Style (Auto Accompaniment) Functions
■Recognized Standard Chords● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
All chords in the chart are
Chord Name/[Abbreviation] | Normal Voicing |
| Chord (C) | Display | ||||||
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Major [M] | 1 | - 3 - 5 |
| C | C |
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Add ninth [(9)] | 1 | - 2 - 3 - 5 |
| C(9) | Cadd9 |
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Sixth [6] | 1 | - (3) - 5 - 6 |
| C6 | C6 |
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Sixth ninth [6(9)] | 1 | - 2 - 3 - (5) - 6 |
| (9) | C6 | 9 |
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| C6 |
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Major seventh [M7] | 1 | - 3 - (5) - 7 |
| CM7 | CM7 |
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Major seventh ninth [M7(9)] | 1 | - 2 - 3 - (5) - 7 |
| (9) | CM79 |
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| CM7 |
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Major seventh add sharp eleventh [M7(#11)] | 1 | - (2) - 3 - #4 - 5 - 7 or |
| (#11) | CM7# | 11 | ||||
1 | - 2 - 3 - #4 - (5) - 7 |
| CM7 |
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Flatted fifth [(b5)] | 1 | - 3 - b5 |
| C(b5) | Cb5 |
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Major seventh flatted fifth [M7b5] | 1 | - 3 - b5 - 7 |
| (b5) | CM7b | 5 |
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| CM7 |
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Suspended fourth [sus4] | 1 | - 4 - 5 |
| Csus4 | Csus4 |
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Augmented [aug] | 1 | - 3 - #5 |
| Caug | Caug |
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Major seventh augmented [M7aug] | 1 | - (3) - #5 - 7 |
| CM7aug | CM7aug | |||||
Minor [m] | 1 | - b3 - 5 |
| Cm | Cm |
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Minor add ninth [m(9)] | 1 | - 2 - b3 - 5 |
| (9) | Cm add9 | |||||
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Minor sixth [m6] | 1 | - b3 - 5 - 6 |
| Cm6 | Cm6 |
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Minor seventh [m7] | 1 | - b3 - (5) - b7 |
| Cm7 | Cm7 |
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Minor seventh ninth [m7(9)] | 1 | - 2 - b3 - (5) - b7 |
| (9) | Cm7 | 9 |
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| Cm7 |
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Minor seventh add eleventh [m7(11)] | 1 | - (2) - b3 - 4 - 5 - (b7) |
| (11) | Cm7 | 11 |
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| Cm7 |
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Minor major seventh [mM7] | 1 | - b3 - (5) - 7 |
| CmM7 | CmM7 |
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Minor major seventh ninth [mM7(9)] | 1 | - 2 - b3 - (5) - 7 |
| (9) | CmM79 | |||||
| CmM7 | |||||||||
Minor seventh flatted fifth [m7b5] | 1 | - b3 - b5 - b7 |
| (b5) | Cm7b | 5 |
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| Cm7 |
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Minor major seventh flatted fifth [mM7b5] | 1 | - b3 - b5 - 7 |
| (b5) | CmM7b | 5 | ||||
| CmM7 |
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Diminished [dim] | 1 | - b3 - b5 |
| Cdim | Cdim |
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Diminished seventh [dim7] | 1 | - b3 - b5 - 6 |
| Cdim7 | Cdim7 |
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Seventh [7] | 1 | - 3 - (5) - b7 or |
| C7 | C7 |
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| 1 | - (3) - 5 - b7 |
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Seventh flatted ninth [7(b9)] | 1 | - b2 - 3 - (5) - b7 |
| (b9) | C7b | 9 |
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| C7 |
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Seventh add flatted thirteenth [7(b13)] | 1 | - 3 - 5 - b6 - b7 |
| (b13) | C7b | 13 |
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| C7 |
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Seventh ninth [7(9)] | 1 | - 2 - 3 - (5) - b7 |
| (9) | C79 |
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| C7 |
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Seventh add sharp eleventh [7(#11)] | 1 | - (2) - 3 - #4 - 5 - b7 or |
| (#11) | C7 | #11 |
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1 | - 2 - 3 - #4 - (5) - b7 |
| C7 |
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Seventh add thirteenth [7(13)] | 1 | - 3 - (5) - 6 - b7 |
| (13) | C713 |
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| C7 |
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Seventh sharp ninth [7(#9)] | 1 | - #2 - 3 - (5) - b7 |
| (#9) | C7# | 9 |
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| C7 |
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Seventh flatted fifth [7b5] | 1 | - 3 - b5 - b7 |
| C7b5 | C7b5 |
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Seventh augmented [7aug] | 1 | - 3 - #5 - b7 |
| C7aug | C7aug |
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Seventh suspended fourth [7sus4] | 1 | - 4 - 5 - b7 |
| C7sus4 | C7sus4 |
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Suspended second [sus2] | 1 | - 2 - 5 |
| Csus2 | Csus2 |
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NOTE
•Notes in parentheses can be omitted.
•Playing two same root keys in the adjacent octaves produces accompa- niment based only on the root.
•A perfect fifth (1 + 5) produces accompaniment based only on the root and fifth which can be used with both major and minor chords.
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