Peavey TC, GT owner manual General Specifications SP Console, Configurations

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SP / TC / GT

CENTURY SERIES

General Specifications -

SP Console

The following are the technical specifications for the Century SP console.

Frequency Response

+0.0, -0.5dB, 20Hz to 20 kHz (referenced to 1kHz)

Total Harmonic Distortion

 

Mic input to Group output

 

20Hz to 20 kHz at +15dBu

<0.01%

Noise (22Hz to 22kHz)

 

Mic EIN

-129 dBu

Mix Bus Output Noise (20 ch routed)

- 80 dBu

Aux Bus Output Noise (20 ch routed)

- 80 dBu

Crosstalk (Measured at 1kHz)

 

Channel Mute

>102 dB

Channel Fader Attenuation

> 96 dB

Channel Routing

> 85 dB

Channel Aux Send Attenuation

> 93 dB

Input/Output Impedances

4kΩ balanced

Mic Input

Line Input

>10kΩ balanced

Outputs

140Ω balanced

Input/Output Levels (0VU = +4 dBu, 1.23V RMS)

 

Mic Input Sensitivity

+ 4 to -62 dBu

Line Input Sensitivity

+ 12 to -38 dBu

Input Insertion Point Level

+ 4 dBu

Output Insertion Point Level

- 2 dBu

Nominal Output Level

+ 4 dBu

Maximum Balanced Output Level

+28 dBu

Configurations

SP Consoles are available in the following configurations:

Four Subgroup

16, 24, 32, 36, 44, or 56 inputs

Eight Subgroup

12, 20, 28, 32, 40, or 52 inputs

Optional stereo input modules and matrix modules are available.

Architect’s & Engineer’s

Specifications - SP Console

The following text should be used when specifying a Century SP in a bid or proposal.

The live sound console shall be constructed in a modular fashion and be housed in a steel frame with molded plastic side panel/carrying handles. The console shall be black with white labeling and utilize XLR lighting device connectors. The console shall have an XLR talkback mic connector and a headphone jack. These shall be located beneath the far right side of the armrest.

All microphone inputs shall be electronically balanced and accessed via 3- pin XLR connectors and have an EIN of -129 dBm. All line inputs shall be electronically balanced and accessed via 1/4" TRS jacks. The insert points shall be via 1/4" TRS jacks.

Each input channel shall have: a +48 volt phantom power switch, a -15 dB mic pad switch, a 80Hz high pass filter switch, and 4-band fixed EQ (80Hz, 300Hz, 2.7kHz, 10kHz) with an EQ In switch. Each input channel shall also have: a FET controlled (10 millisecond ramp) mute switch with LED, sub-group assignment switches, a L/R assignment switch, a dedicat- ed mono assignment switch, a dynamic signal present LED and peak LED, a PFL switch, and a 100mm long throw fader. Each input channel shall have eight auxiliary sends which shall be controlled via six knobs and three switches.The aux sends shall have a pre/post fader switch for every four sends. The aux sends shall be selectable pre or post fader.

The console shall be available in four or eight bus configurations. Each group module shall have a ten-segment LED meter array. The effect return section of each group module shall have a gain control, a two-band fixed EQ, sub-group assignment switches, a L/R assignment switch, a dedicated mono assignment switch, two aux send controls, a pan control, a level con- trol, a dynamic signal present LED and peak LED, and a PFL switch. The remainder of the group module shall have a pan control, an FET controlled

(10 millisecond ramp) mute switch with LED, assignment switches for: mono and L/R. A PFL switch, dynamic signal present LED and peak LED, and a 100mm long throw fader shall also be provided on the group mod- ule.

The master section shall be four modules in width and have the following features: eight aux master controls with associated AFL switches, a 100mm long throw fader for each of the three master outputs and a com- prehensive talkback system.

The power supply shall be housed in a 14 ga. steel chassis that shall occu- py two 19" rack spaces. The power supply shall have the ability to be daisy-chained to additional power supplies to provide a fail-safe operating environment. Connection of two or more power supplies shall not require additional interface hardware other than the provided cable.

The live sound console shall be: the Crest Audio Century SP.

APPENDIX A

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Contents SP TC GT Crest Audio Inc Table of Contents Feature Overview Wiring Conventions Input XLR Output XLRCentury Series Console Power Supply Power Connections To ConsoleSystem Connections Signal Processors SP Input Module Rear Connections HF Equalizer Control Polarity Reverse SwitchTC Input Module MID EQ Level and Sweep ControlsPAN Control GT Input Module PEAK/SHELVE HF SwitchPEAK/SHELVE LF Switch Four-Band Sweep Equalizer ControlsAux 8 Direct Switch Scene Mute Safe SwitchScene Mute Assignments GT Stereo Input Module XLR PAD SwitchStereo Switch Gain & R Gain ControlsPEAK/PFL LED Indicator Width ControlBAL Control Group SP/TC Group Modules GT Group Module Matrix Levels A, BEffect Aux Sends Matrix Pre/Post EFX Return Scene Mute Safe SwitchGroup XLR Fader Reverse w/LEDMatrix Matrix AUX Mains Mono Matrix Module Talk Back SP/TC Master Section Monitor GT Master Section GT Master Section contd GT TC SP General Specifications SP Console ConfigurationsArchitect’s & Engineer’s Specifications SP Console TC Consoles are available in the following configurations GT Consoles are available in the following configurations GT/TC Side Dimensions Rear Views & Dimensions GT rear view shownSP/TC/GT USER-OPTIONS TWO Remove top module screw Console DisassemblyONE Open the armrest Three Remove rear screwsPage SP TC GT Auxiliary 8 Direct Switch 100mm Fader See Fader 48 Volt Phantom PowerAuxiliary 34 Switch Auxiliary Mute SwitchesHF Peak/Shelve Switch Fader Reverse SwitchGroup XLR Switch High Pass SwitchSwitch LF Peak/Shelve SwitchMatrix Pre/Post Switch Mute SwitchScene Mute Assignment Switch Phantom PowerPolarity Reverse Switch Pre/Post Fader Switch Scene Mute Safe Switch w/LEDSP / TC / GT Appendix C Schematics Crest Audio Inc