Waves L3-LL Concepts and Terminology, The Peak Limiting Mixer, Gain and Priority, Separation

Models: L3-LL

1 26
Download 26 pages 4.2 Kb
Page 7
Image 7
1.3 Concepts and Terminology

L3-LL User Manual

1.3 Concepts and Terminology

The Peak Limiting Mixer

Traditional multiband limiters consist of a given number of limiters operating independently of each other, each set to a particular frequency range. The key to the L3-LL’s power is its patent-pending PLMixer™ Peak Limiting Mixer engine, which uses a single peak limiter to control all of its bands.

Dividing the audio spectrum into 5 bands using phase-compensated crossover filters, the PLMixer™ uses psychoacoustic criteria to intelligently decide how much attenuation to apply to each band, using all available headroom. The PLMixer™ incorporates superimposed Gain and Priority control that allow the user to set gain and priority (relative limiting) across the audio spectrum, functioning like an EQ before the L3-LL’s limiting section. The result is that inter-modulation distortion is minimized and overall loudness is maximized, while retaining the simplicity of a single master threshold control.

Unlike traditional multiband limiters, the PLMixer™ does not require a wide band peak limiter to catch overshoots generated by individual band adjustments; it automatically controls the gain relationship between bands while maintaining brickwall limiting.

Gain and Priority

The L3-LL’s Gain curve and Priority control make for a very powerful mastering tool, enabling both equalization and multiband limiting. The 5-band phase-compensated crossover engine is controlled by 4 frequency cutoff controls.

Separation

The L3-LL phase-compensated crossover allows control over the amount of Separation between its 5 bands. Separation is similar to a filter cutoff slope (or Q) between the bands’ sidechain being fed to the PLMixer™. At low Separation settings, crossover slopes between bands are moderate, creating more overlap between the bands. At higher Separation settings, the crossover slopes are steeper, resulting in less overlap between the bands.

A. Frequency bands’

A

Side-Chain at low

 

Separation value

 

B. Frequency bands’

B

Side-Chain at high

 

Separation value

 

7

Page 7
Image 7
Waves L3-LL user manual Concepts and Terminology, The Peak Limiting Mixer, Gain and Priority, Separation