Yamaha DSP-AX620 ■For movie programs: Nos. 7 to, No, DGTL, DGTL, MOVIE, 70 mm, MOVIE, 70 mm, q/DTS, SCI-FI, NORMAL, NORMAL, NORMAL, Program, (group), THEATER, THEATER

SOUND FIELD PROGRAM

■For movie programs: Nos. 7 to 9

No.	Program	Sub-program		Input source	Features
	(group)
7	MOVIE	SPECTACLE	70 mm	Analog, PCM,	This program creates the extremely wide sound
	THEATER 1		SPECTACLE	Dolby Digital in	field of a 70-mm movie theater. It precisely
				2-channel	reproduces the source sound in detail, making
					both the video and the sound field incredibly real.
			DGTL	Dolby Digital
					This is ideal for any kind of video source encoded
			SPECTACLE	(5.1-channel)
					with Dolby Surround, Dolby Digital or DTS
			DTS SPECTACLE	DTS	(especially large-scale movie productions).
		SCI-FI	70 mm SCI-FI	Analog, PCM,	This program clearly reproduces dialog and
				Dolby Digital in	sound effects in the latest sound form of science
				2-channel	fiction films, thus creating a broad and expansive
					cinematic space amid the silence. You can enjoy
			DGTL SCI-FI	Dolby Digital
					science fiction films in a virtual-space sound field
				(5.1-channel)
					that includes Dolby Surround, Dolby Digital and
			DTS SCI-FI	DTS	DTS-encoded software employing the most
					advanced techniques.
8	MOVIE	ADVENTURE	70 mm	Analog, PCM,	This program is ideal for precisely reproducing
	THEATER 2		ADVENTURE	Dolby Digital in	the sound design of the newest 70-mm and
				2-channel	multichannel soundtrack films. The sound field
					is made to be similar to that of the newest movie
			DGTL	Dolby Digital
					theaters, so the reverberations of the sound field
			ADVENTURE	(5.1-channel)
					itself are restrained as much as possible.
			DTS ADVENTURE	DTS
		GENERAL	70 mm GENERAL	Analog, PCM,	This program is for reproducing sounds from
				Dolby Digital in	70-mm and multichannel soundtrack films, and
				2-channel	is characterized by a soft and extensive sound
					field. The presence sound field is relatively
			DGTL GENERAL	Dolby Digital
					narrow. It spatially spreads all around and toward
				(5.1-channel)
					the screen, restraining the echo effect of
			DTS GENERAL	DTS	conversations without losing clarity. For the
					surround sound field, the harmony of music or
					chorus sounds beautifully in a wide space at the
					rear of the sound field.
9	q/DTS	NORMAL	PRO LOGIC/	Analog, PCM,	The built-in decoder precisely reproduces sounds
	SURROUND		NORMAL	Dolby Digital in	and sound effects from sources.
				2-channel	The highly efficient decoding process improves
					crosstalk and channel separation, and makes
			DOLBY DIGITAL/	Dolby Digital
					sound positioning smoother and more precise.
			NORMAL	(5.1-channel)
					In this program, the digital sound field processor
			DTS DIGITAL	DTS	is not turned on.
			SUR./NORMAL
		ENHANCED	PRO LOGIC/	Analog, PCM,	This program ideally simulates the multi-
			ENHANCED	Dolby Digital in	surround speaker systems of the 35-mm film
				2-channel	theaters. Dolby Pro Logic decoding, Dolby
					Digital decoding or DTS decoding and digital
			DOLBY DIGITAL/	Dolby Digital
					sound field processing create precise effects
			ENHANCED	(5.1-channel)
					without altering the original sound orientation.
			DTS DIGITAL	DTS	The surround effects produced by this sound field
					wrap around the viewer naturally from the back to
			SUR./ENHANCED
					the left and right, and toward the screen.

Notes

•The “ x” indicator does not light up when selecting the sub-program “NORMAL” of the q/DTS SURROUND program.

•If “1A CENTER SP” on the SET MENU is set to NONE, no sound is output from the center speaker.

•The effect sound is output from the main speakers when a monaural source is played with CINEMA DSP program groups 4 (GAME) and 5 to 8.

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