Konica Minolta AF-2840 instruction manual

Page 61

The choice of output color space depends on how the image will be reproduced. For most home use where the image is displayed on a monitor or printed with a small printer, sRGB color space is adequate. Other color spaces have been included for professional and technical applications. For recommendations for color space use, see page 63.

sRGB: the color space promoted by Hewlett Packard and Microsoft. Since it reflects the average PC monitor characteristics, it is considered to be the standard for multi-media and Internet usage. sRGB is not suitable for professional prepress applications because of its narrow reproduction range.

Apple RGB: widely used in DTP. It is the standard color space in many common graphic arts and

design applications: Adobe Illustrator, Photoshop, etc.

SMPTE-C:this is the current standard used in television broadcasting in the United States.

PAL/SECOM: this is the current standard used in television broadcasting in Europe.

ColorMatch RGB: this color space standard has a wide color space and is ideal for use with Radius Press View monitors, which are commonly used in prepress production.

Adobe RGB: this color space standard is wider than ColorMatch RGB. The extensive color range makes it ideal for prepress use. However, the range is so great that it includes many colors that cannot be printed with a four-color printing process.

Gamut RGB: utilizing the color coordinates of the spectrum, this standard offers an extremely extensive range of colors. However, most of the colors that can be generated cannot be repro- duced on standard computer monitors or by printing technology.

NTSC: the current television broadcasting standard used in Japan.

CIE RGB: this color space is defined by the CIE (Commission Internationale d`Eclairage).

Monitor RGB: this color space is defined by the monitor’s ICC profile. See setting the monitor ICC profile section on page 62.

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Contents AV-A209 Selective-color palette Tone-curve correctionsColor Examples Before YOU Begin Table of Contents Page Table of Contents Page For Proper and Safe USE Page System Requirements Package contentsPolish IBM PC/AT compatible computersBefore installing the utility software InstallationInstalling the utility software Windows Page Installing the utility software Macintosh Page Launching the scanner utility from Photoshop Elements Installing Adobe Photoshop ElementsWindows MacintoshNames of parts Connecting the USB cable Before scanner setupDisconnecting the scanner Connecting the AC adapterTurning on the scanner Turning off the scannerFilm formats Where is the emulsion?Loading the film Handling filmLoading mounted slides Using the APS Adapter AD-10 sold separately Using the FH-U1 and SH-U1 film holdersLoading a film holder into the scanner Ejecting a film holder Easy Scan Utility Launching the Easy Scan UtilityUsing the Easy Scan Utility Canceling an index scan, prescan, or final scan Macintosh Page Pixel Polish button Auto Dust Brush button BMP File typesBasic scanning p Dimage Scan Dual III UtilityAdvanced scanning p Image processing pLaunching the utility from an image-processing application Launching the DiMAGE Scan Dual III UtilitySelecting the film format and type Dimage Scan Dual III Utility Basic ScanningMain window and index scan tab Index scanMaking an index scan Canceling the index scanSelecting index thumbnails Flip and rotate images Fit-to-window button Main window and prescan tab PrescanGrab tool Making a prescanMagnifying tool Auto croppingManual cropping CHP button APS filmPrescanning the cropped area Auto Dust Brush Removing the effect of dust Main window and Pixel Polish tab Pixel Polish Correcting images automaticallyPage Making the final scan using Jobs Quitting the DiMAGE Scan Dual III Utility Dimage Scan Dual III Utility Advanced Scanning Setting scanner preferencesPage Exposure-control tab Loading exposure settings Saving exposure settingsReverse frame order More index scan functionsSaving an index file Saving the index imagesLoading an index file Autoexposure control More prescan functions AE lock AE area selectionPoint AF Autofocus Focusing the scanner More prescan functionsManual focus Scan setting window Inputting scan settings manuallyAbout resolution and output size Scan setting examples Deleting a Job Saving scan settings as a JobCustom Wizard Page Color matching Setting the output color spacePage Scanner color profiles Setting the monitor ICC profileOutput Color Space Monitor RGB Color matching recommendationsMain window and image-correction tab Image processing toolsDimage Scan Dual III Utility Image Processing Tools and functions Effects Guide to image processing toolImage processing glossary Tracking image corrections Snapshot button Undoing and redoing image correctionsSaving image corrections Comparing pre and post correction imagesComplementary colors Loading image-correction JobsVariation palette Brightness, contrast, and color balance palette Tone curve and histogram corrections Tone curve and histogram palette Using tone curvesDrawing tone curves by freehand Bringing out detail in the shadows Short guide to tone curve correctionsCorrecting color Increasing image contrastHistogram corrections Tone curve / histogram auto setting White, gray, and black point corrections Selective-color palette Setting the white and black-point valuesUnsharp mask Hue, saturation, and lightness palette JOB File Lists 35mm filmAPS film Installed Files and Folders Mac OS Mac OS 8.6Solution Troubleshooting and Technical SupportPixel Polish and Mac OS Checking Scanner Installation WindowsTechnical support Warranty and product registrationRAM Technical SpecificationsComplementary colors Primary RGB and secondary CMY colorsAN Introduction to Color HSB color model p Complementary colors pHue corrections Universal Copyright Convention AV-A209