression capability is particularly beneficial for delivering content over constrained networks, ensuring seamless playback regardless of connection quality.

Another key characteristic of the Technicolor - Thomson VMD 6 is its real-time processing capabilities. The module features low-latency processing, which is essential for live broadcasts and interactive applications. Its architecture allows for frame-accurate editing and timing synchronization, making it an ideal choice for broadcast studios and post-production facilities.

The user interface of the VMD 6 is designed for ease of use, providing operators with intuitive control over the module’s features. With comprehensive monitoring options, users can track video quality metrics and system performance in real-time, enabling proactive maintenance and troubleshooting.

In terms of connectivity, the VMD 6 offers multiple input and output options, including HDMI, SDI, and IP streaming. This ensures compatibility with a wide range of external devices and simplifies integration into existing infrastructures.

Overall, the Technicolor - Thomson VMD 6 stands out as a versatile and powerful video module. Its support for various video formats, advanced compression capabilities, real-time processing features, and user-friendly interface make it an invaluable asset for any organization looking to enhance its video processing and distribution efficiencies. This module represents a significant advancement in video technology, catering to the needs of contemporary media environments.