Preset Voice List
Voice name | Assigned key | Explanation | Variation |
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Piano | C4 | A sample taken from a CFIIIS | There is no variation setting for piano. |
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| concert grand piano. This voice offers a broad | The left pedal provides a soft (shifted) |
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| range of expression, from a delicate pianissimo | pedal effect. |
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| to an intense fortissimo, and reproduces the |
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| expansive feeling produced by the reverberation |
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| of the strings when you use the damper pedal. |
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Harpsichord | D4 | This voice is often used in baroque music. | Sound from strings an octave above |
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| Volume and tone do not respond to changes in | those you are playing is blended into |
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| touch. This voice also provides a realistic | the overall mix, for a brighter, more |
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| reproduction of the sound produced when a | effusive sound. |
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| key is released on a real harpsichord. |
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Vibraphone | E4 | A vibraphone struck with relatively light | A vibraphone with vibrato induced by |
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| mallets. | rotating fans. |
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Pipe organ | F4 | The magnificent pipe organ made famous by | A relaxed |
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| Bach’s “Toccata and Fugue”. | type often used in church music from |
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| the Baroque era. |
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Celesta | G4 | The | Voice with a register adjusted to the |
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| its appearances in works such as “The Dance of | same as the piano. |
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| the |
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| “Nutcracker Suite”. Its delicate |
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| sound is charming, and with a register one |
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| octave higher than that of a piano, the celesta |
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| allows you to enjoy the pleasures of the treble |
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| register. |
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Strings | A4 | A string section, redolent with atmosphere. | This variation reduces the attack of the |
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| This voice is very effective when used in dual | sound slightly. |
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| mode together with the piano voice. |
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Electric piano 1 | C#4 | An electric piano voice from an FM synthesizer, | A chorus effect adds an increased |
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| of the kind often used in popular music. This | feeling of spaciousness to the sound. |
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| voice is also effective when used in dual mode |
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| together with the piano voice. |
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Electric piano 2 | D#4 | A | Adds a phaser effect to the tone for an |
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| responds dynamically to the player’s touch | increased feeling of spaciousness. |
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| from a soft tone when played gently to a lightly |
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| distorted tone when played with more force. |
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| This is used extensively in pop and jazz. |
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Jazz organ | F#4 | A rotary organ voice used widely in jazz and | Press the left pedal to switch the speed |
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| rock. | of the rotary speaker (vibrato) to high. |
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Choir | G#4 | The sound of a choir singing in a large space. | This variation reduces the attack of the |
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| This voice is also effective when used in dual | sound slightly. |
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| mode together with the piano voice. |
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